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  • Features
    • Editorial
    • Interview
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    • Roundtable Reviews
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    • Two Cents
  • In Theaters
  • At Home
    • The Archivist
    • Arrow Heads
    • Criterion Collection
  • Streaming
    • Field of Streams
  • Film Festivals
    • Austin Film Festival
    • Chattanooga Film Festival
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    • New York Asian Film Festival
    • Old School Kung Fu Fest
    • Sundance
    • SXSW
  • On TV
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Spotlight

In MISSION: IMPOSSIBLE The Enemy Is Always Us

Brendan Foley
May 7, 2025May 7, 2025

Editor's Picks

Dattebayo! A Chat with Naruto: The Symphonic Experience Conductor Heidi Joosten

Dan Tabor
May 6, 2025May 7, 2025

THUNDERBOLTS* – Marvel is BACK Baby! (Spoiler Free!)

Dan Tabor
April 29, 2025May 2, 2025

WEIR WATCH: An Introduction and Trip to HOMESDALE

Jay Tyler
May 7, 2025April 21, 2025

Reb00t: THIRTEEN GHOSTS Is A Lot Of Great Makeup Effects, And Not Much Else.

Spencer Brickey
May 5, 2025May 5, 2025

The Accountant 2: Cuter Than You’d Expect!

Spencer Brickey
May 4, 2025May 3, 2025

THE SHROUDS: We Control The Dead, and the Dead Control Us

Julian Singleton
May 3, 2025May 2, 2025

UNTIL DAWN Feels Like A Long Lost Dark Castle Film, And I’m Here For It!

Spencer Brickey
May 2, 2025May 2, 2025

THE SURFER Gives Audiences One of Nicolas Cage’s Best Performance in Years

Mel Valentin
May 2, 2025May 2, 2025

Enlist With The New STRIPES 4k To Keep The World Safe For Democracy…And Meet Girls.

Spencer Brickey
May 1, 2025May 1, 2025

Garland & Mendoza Craft A Harrowing Anti-War Film In WARFARE

Spencer Brickey
April 30, 2025April 29, 2025

Two Cents Sinks Below The Waves and Raises the Tension With CRIMSON TIDE

Spencer Brickey
April 29, 2025May 7, 2025

THUNDERBOLTS* Recaptures What Made the MCU Special

Jay Tyler
April 29, 2025April 29, 2025

HAVOC is Visceral Powder Keg 

Dan Tabor
April 28, 2025April 28, 2025

HAVOC: Too Many Tired Dirty Cop Cliches, Too Little Ass Kicking

Spencer Brickey
April 28, 2025April 28, 2025

GANDHI: A World Event Still Stuns in 4K

Ed Travis
April 25, 2025April 25, 2025

Pretty Guardian Sailor Moon: The Super Live is Everything a Fan Could Want and more! 

Dan Tabor
April 24, 2025May 7, 2025

“We’ve All Got it Coming:” Two Cents Reflects on UNFORGIVEN

Julian Singleton
April 23, 2025April 29, 2025

Two Cents Goes Upside Down to Honor Gene Hackman in THE POSEIDON ADVENTURE

Frank Calvillo
April 19, 2025April 29, 2025

THE SHROUDS has David Cronenberg Tackling Grief and Loss in his most Personal Effort to Date

Dan Tabor
April 18, 2025April 18, 2025

BREAK THE ICE An Interview with QUEENS OF DRAMA Director Alexis Langlois

Dan Tabor
April 17, 2025April 29, 2025

Two Cents Celebrates Jimmy McGinty: Gene Hackman in THE REPLACEMENTS

Justin Harlan
April 14, 2025April 18, 2025

Arrow Heads: Amnesiac Spy Adventure THE LONG KISS GOODNIGHT Comes to 4K

Brendan Agnew
April 11, 2025April 11, 2025

SOME LIKE IT HOT – Billy Wilder’s Legendary Comedy Hits Criterion 4K

Brendan Agnew
April 11, 2025April 11, 2025

Reb00t: PIRANHA 3D

Spencer Brickey
April 10, 2025April 19, 2025

Blue Sunshine: The Ultimate Drug Freakout Film, Now On 4k From Synapse Films!

Spencer Brickey
April 8, 2025April 19, 2025

Hitting Repeat on THE BALLAD OF WALLIS ISLAND

Frank Calvillo
April 4, 2025April 4, 2025

THE THREE MUSKETEERS: D’ARTAGNAN & MILADY – A Titanic Two-Part Adaptation [Two Cents]

Brendan Agnew
April 3, 2025April 4, 2025

DreamWorks’ DOG MAN Bounds to Blu-ray

Brendan Agnew
April 2, 2025April 2, 2025

AMADEUS 4K Restores a Long-Lost Theatrical Version

Julian Singleton
March 30, 2025March 30, 2025

 THE FRIEND Review: A Career-Best Watts Anchors an Early Year Gem

Frank Calvillo
March 28, 2025March 28, 2025

A WORKING MAN, Jason Statham Doing Jason Statham Things in an Otherwise Routine Actioner

Mel Valentin
March 28, 2025March 28, 2025

Alex Garland and Ray Mendoza Return to the Battlefield in WARFARE

Eddie Strait
March 28, 2025April 19, 2025

AUDREY’S CHILDREN: Natalie Dormer Shines in this Philly-Based Bio Pic 

Dan Tabor
March 27, 2025March 27, 2025

A WORKING MAN is an Unhinged Farce of an Action Movie

Jay Tyler
March 27, 2025March 27, 2025

Criterion Review: Gene Hackman Shines in NIGHT MOVES

Matthew Jackson
March 25, 2025April 19, 2025

Two Cents Laughs Along with THE COURT JESTER

elizabeth stoddard
March 25, 2025April 15, 2025

SXSW 2025 Ranked: Cinapse’s Top 10 Films

David Delgado
March 23, 2025April 24, 2025

SNOW  WHITE Avoid the Drama, Come for the Nostalgia 

Dan Tabor
March 23, 2025April 13, 2025

SXSW 2025: REDUX REDUX is Tense Lo-Fi Sci-Fi

David Delgado
March 23, 2025March 23, 2025

Disney’s New Version of SNOW WHITE is One Bad Apple

Frank Calvillo
March 21, 2025March 21, 2025

Two Cents Revisits Neverland with 1991’s HOOK

Justin Harlan
March 21, 2025March 21, 2025

Reb00t: ASSAULT ON PRECINCT 13 (2005) Drops the Political Message, Keeps the Mean-Spiritedness!

Spencer Brickey
March 19, 2025April 13, 2025

TRICK OR TREAT: Synapse Films & Red Shirt Home Video Bring A Holy Grail of Near Lost Cinema to 4K!

Spencer Brickey
March 19, 2025March 19, 2025

Screen Comparisons: GODZILLA VS BIOLLANTE, Criterion Restoration vs 2012 Blu-ray

Austin Vashaw
March 19, 2025March 20, 2025

SXSW 2025: 40 ACRES Has a Fresh Take on the Post-Apocalypse

David Delgado
March 18, 2025March 18, 2025

A Chat with the Cast and Crew of Pretty Guardian Sailor Moon: The Super Live – a 2.5D Musical

Dan Tabor
March 17, 2025March 24, 2025

SXSW 2025: Tim Robinson and Paul Rudd are a Match Made in Hell in FRIENDSHIP

Julian Singleton
March 15, 2025March 15, 2025

SXSW 2025: SXSW Jury Award Winning Doc Short WELCOME HOME FRECKLES Hits Deep

Ed Travis
March 15, 2025March 15, 2025

What’s this Movie About? BLACK BAG

Frank Calvillo
March 14, 2025March 14, 2025

SXSW 2025: TOGETHER Gets Under Your Skin to Pull at Your Heart

Julian Singleton
March 14, 2025March 14, 2025

SXSW 2025: LIFEHACK is the Best Screenlife Feature Yet

Ed Travis
March 14, 2025March 14, 2025

SXSW 2025: THE SURRENDER is a Terrifying and Tactful Take on the Horrors of Loss

Julian Singleton
March 14, 2025March 14, 2025

SXSW 2025: FRIENDSHIP, Did We Just Become Best Friends?

Eddie Strait
March 14, 2025March 14, 2025

CUTTHROAT ISLAND: Stunts, Explosions & Corporate Bankruptcy On The High Seas! [Two Cents]

Spencer Brickey
March 14, 2025March 14, 2025

SXSW 2025: FUCKTOYS Evokes the Punk Spirit of a Bygone Age

Jon Partridge
March 13, 2025March 13, 2025

SXSW 2025: THE RIVALS OF AMZIAH KING is the Kind of Film that Sets Your Heart on Fire

Julian Singleton
March 13, 2025March 13, 2025

SXSW 2025: ANOTHER SIMPLE FAVOR is a Disappointing Return

David Delgado
March 13, 2025March 13, 2025

SXSW 2025: NIRVANNA THE BAND THE SHOW THE MOVIE the Renegade Comedy the Masterpiece?

David Delgado
March 13, 2025March 13, 2025

SXSW 2025: UVALDE MOM

elizabeth stoddard
March 13, 2025March 13, 2025

SXSW 2025: HALLOW ROAD is a White-Knuckle Ride

Jon Partridge
March 12, 2025March 12, 2025

SXSW 2025: THE RIVALS OF AMZIAH KING is a Prophetic American Masterwork

Ed Travis
March 12, 2025March 12, 2025

SXSW 2025: Nyle DiMarco and Davis Guggenheim on DEAF PRESIDENT NOW!

Julian Singleton
March 11, 2025March 24, 2025

SXSW 2025: Young Minds Engage and Excel in SPREADSHEET CHAMPIONS

Jon Partridge
March 11, 2025March 11, 2025

SXSW 2025: FORGE

elizabeth stoddard
March 11, 2025March 11, 2025

SXSW 2025: DEATH OF A UNICORN Brings Laughs and Plenty of Horned Gore

Jay Tyler
March 11, 2025March 11, 2025

SXSW 2025: Clownin around with CLOWN IN A CORNFIELD Author Adam Cesare

Dan Tabor
March 11, 2025March 11, 2025

SXSW 2025: SLANTED Looks At Race In America From Every Angle

Jay Tyler
March 10, 2025March 11, 2025

SXSW 2025: CLOWN IN A CORNFIELD Watch Out Art, Here Comes Frendo!

Dan Tabor
March 10, 2025March 10, 2025

SXSW 2025: GOOD BOY Sees Pupper Vs. Poltergeist in a Fresh Spin on an Familiar Tale

Jon Partridge
March 10, 2025March 10, 2025

SXSW 2025: ZODIAC KILLER PROJECT Turns a Failed Film Into a True Crime Examination

Eddie Strait
March 10, 2025March 10, 2025

“Murdered By Pirates is Good” – A Triple-Feature Pirate Podcast

Brendan Agnew
March 10, 2025March 24, 2025

SXSW 2025: BOXCUTTER An Aspiring Rapper Battles Self-Doubt

Eddie Strait
March 9, 2025March 9, 2025

SXSW 2025: DEAD LOVER Imagination Over Everything

Eddie Strait
March 9, 2025March 9, 2025

SXSW 2025: GLORIOUS SUMMER Exposes the Cracks in a Perfect Life

Eddie Strait
March 9, 2025March 9, 2025

SXSW 2025: THE ACCOUNTANT 2 is Fueled By Old Fashioned Chemistry, in Divergence From the First

Ed Travis
March 9, 2025March 9, 2025

SXSX 2025: O’DESSA Is A Sprawling, Glorious Mess

Jay Tyler
March 9, 2025March 9, 2025

SXSW 2025: WE ARE STORROR: Michael Bay’s Parkour Documentary Will Be One of 2025’s Greatest Docs

Ed Travis
March 8, 2025March 9, 2025

SXSW 2025: O’DESSA an Oddly Compelling, Wonderfully, Weird, Fairytale

Dan Tabor
March 8, 2025March 8, 2025

SEVEN VEILS is a Haunting Examination of Trauma

Frank Calvillo
March 8, 2025March 12, 2025

SXSW 2025: IT ENDS Defies Genre to Forge Its Own Path

Jay Tyler
March 8, 2025March 8, 2025

Pattinson, Pattinson, and Ho Prove a Memorable Trio with MICKEY 17

Frank Calvillo
March 7, 2025March 24, 2025

SXSW 2025: ONE MORE SHOT. Personal Growth through Time-loops and Tequila

Jon Partridge
March 7, 2025March 7, 2025

Is WIN OR LOSE the Best Thing Pixar Has Ever Made?

Jay Tyler
March 6, 2025March 18, 2025

Criterion Review: Guillermo del Toro’s CRONOS

Jon Partridge
March 5, 2025March 5, 2025

CAPTAIN BLOOD: Codifying the Romantic Swashbuckler [Two Cents]

Brendan Agnew
March 5, 2025March 11, 2025

In Honor of Demi Moore

Frank Calvillo
March 4, 2025March 4, 2025

SXSW 2025: The Cinapse Team’s ‘Most Anticipated’ Films

Jon Partridge
March 4, 2025March 18, 2025

Three Exceptional Films from CIFF to Look Out for in 2025: VULCANIZADORA, TRANSPLANT, & ON BECOMING A GUINEA FOWL

Nathan Ellwood
March 4, 2025March 4, 2025

Criterion Review: Akira Kurosawa’s YOJIMBO & SANJURO [4K-UHD]

Jon Partridge
March 3, 2025March 3, 2025

Top 10 2024 Films To Make You a More Empathetic Human Being

Ed Travis
March 2, 2025March 10, 2025

A Tribute to the Films Oscar Overlooked

Frank Calvillo
March 1, 2025March 5, 2025

Criterion Revists Oscar’s Past with New Releases of PAPER MOON and THE GRIFTERS

Frank Calvillo
February 27, 2025February 27, 2025

THE SCIENCE OF VIOLENCE: Interview with Combat Expert Eric Jacobus About New Book IF THESE FISTS COULD TALK

Spencer Brickey
February 27, 2025March 10, 2025

Two Cents Explores the Nightmares and Dream Factories of MULHOLLAND DR.

Julian Singleton
February 26, 2025March 3, 2025

Slamdance 2025: TWIN FENCES

elizabeth stoddard
February 25, 2025February 25, 2025

Slamdance 2025: MEMORIES OF LOVE RETURNED

elizabeth stoddard
February 24, 2025February 24, 2025

Slamdance 2025: BANR

elizabeth stoddard
February 24, 2025February 25, 2025

The Twelfth Annual Cinapse Awards

Dan Tabor
February 24, 2025March 3, 2025

Slamdance 2025: PORTAL TO HELL

elizabeth stoddard
February 24, 2025February 23, 2025

Slamdance 2025: CORONER TO THE STARS

elizabeth stoddard
February 23, 2025February 23, 2025

Lost Director’s Cut of SHE’S FUNNY THAT WAY – SQUIRRELS TO THE NUTS hits Streaming

Dan Tabor
February 23, 2025February 23, 2025

THE MONKEY, Death Comes For Us All, Laughing All The Way

Mel Valentin
February 21, 2025February 26, 2025

THE MONKEY Drums Up Carnage that Leaves You Cackling

Jon Partridge
February 20, 2025February 24, 2025

Two Cents: A Romance for the Ages in WILD AT HEART

Jon Partridge
February 19, 2025February 24, 2025

CLEANER: Daisy Ridley Navigates a Sleek DIE HARD Riff

Brendan Foley
February 19, 2025February 18, 2025

THE MONKEY is a Blood Soaked Banger

Dan Tabor
February 19, 2025February 28, 2025

THE MONKEY Laughs In The Face of Death

Jay Tyler
February 18, 2025February 28, 2025

LEGEND OF THE EIGHT SAMURAI (1983): A Pop Princess Assembles Avengers [Blu Review + Unboxing]

Ed Travis
February 17, 2025February 17, 2025

Taking a Trip with PADDINGTON IN PERU

Austin Vashaw
February 14, 2025March 18, 2025

CAPTAIN AMERICA: BRAVE NEW WORLD, Superhero Fatigue is Here and It’s Real

Mel Valentin
February 14, 2025February 14, 2025

PADDINGTON IN PERU, Everybody’s Favorite Bear Returns, Unfortunately to Diminishing Results

Mel Valentin
February 14, 2025February 24, 2025

With CAPTAIN AMERICA: BRAVE NEW WORLD, The MCU Shows Depth But Lacks Flash

Jay Tyler
February 12, 2025February 24, 2025

THE ELEPHANT MAN (1980): A Linchpin of Empathetic Cinema – Lynch/Love [Two Cents]

Ed Travis
February 12, 2025February 19, 2025

Criterion Review: PARIS, TEXAS [4K-UHD]

Jon Partridge
February 12, 2025February 12, 2025

THE SEARCHERS: A Piece of Seminal Cinematic Americana hits 4k UHD

Dan Tabor
February 11, 2025February 12, 2025

JACKIE BROWN is Cooler Than Ever in 4KUHD

Eddie Strait
February 10, 2025February 10, 2025

Bloody Valentines: This Year, LOVE HURTS and HEART EYES Offer Violent Romances

Austin Vashaw
February 10, 2025February 18, 2025

SUNDANCE 2025: PREDATORS is a Masterful look at the Rise, Fall and Rebirth of To Catch a Predator

Dan Tabor
February 5, 2025February 5, 2025

SUNDANCE 2025: ZODIAC KILLER PROJECT – The WALK HARD of True Crime Docs

Dan Tabor
February 5, 2025February 6, 2025

Two Cents: The Odd But Familiar World of ERASERHEAD

Jay Tyler
February 4, 2025February 19, 2025

SUNDANCE 2025: DEAF PRESIDENT NOW! is a Courageous and Compelling Civil Rights Chronicle

Julian Singleton
February 4, 2025February 4, 2025

FLIGHT RISK: Where The Mile High Club Meets The Sex Offender Registry

Spencer Brickey
February 3, 2025February 3, 2025

SUNDANCE 2025: SERIOUS PEOPLE – Drake Can’t Catch a Break, Even at Sundance

Dan Tabor
February 3, 2025February 3, 2025

SUNDANCE 2025: East of Wall: A Stirring Glimpse of the American Spirit

Dan Tabor
February 1, 2025February 1, 2025

SUNDANCE 2025: THE DATING GAME Poses a Charming and Unexpectedly Hilarious Warning

Dan Tabor
January 31, 2025January 31, 2025

DOG MAN – Basically a Perfect Kids’ Movie

Austin Vashaw
January 31, 2025February 10, 2025

SUNDANCE 2025: OMAHA  – a Bleak and Empathetic American Masterpiece 

Dan Tabor
January 30, 2025January 30, 2025

SUNDANCE 2025: BY DESIGN is a Feminist FREAKY FRIDAY, but with a Chair, No Really it is!

Dan Tabor
January 30, 2025January 30, 2025

SUNDANCE 2025: TOUCH ME An Absurdist Psychosexual Hentai Horror Comedy 

Dan Tabor
January 29, 2025January 29, 2025

Two Cents Turns A NEW LEAF

elizabeth stoddard
January 29, 2025February 19, 2025

Review: All The Haunts Be Ours: A Compendium Of Folk Horror Vol. 2 – An Academic Exploration of the Subgenre

Dan Tabor
January 29, 2025February 18, 2025

Criterion Review: WINCHESTER ’73 (1950) Blasts onto 4K and Blu-ray

Austin Vashaw
January 28, 2025April 22, 2025

Humans are the Haunters and the Haunted in Steven Soderbergh’s PRESENCE

Eddie Strait
January 27, 2025January 27, 2025

EVIL DOES NOT EXIST Explores the Balance Between Man and Nature

Eddie Strait
January 27, 2025January 27, 2025

Criterion Review: JO JO DANCER, YOUR LIFE IS CALLING

Eddie Strait
January 27, 2025January 27, 2025

Tarantino’s Ass Kicking Double Feature KILL BILL VOL. 1 & KILL BILL VOL. 2 Land On 4k! [4k Review]

Spencer Brickey
January 27, 2025January 27, 2025

MIRACLE MILE Screen Comparisons – Checking KLSC’s New 4K-Scanned Restoration Against Their 2015 Disc

Austin Vashaw
January 26, 2025January 26, 2025

LIZA: A TRULY TERRIFIC ABSOLUTELY TRUE STORY is a Truly Terrific Absolutely Great Documentary

Frank Calvillo
January 23, 2025January 23, 2025

Unearthed’s FEED is a Heaping Helping of Shock Cinema 

Dan Tabor
January 23, 2025January 23, 2025

PRESENCE Puts a Haunting Spin on Supernatural Thrillers

Julian Singleton
January 22, 2025January 22, 2025

BYSTANDERS: A Brutal and Refreshingly Feminist Take on the Rape/Revenge Subgenre

Dan Tabor
January 22, 2025January 22, 2025

Two Cents Takes on Shakespeare and Hitler with TO BE OR NOT TO BE

Frank Calvillo
January 20, 2025February 19, 2025

Indian Cinema Roundup: GAME CHANGER and DAAKU MAHARAAJ Redefine”Political Action”

Austin Vashaw
January 20, 2025March 17, 2025

WOLF MAN is a Lackluster Slice of Lycanthropy

Jon Partridge
January 15, 2025January 15, 2025

WOLF MAN is a Ruff Watch

Dan Tabor
January 15, 2025January 15, 2025

WOLF MAN Nails Dread, Stumbles on Substance

Jay Tyler
January 15, 2025January 17, 2025

THE LADY EVE: The Two Cents Team Swoons Over Stanwyck [Screwball Comedy 101]

Ed Travis
January 15, 2025February 19, 2025

PULP FICTION Celebrates 30 Years on 4K-UHD

Jon Partridge
January 13, 2025January 13, 2025

CHERRY 2000 Screen Comparisons – Checking KLSC’s New 4K-Scanned Restoration Against Their Earlier 2015 Disc

Austin Vashaw
January 12, 2025January 26, 2025

I Hated DEN OF THIEVES. Why Did I Love DEN OF THIEVES: PANTERA?

Brendan Foley
January 12, 2025January 27, 2025

Two Cents Welcomes the New Year with MY MAN GODFREY

elizabeth stoddard
January 7, 2025February 19, 2025

Sundance 2025: Passes and Tickets are on Sale, Plus My Picks!

Dan Tabor
January 7, 2025January 7, 2025

KC Film Critics “Are One” for THE SUBSTANCE in 2024 Awards

Austin Vashaw
January 6, 2025January 31, 2025

The Austin Film Critics Association Share their 2024 Film Awards

Jon Partridge
January 6, 2025January 31, 2025

BATMAN RETURNS: Two Cents Goes to Gotham for the Holidays

Frank Calvillo
January 1, 2025February 19, 2025

An Albert Brooks Fan’s Best Friend is his Copy of MOTHER

Frank Calvillo
January 1, 2025January 1, 2025

Ending 2024 with the Best of Kino Lorber

Frank Calvillo
January 1, 2025January 1, 2025

There’s One Reason to Get Caught in Shyamalan’s TRAP

Frank Calvillo
December 31, 2024December 31, 2024

Venturing Into THE ROOM NEXT DOOR 

Frank Calvillo
December 31, 2024December 31, 2024

NICKEL BOYS Is One of 2024’s Best Films

Eddie Strait
December 31, 2024December 31, 2024

THE ROOM NEXT DOOR is Top Tier Pedro Almodóvar

Eddie Strait
December 31, 2024December 31, 2024

SNACK SHACK Serves Up Profane Laughs and Lots of Fun

Eddie Strait
December 31, 2024December 31, 2024

Scoot McNairy and Kit Harrington Stir Up Trouble in BLOOD FOR DUST

Eddie Strait
December 31, 2024December 31, 2024

Sammo Hung’s Men On A Mission Magnum Opus EASTERN CONDORS Comes To Criterion Collection [Blu-ray Review]

Ed Travis
December 30, 2024December 30, 2024

GHOST STORIES: The VERY Inappropriate Dub on a Dated Yokai Anime that might fill that DANDADAN sized hole in your Heart

Dan Tabor
December 27, 2024December 27, 2024

Robert Eggers’s Provocative, Subversive NOSFERATU Will Enthrall Most, Perplex Others

Mel Valentin
December 27, 2024December 31, 2024

BETTER MAN Gives a Global Superstar a Proper Tribute

Frank Calvillo
December 24, 2024January 14, 2025

BABYGIRL Shows the Dangerous Thrills of Desire

Frank Calvillo
December 24, 2024December 24, 2024

CHILDREN OF MEN: A Prophetic Nativity [Two Cents]

Ed Travis
December 24, 2024February 19, 2025

NOSFERATU is a Spellbinding Re-Evaluation and Reclamation of a Horror Classic

Julian Singleton
December 24, 2024December 23, 2024

WALLACE AND GROMIT: The Complete Cracking Collection [4K-Review]

Jon Partridge
December 20, 2024December 20, 2024

Jaume Collet-Serra is Back in His Zone With CARRY-ON

Eddie Strait
December 19, 2024December 19, 2024

Criterion Review: SEVEN SAMURAI [4K-UHD]

Jon Partridge
December 18, 2024December 18, 2024

Two Cents Celebrates Christmas Miracles with TOKYO GODFATHERS

Julian Singleton
December 17, 2024February 19, 2025

Criterion Review: FUNNY GIRL

elizabeth stoddard
December 16, 2024December 15, 2024

AFFLICTION and BRINGING OUT THE DEAD Remain Paul Schrader’s Most Haunting Efforts

Frank Calvillo
December 14, 2024December 14, 2024

 No One Will Ever Forget SEPTEMBER 5

Frank Calvillo
December 13, 2024December 13, 2024

Two Cents Goes Medieval for Christmas with THE GREEN KNIGHT

Jay Tyler
December 13, 2024February 19, 2025

KRAVEN THE HUNTER is Probably Better Than You’re Anticipating

Austin Vashaw
December 12, 2024December 12, 2024

Two Cents Secretly Celebrates the Holidays with COBRA

Justin Harlan
December 11, 2024February 19, 2025

Fiennest Hour: After 20 Years at War and Sea, Odysseus Comes Home in THE RETURN

Austin Vashaw
December 10, 2024January 26, 2025

A Yearning for Connection and Cannibalism in BONES AND ALL. [Shout! Factory 4K-UHD]

Jon Partridge
December 10, 2024December 10, 2024

HOUSE OF THE DRAGON Season 2 [4K-Review]

Jon Partridge
December 10, 2024December 10, 2024

Digging into ALL THE HAUNTS BE OURS VOL. 2 with Boxset Producer, Author, and Director Kier-La Janisse

Dan Tabor
December 10, 2024January 6, 2025

INTERSTELLAR Celebrates Its 1 Hour and 17 Minute Anniversary (10 Years Earth Time)

Eddie Strait
December 9, 2024December 10, 2024

ERNEST COLE: LOST AND FOUND: Portrait of an Artist

elizabeth stoddard
December 7, 2024December 7, 2024

THE MIGHTY DUCKS: Why a Widely Beloved Film Needs New Champions

Ed Travis
December 6, 2024January 6, 2025

OH, CANADA Provides Gere and Schrader with a Thoughtful Reunion

Frank Calvillo
December 5, 2024December 5, 2024

Spinema Issue 75: THIS SEARCH FOR MEANING Explores Placebo at 30

Austin Vashaw
December 2, 2024December 7, 2024

Kino Lorber Ventures into the Past for Film Noir: The Dark Side of Cinema, Volume XX 

Frank Calvillo
November 30, 2024November 30, 2024

Pablo Larrain’s Trilogy is Complete with the Mesmerizing MARIA

Frank Calvillo
November 30, 2024November 30, 2024

Traveling Abroad this Noirvember with VICTIMS OF SIN and THE APARTMENT

Frank Calvillo
November 30, 2024November 30, 2024

It’s Time Once Again for LATE NIGHT WITH THE DEVIL 

Frank Calvillo
November 29, 2024November 29, 2024

Giving Thanks for Eli Roth’s THANKSGIVING

Frank Calvillo
November 27, 2024November 27, 2024

From SCARLET STREET to SECRET BEYOND THE DOOR,  Kino Lorber Delivered this Noirvember

Frank Calvillo
November 27, 2024November 27, 2024

If MOANA was a Meal, Then MOANA 2 is a Boat Snack – Tasty but Unfulfilling

Austin Vashaw
November 27, 2024November 27, 2024

Two Cents Gets Pazzo-Apocalyptic with THE NEW BARBARIANS

Julian Singleton
November 26, 2024February 19, 2025

MOANA 2 is a Wild Adventure that’s a Shadow of its Legacy

Jay Tyler
November 26, 2024November 26, 2024

Indian Cinema Roundup, Financial Crimes Edition: ZEBRA and MECHANIC ROCKY

Austin Vashaw
November 26, 2024March 17, 2025

Criterion Review: THE SHAPE OF WATER [4K UHD]

Julian Singleton
November 25, 2024November 24, 2024

Movie Review: THE PIANO LESSON

Brendan Foley
November 25, 2024November 24, 2024

SCARFACE (1932): A Proto Action, Pre-Code, Seminal Gangster Film Hits 4K [Criterion Review]

Ed Travis
November 23, 2024November 23, 2024

Once More into the Fray with GLADIATOR II – Spoiler Free!

Austin Vashaw
November 22, 2024November 23, 2024

WICKED is the Perfect Rest Cure for an Exhausted Society

Frank Calvillo
November 22, 2024November 22, 2024

Movie Review: A REAL PAIN Is A Real Pleasure

Brendan Foley
November 22, 2024November 21, 2024

What Happened in GLADIATOR Echoes in Eternity…and in GLADIATOR II

Jon Partridge
November 21, 2024December 10, 2024

Two Cents Goes Retro with TURBO KID

Justin Harlan
November 21, 2024February 19, 2025

Arrow Heads: A SIMPLE PLAN Stuns Again in Arrow’s New Release

Eddie Strait
November 20, 2024April 11, 2025

DRAG ME TO HELL is Unleashed on 4K-UHD from Shout! Factory

Jon Partridge
November 20, 2024November 20, 2024

All The Haunts Be Ours: A Compendium Of Folk Horror Vol. 2 Unboxing

Dan Tabor
November 20, 2024November 20, 2024

WICKED: Not just a Flawless Adaptation, but a Poignant American Metaphor

Dan Tabor
November 19, 2024November 19, 2024

WICKED Is the Anti-Fascist Fable We Need Right Now

Jay Tyler
November 19, 2024December 10, 2024

Don’t Miss the Epic Indian Supernatural Chiller TUMBBAD as it Hits US Screens

Austin Vashaw
November 19, 2024November 19, 2024

It’s Grim Up North, in Neil Marshall’s DOOMSDAY [Two Cents]

Jon Partridge
November 13, 2024February 19, 2025

RED ONE Offers a Hollow Imitation of Better Movies

Jay Tyler
November 13, 2024November 13, 2024

How I Convinced My Friends to Start Watching More Horror Films

Nathan Ellwood
November 13, 2024November 12, 2024

DEVON – Jersey Shore’s JWoww Unleashes her Found Footage Debut on Scream Box and its Actually Good!

Dan Tabor
November 13, 2024November 13, 2024

Out of the Vault: SQUANTO: A WARRIOR’S TALE

Jay Tyler
November 12, 2024November 11, 2024

GLADIATOR II: Strength and Honor…and Not Much Else

Julian Singleton
November 11, 2024November 11, 2024

HERETIC is a Terrifyingly Masterful Deconstruction of Monotheism

Dan Tabor
November 8, 2024November 23, 2024

Austin Film Festival 2024: PARTY PEOPLE

Rod Machen
November 8, 2024November 8, 2024

WE LIVE IN TIME Wants to Make You Cry

Eddie Strait
November 7, 2024November 7, 2024

Protect Women, Now More than Ever: BLINK TWICE in the Second Trump Era [Review/Editorial]

Justin Harlan
November 6, 2024November 7, 2024

Criterion Review: DEMON POND [4K UHD]

Julian Singleton
November 5, 2024November 21, 2024

THE BEST CHRISTMAS PAGEANT EVER – A New Holiday Classic!

Dan Tabor
November 5, 2024November 21, 2024

THE BLOOD OF HEROES: A Post-Apocalyptic Sport & A Killer Cast [Two Cents]

Ed Travis
November 4, 2024February 19, 2025

Austin Film Festival 2024: THE EGO DEATH OF QUEEN CECELIA

Rod Machen
November 1, 2024November 8, 2024

ANORA: What’s Love Got to Do with it? Not a lot actually… 

Dan Tabor
November 1, 2024October 30, 2024

October’s Two Cents Found Footage Month Reaches a Fiery Finish with NOROI: THE CURSE

Julian Singleton
October 29, 2024February 19, 2025

Weekend Roundup: CONCLAVE, VENOM: THE LAST DANCE, and RUMOURS

Austin Vashaw
October 28, 2024October 29, 2024

It’s Time to Embrace YOUR MONSTER

Frank Calvillo
October 25, 2024October 25, 2024

Criterion Review: THE LONG GOOD FRIDAY [4K-UHD]

Jon Partridge
October 25, 2024October 25, 2024

Criterion: GUMMO: Korine’s Surreal Debut Finally Gets its Due on 4K UHD

Dan Tabor
October 24, 2024October 23, 2024

TWISTERS 4K UHD: If you Feel It, Buy It!

Dan Tabor
October 23, 2024October 23, 2024

October’s Two Cents Found Footage HORROR Journey Continues into THE HIGH DESERT

Justin Harlan
October 23, 2024February 19, 2025

VENOM: THE LAST DANCE Ends The Trilogy On Its Own Terms

Jay Tyler
October 23, 2024October 23, 2024

Movie Review: THE SHADOW STRAYS

Brendan Foley
October 23, 2024October 22, 2024

GOODRICH Review: Father Doesn’t Know Squat

Frank Calvillo
October 18, 2024October 18, 2024

SMILE 2, Same as The First Time, Just Bigger, Bolder, and Gorier

Mel Valentin
October 18, 2024October 18, 2024

PARAMOUNT SCARES Vol. 2 Delivers Another Eclectic Collection of Thrills and Chills

Jon Partridge
October 18, 2024October 18, 2024

LAND OF THE DEAD 4K UHD, Romero Tackles the Haves and the Have Nots

Dan Tabor
October 18, 2024November 13, 2024

SMILE 2: When you Brat So Hard, Your Mind is Literally Possessed by a Demon

Dan Tabor
October 17, 2024October 17, 2024

Two Cents Continues Its Celebration of Found Footage Horror with INCANTATION

Justin Harlan
October 16, 2024February 19, 2025

SMILE 2 Delves Deep Into the Horrors of Depression

Jay Tyler
October 16, 2024October 23, 2024

Gettin’ Down on SATURDAY NIGHT

Frank Calvillo
October 11, 2024October 11, 2024

THE APPRENTICE Dramatizes How Donald Became Trump

Jay Tyler
October 11, 2024October 10, 2024

Criterion Review: I WALKED WITH A ZOMBIE & THE SEVENTH VICTIM 4K/Blu

Austin Vashaw
October 10, 2024December 16, 2024

Two Cents Dives into Found Footage Horror Month with LAKE MUNGO

Julian Singleton
October 8, 2024February 19, 2025

Criterion Review: Gregg Araki’s Teen Apocalypse Trilogy is a Pure shot of 90’s Teen Nihilism

Dan Tabor
October 7, 2024October 7, 2024

Fantastic Fest: THE SPIRIT OF HALLOWEENTOWN is a Surprisingly Charming New Addition to Your Holiday Doc Rotation

Dan Tabor
October 4, 2024October 4, 2024

Fantastic Fest 2024: FRANKIE FREAKO is a Hilarious Celebration the Tiny Monsters Sub-genre

Dan Tabor
October 4, 2024October 3, 2024

Spinema Issue 74: Unboxing and Review of Mastodon’s CRACK THE SKYE (15th Anniversary LE Vinyl + Blu-ray)

Austin Vashaw
October 4, 2024December 7, 2024

JOKER: FOLIE À DEUX: You Get What You Deserve

Eddie Strait
October 2, 2024October 2, 2024

Fantastic Fest 2024: The Cinapse Team’s Top 5 Lists

Ed Travis
October 1, 2024November 6, 2024

KINGDOM OF HEAVEN: The Ridley Scott Director’s Cut is the Definitive Crusades Epic [Two Cents]

Brendan Agnew
September 30, 2024February 19, 2025

Fantastic Fest 2024: Chatting with Zoë Bell for RAZE’s 10 Year Anniversary

Dan Tabor
September 30, 2024September 30, 2024

Fantastic Fest 2024: THE CHILDREN OF THE WICKER MAN Tell of Robin Hardy’s Homespun Horror

Jon Partridge
September 30, 2024September 30, 2024

Fantastic Fest 2024: Digging into LITTLE BITES with Director Spider One and Star Krsy Fox

Dan Tabor
September 30, 2024September 30, 2024

Fantastic Fest 2024: SISTER MIDNIGHT is a Blood-Draining and Delightful New Take on Vampire Lore

Julian Singleton
September 30, 2024September 29, 2024

Fantastic Fest 2024: GET AWAY is a Bloody Good Time

Jon Partridge
September 27, 2024September 27, 2024

Fantastic Fest Folk-Horror: THE SEVERED SUN and WITTE WIEVEN

Matthew Jackson
September 27, 2024September 27, 2024

AZRAEL: Samara Weaving Versus the Post-Apocalypse

Dan Tabor
September 27, 2024September 27, 2024

Fantastic Fest 2024: I, THE EXECUTIONER Perfects the VETERAN Formula

Ed Travis
September 26, 2024September 26, 2024

Fantastic Fest 2024: AJ GOES TO THE DOG PARK is Pure Cinematic Serotonin 

Dan Tabor
September 25, 2024September 25, 2024

Fantastic Fest 2024: Talking Tiny Monsters with FRANKIE FREAKO’s Director Steven Kostanski

Dan Tabor
September 25, 2024September 25, 2024

Fantastic Fest 2024: BETTER MAN Uses a Simian Slant to Craft a Strange and Soaring Biopic

Jon Partridge
September 25, 2024September 26, 2024

Fantastic Fest 2024: DEAD TALENTS SOCIETY is Spooky, Silly, and So Damn Fun

Julian Singleton
September 25, 2024September 25, 2024

Fantastic Fest 2024: Harmony Korine’s BABY INVASION Leaves No Survivors 

Dan Tabor
September 25, 2024September 25, 2024

Fantastic Fest 2024: THE REMARKABLE LIFE OF IBELIN: A Powerful Doc Reveals a Meaningful Life

Ed Travis
September 25, 2024September 24, 2024

Fantastic Fest 2024: CLOUD Exposes the Artifice of Ambition

Julian Singleton
September 24, 2024September 24, 2024

Fantastic Fest 2024: STRANGE HARVEST, an Underdeveloped Take on True Crime 

Dan Tabor
September 23, 2024September 23, 2024

Fantastic Fest 2024: Found Footage Meets Family Folklore in WHAT HAPPENED TO DOROTHY BELL?

Jon Partridge
September 23, 2024September 23, 2024

Fantastic Fest 2024: GAZER is a Daring Neo Noir

Dan Tabor
September 23, 2024September 23, 2024

Fantastic Fest 2024: HEADS OR FAILS – Chaos Reigns!

Dan Tabor
September 23, 2024September 23, 2024

Fantastic Fest 2024: PÁRVULOS Finds Humanity In Horror

Jon Partridge
September 22, 2024September 23, 2024

Fantastic Fest 2024: WHAT HAPPENED TO DOROTHY BELL Finds Rich Potential in Found-Footage Horror

Julian Singleton
September 22, 2024September 22, 2024

Fantastic Fest 2024: MADS is a One-Take Roller-Coaster Ride into Hell

Julian Singleton
September 22, 2024September 22, 2024

Fantastic Fest 2024: In THE WILD ROBOT, Kindness is a Survival Skill

Ed Travis
September 22, 2024September 22, 2024

Fantastic Fest 2024: PLANET B: Political Resistance Via Dystopian Sci-Fi

Ed Travis
September 21, 2024September 21, 2024

Coralie Fargeat’s Bold Body Horror Delivers Style and THE SUBSTANCE.

Jon Partridge
September 20, 2024September 20, 2024

ALL THAT MONEY CAN BUY Remains a Dazzling, Surreal Concoction

Frank Calvillo
September 20, 2024September 20, 2024

Checking Back Into THE SHINING

Frank Calvillo
September 20, 2024September 20, 2024

Fantastic Fest 2024: GHOST KILLER Brings Unique Spin to Kensuke Sonomura’s Legendary Fight Choreography

Ed Travis
September 20, 2024September 20, 2024

Indian Cinema Roundup: SURYA’S SATURDAY, A.R.M., and KALINGA are Playing Now in US Theaters

Austin Vashaw
September 18, 2024November 27, 2024

Criterion Review: Bernardo Bertolucci’s THE LAST EMPEROR

Jon Partridge
September 18, 2024September 18, 2024

Arrow Heads: The Underrated CHRONICLES OF RIDDICK Finally Gets its Due on 4K UHD

Dan Tabor
September 17, 2024April 11, 2025

THE ABYSS: James Cameron’s Stunning Director’s Cut Restored & Explored [Two Cents]

Ed Travis
September 17, 2024February 19, 2025

Fantastic Fest 2024 Approaches! The Cinapse Team’s Most Anticipated Films

Jon Partridge
September 16, 2024October 1, 2024

ARROW HEADS: FRIDAY THE 13th (2009) Looks Sharp on 4K

Brendan Agnew
September 13, 2024April 5, 2025

THE BOY AND THE HERON: Miyazaki’s Final Dreamscape Stuns on 4K UHD

Julian Singleton
September 13, 2024September 13, 2024

SUBSERVIENCE Gleefully Tackles What if M3GAN was a Lifetime Movie?

Dan Tabor
September 13, 2024September 13, 2024

ONCE UPON A TIME IN AMERICA: Sergio Leone’s Final Film Restored and Reappraised [Two Cents]

Julian Singleton
September 9, 2024February 19, 2025

RED ROOMS is a Disturbing and Masterful True Crime Character Study

Dan Tabor
September 8, 2024September 8, 2024

KINGDOM OF THE PLANET OF THE APES is Everything I Want From Franchises and 4K Home Video Releases

Ed Travis
September 7, 2024September 7, 2024

BEETLEJUICE BEETLEJUICE Shows Burton is Still the Host with the Most

Frank Calvillo
September 6, 2024September 6, 2024

BEETLEJUICE BEETLEJUICE – Overstuffed and Underwhelming 

Dan Tabor
September 6, 2024September 6, 2024

Criterion Review: Wim Wenders’ PERFECT DAYS

Jon Partridge
September 6, 2024September 23, 2024

FURIOSA 4K Brings the Best of Mad Max to Home Video

Julian Singleton
September 5, 2024September 5, 2024

RED CLIFF: John Woo’s 5 Hour Director’s Cut Extolled [Two Cents]

Ed Travis
September 3, 2024February 19, 2025

Scuzzy 1960s Thrillers DOOR TO DOOR MANIAC (feat. Johnny Cash!) and RIGHT HAND OF THE DEVIL Arrive on Blu-ray as a Double Feature

Austin Vashaw
August 29, 2024October 29, 2024

TWISTER Storms Home On 4KUHD

Eddie Strait
August 29, 2024August 29, 2024

THE WATCHERS on 4K UHD Offers Up an Eerie Folk Horror Exploration of Self & Reflection 

Dan Tabor
August 28, 2024August 28, 2024

DRIVE (and Ryan Gosling) Continues to Thrill and Seduce on 4K-UHD

Jon Partridge
August 28, 2024August 28, 2024

Two Cents Heads into the Unknown with MEEK’S CUTOFF

Julian Singleton
August 27, 2024February 19, 2025

The Mexico Trilogy Explodes onto 4K UHD and Blu-ray

Dan Tabor
August 27, 2024August 27, 2024

LONGLEGS Short on Scares, Long on Nic Cage-Inspired Freakiness

Mel Valentin
August 26, 2024August 28, 2024

GREEN BORDER Is Unforgettable [Blu-Ray Review]

elizabeth stoddard
August 26, 2024August 25, 2024

BLINK TWICE: A Faulty Third Act Undermines Zoe Kravitz’s Promising Filmmaking Debut

Mel Valentin
August 23, 2024August 27, 2024

The Stunning STRANGE DARLING Packs Twists on Twists for a Swagger-Laden Thrill Ride

Matthew Jackson
August 23, 2024August 23, 2024

Having a Gas with the Writer, Editor, Star and Director of THE PEOPLE’S JOKER Vera Drew

Dan Tabor
August 22, 2024September 16, 2024

Two Cents: JOHNNY GUITAR Turns 70

Frank Calvillo
August 21, 2024February 19, 2025

HUNDREDS OF BEAVERS Is A Movie To Restore Your Faith In Movies

Brendan Foley
August 20, 2024August 20, 2024

HELL HOLE is a Clever, Carnage-Filled Creature Feature

Julian Singleton
August 19, 2024August 8, 2024

SKINCARE Somewhat Manages to Conceal its Blemishes

Frank Calvillo
August 16, 2024August 16, 2024

Fantasia 2024: STEPPENWOLF is an Earth-Shaking Apocalyptic Quest for Empathy

Julian Singleton
August 16, 2024August 16, 2024

ALIEN: ROMULUS is a Gnarly Blend of Small Scale Horror and Expansive Sci-Fi

Jon Partridge
August 16, 2024August 16, 2024

SPINEMA Issue 73: MUTANT presents Michael Giacchino Exotic Themes for the Silver Screen

Jon Partridge
August 15, 2024October 4, 2024

SKINCARE: A Sordid Plate of True Crime with a Side of Existential Crisis

Dan Tabor
August 15, 2024August 15, 2024

The Two Cents Gang Rolls into Town with THE QUICK AND THE DEAD

Jay Tyler
August 13, 2024February 19, 2025

CALIGULA: THE ULTIMATE CUT – The Ultimate Interview with Editor Aaron Shaps

Dan Tabor
August 12, 2024August 12, 2024

NOW ON VOD! – #AMFAD: ALL MY FRIENDS ARE DEAD – A Chat with Star Jade Pettyjohn and Director Marcus Dunstan

Dan Tabor
August 11, 2024August 11, 2024

Fantasia 2024: SHELBY OAKS is a Flawed Yet Fascinating Horror Debut

Julian Singleton
August 11, 2024August 11, 2024

FANTASIA 2024: BOOKWORM is Pure Cinematic Dopamine

Dan Tabor
August 8, 2024August 8, 2024

FANTASIA 2024: An Interview with the Director of BLACK EYED SUSAN Scooter McCrae and Stars Yvonne Emilie Thälker and Damian Maffei

Dan Tabor
August 8, 2024August 8, 2024

Two Cents Kicks Off a Month of Women in Westerns with CAT BALLOU

elizabeth stoddard
August 6, 2024February 19, 2025

Bill & Ted’s Most Triumphant Trilogy on 4K Ultra HD is Most Non, Non, Non Heinous!

Dan Tabor
August 6, 2024August 25, 2024

TWILIGHT OF THE WARRIORS: WALLED IN: A Fine Return To Form For Hong Kong Action Cinema

Ed Travis
August 5, 2024October 16, 2024

Fantasia 2024: You Can’t Get Off the PENALTY LOOP

Frank Calvillo
August 4, 2024August 8, 2024

FANTASIA 2024: BLACK EYED SUSAN is a Dense Transgressive Masterwork

Dan Tabor
August 3, 2024August 3, 2024

FANTASIA 2024: HOUSE OF SAYURI is a Frightfully Fun Evolution of Japanese Horror

Julian Singleton
August 2, 2024August 2, 2024

Fantasia 2024: A Pair of Female Filmmakers Explore Haunting Poignancy with DARKEST MIRIAM and HOLLYWOOD 90028

Frank Calvillo
August 1, 2024November 23, 2024

Two Cents Back to the Beach Month Wraps Up with CLUB DREAD

Justin Harlan
August 1, 2024February 19, 2025

Criterion Review: PAT GARRETT AND BILLY THE KID (1973/2024)

Julian Singleton
August 1, 2024August 2, 2024

FANTASIA 2024: CUCKOO is a Queer Sci-fi/Horror Coming of Age Banger

Dan Tabor
July 31, 2024July 31, 2024

FANTASIA 2024: CUCKOO is an Unpredictable Nest of Horror Possibility

Julian Singleton
July 30, 2024July 30, 2024

Finding a Cozy, Therapeutic Spot on the MOTHER COUCH

Frank Calvillo
July 30, 2024July 30, 2024

ODDITY is an Old School Amicus Style Horror Crowd Pleaser

Dan Tabor
July 30, 2024July 30, 2024

FANTASIA 2024: STEPPENWOLF is a Bleak and Visceral Vision

Dan Tabor
July 29, 2024July 29, 2024

FANTASIA 2024: A SAMURAI IN TIME is a Lengthy Love Letter to Samurai Filmmaking

Julian Singleton
July 28, 2024July 21, 2024

NYAFF 2024 Roundup, Part Three: FAQ OF THE RE-ENTERING GOD

VN Pryor
July 27, 2024July 27, 2024

NYAFF 2024 Roundup, Part Two: GUEST TENANTS & PROSTITUTE HEAT

VN Pryor
July 27, 2024July 27, 2024

NYAFF 2024 Roundup, Part One: THE TIME FOR ALICE IS ALL OVER, GOLD BOY

VN Pryor
July 27, 2024July 27, 2024

TAXI DRIVER. An Unparalleled Descent into a Man’s Madness [4K-Steelbook Review]

Jon Partridge
July 26, 2024July 26, 2024

FANTASIA 2024: THIS MAN – THE ROOM meets THE RING

Dan Tabor
July 26, 2024July 29, 2024

Film Masters Unleashes THE CRIPPLED MASTERS on Blu-ray

Dan Tabor
July 25, 2024July 25, 2024

FANTASIA 2024: THE SOUL EATER – Disappointing and Derivative

Dan Tabor
July 25, 2024July 31, 2024

Two Cents Basks in the EVIL UNDER THE SUN

Frank Calvillo
July 24, 2024February 19, 2025

DEADPOOL & WOLVERINE: Marvel Jesus is here to Save the MCU (Spoiler Free Review)

Dan Tabor
July 23, 2024July 26, 2024

DEADPOOL AND WOLVERINE Is a Crass Explosion of the MCU’s Worst Instincts

Jay Tyler
July 23, 2024July 23, 2024

Breaking News. ANCHORMAN: THE LEGEND OF RON BURGUNDY Lives On

Jon Partridge
July 23, 2024July 23, 2024

ODDITY is a Creepy, Claustrophobic Chamber Play

Julian Singleton
July 21, 2024July 20, 2024

Criterion Review: BOUND Beguiles in 4K

Jon Partridge
July 18, 2024July 18, 2024

The Unsung Animated Masterpiece of 2023: THE FIRST SLAM DUNK Finally Hits Blu-ray

Dan Tabor
July 18, 2024July 18, 2024

Film Masters Deals out a Salacious Double Helping of Hillbilly Hijinks

Dan Tabor
July 17, 2024July 17, 2024

Tired of the Grind? Two Cents Invites You on A PERFECT GETAWAY

Eddie Strait
July 17, 2024February 19, 2025

CROCODILE a Ridiculous JAWS Knock-off with some Real Teeth

Dan Tabor
July 16, 2024July 16, 2024

LONGLEGS is High-Grade Nightmare Fuel

Jon Partridge
July 12, 2024July 25, 2024

The Dark Alchemy of LONGLEGS [Spoiler Free]

Dan Tabor
July 11, 2024July 11, 2024

LONGLEGS is a Diabolical Detective Story

Julian Singleton
July 11, 2024July 11, 2024

Fantasia 2024: The Cinapse Crew’s Most Anticipated

Dan Tabor
July 10, 2024August 8, 2024

Two Cents Crashes Tom Hanks’ Island Paradise in CAST AWAY

Julian Singleton
July 9, 2024February 19, 2025

CFF 2024: GHOST GAME is a worthy followup to THE STYLIST

Dan Tabor
July 8, 2024July 8, 2024

MURDER COMPANY Deals out a half DIRTY DOZEN

Dan Tabor
July 8, 2024July 8, 2024

Criterion Review: THE UNDERGROUND RAILROAD (2021)

Julian Singleton
July 7, 2024July 7, 2024

MAXXXINE is a Seedy Slasher with a Star Turn from Mia Goth

Jon Partridge
July 5, 2024July 5, 2024

Cinapse Goes BACK TO THE BEACH

Justin Harlan
July 4, 2024February 19, 2025

KILL is The Raid meets Snowpiercer

Dan Tabor
July 3, 2024July 3, 2024

MAXXXINE Sticks the Landing for Ti West’s Blood Soaked Feminist Trilogy

Dan Tabor
July 3, 2024July 3, 2024

Kino Lorber Curls Up with the Literary Noir

Frank Calvillo
July 2, 2024July 2, 2024

Emmy-nominated Editor by Day, Indie Filmmaker by Night – an Interview with EONBLADE’s John Soares

Austin Vashaw
July 1, 2024July 11, 2024

CFF 2024: DRACULA: SOVEREIGN OF THE DAMNED is an Unhinged Shot of Animated Marvel Madness 

Dan Tabor
June 29, 2024July 3, 2024

CFF 2024: CANVAS is a Sordidly Sweet Slice of Psychological Melodrama

Dan Tabor
June 29, 2024June 29, 2024

DADDIO Gives Us Another Quintessential New York Story

Frank Calvillo
June 28, 2024June 28, 2024

THE VOURDALAK is a Vibrant, Strange Nightmare

Matthew Jackson
June 28, 2024July 17, 2024

A QUIET PLACE: DAY ONE is a Sincere Near-Silent Stunner

Julian Singleton
June 27, 2024June 27, 2024

CFF 2024: OFF RAMP – a Chaotic Juggalo Road Movie with A LOT of Heart

Dan Tabor
June 26, 2024June 26, 2024

Another Spin with One of 2023’s Best Films – AMERICAN FICTION on Home Video

Austin Vashaw
June 26, 2024June 26, 2024

CORMANIA!!! Two Cents Film Club Gets a Taste for Blood at THE LITTLE SHOP OF HORRORS (1960)

Jay Tyler
June 25, 2024February 19, 2025

CFF 2024: SWEET RELIEF is What if Todd Solondz Made a Movie About 2020 in the 1990s

Dan Tabor
June 23, 2024July 1, 2024

CFF 2024: CANNIBAL MUKBANG Seamlessly Melds Toxic Relationships and Extreme Horror

Dan Tabor
June 23, 2024July 3, 2024

THELMA Gives 94-Year-Old June Squibb the Role of a Lifetime

Mel Valentin
June 21, 2024June 21, 2024

THE EXORCISM Has a Soul Worth Saving

Frank Calvillo
June 21, 2024June 21, 2024

THE BIKERIDERS Makes One Want to Root for the Other Gang

Frank Calvillo
June 21, 2024June 21, 2024

THE BIKERIDERS Holds a Mirror Up to America

Jon Partridge
June 21, 2024June 21, 2024

KINDS OF KINDNESS is a Brutal and Unflinching Exploration of the Fragility of the Male Ego

Dan Tabor
June 21, 2024June 25, 2024

THE EXORCISM Strikes a Sinister Mood – But is That Enough?

Austin Vashaw
June 21, 2024June 21, 2024

NAKED ACTS: A Vital Voice on Black Women in Film

elizabeth stoddard
June 19, 2024June 19, 2024

CORMANIA!!! Two Cents Film Club Gazes Upon the Ill-Fated FANTASTIC FOUR (1994)

Austin Vashaw
June 19, 2024February 19, 2025

Criterion Review: Michael Powell’s PEEPING TOM

Jon Partridge
June 18, 2024June 18, 2024

THE BIKERIDERS Explores the Depth of the American Man’s Soul

Jay Tyler
June 18, 2024June 28, 2024

CORMANIA!!! Two Cents Film Club Takes a Bite Into Classic Corman Production – Joe Dante’s PIRANHA

Justin Harlan
June 13, 2024February 19, 2025

Powered-Up GODZILLA x KONG: THE NEW EMPIRE Romps onto Feature-Packed 4K Blu-ray

Austin Vashaw
June 12, 2024June 13, 2024

INSIDE OUT 2 is Pixar’s Rewarding Return to Form

Julian Singleton
June 12, 2024June 25, 2024

Criterion Box Set Review: Three Revolutionary Films by Ousmane Sembène

elizabeth stoddard
June 12, 2024June 12, 2024

Grave Mistakes: EXHUMA is a Chilling Korean Ghost Story

Austin Vashaw
June 12, 2024June 13, 2024

How IN A VIOLENT NATURE Reshapes Slasher Point-of-View

Matthew Jackson
June 12, 2024June 12, 2024

HANDLING THE UNDEAD is a Messy and Mesmerizing Portrait of Grief

Julian Singleton
June 11, 2024June 11, 2024

Tribeca 2024: #AMFAD: ALL MY FRIENDS ARE DEAD is a Pulpy Party Film with a Bodycount!

Dan Tabor
June 8, 2024June 11, 2024

THE WATCHERS is a Half-Baked Debut from Ishana Night Shyamalan

Jon Partridge
June 7, 2024June 7, 2024

Celluloid Dreams’ Unearth a Lost Feminist Giallo with Their 4K UHD Release of THE CASE OF THE BLOODY IRIS 

Dan Tabor
June 7, 2024June 7, 2024

Tribeca 2024: #AMFAD: ALL MY FRIENDS ARE DEAD – A Chat with Star Jade Pettyjohn and Director Marcus Dunstan

Dan Tabor
June 7, 2024June 7, 2024

Criterion Review: ANATOMY OF A FALL (2024)

Julian Singleton
June 6, 2024June 5, 2024

A Throwaway Gag in BAD BOYS 2 Led to the Best Part of the Excellent BAD BOYS: RIDE OR DIE

Austin Vashaw
June 6, 2024June 21, 2024

CORMANIA!!! Two Cents Film Club Looks at Roger Corman’s THE INTRUDER

Austin Vashaw
June 4, 2024February 19, 2025

The Most Heroic Moment in GODZILLA MINUS ONE Doesn’t Involve Godzilla

Brendan Foley
June 3, 2024June 13, 2024

HANDLING THE UNDEAD: Devastating Slow-Burn Dread

Matthew Jackson
June 3, 2024June 1, 2024

Hunter and Prey: A Chat with Two of the Leads of IN A VIOLENT NATURE (Mild Spoilers)

Dan Tabor
May 31, 2024June 6, 2024

Spinema Issue 72: LOST THEMES IV: NOIR – John Carpenter Family Band Goes Darker (and Heavier!)

Ryan Lewellen
May 30, 2024June 1, 2024

IN A VIOLENT NATURE is a Masterful Exercise in the Slasher Sub-genre 

Dan Tabor
May 30, 2024June 6, 2024

IN A VIOLENT NATURE Brutally Upends Slasher Expectations

Julian Singleton
May 29, 2024June 6, 2024

Two Cents Film Club Hails Caesar in DAWN OF THE PLANET OF THE APES

Julian Singleton
May 28, 2024February 19, 2025

Don’t Let This One Fly Under Your Radar. FOR LOVE & LIFE: NO ORDINARY CAMPAIGN

Austin Vashaw
May 28, 2024June 1, 2024

DUNE PART TWO. Still Spectacular Even on the Small Screen

Jon Partridge
May 24, 2024

Bitingly Comical Social Satire THE AMERICAN SOCIETY OF MAGICAL NEGROES Hits Home Video

Austin Vashaw
May 23, 2024May 23, 2024

The Two Cents Roundtable Travels Through Time to Rediscover Tim Burton’s PLANET OF THE APES

Frank Calvillo
May 23, 2024February 19, 2025

FURIOSA: A MAD MAX SAGA: “Do You Have It In You To Make It Epic?” [Spoiler Free Review]

Ed Travis
May 21, 2024May 30, 2024

FURIOSA: A MAD MAX SAGA is the Search for Innocence on the Road of Revenge

Dan Tabor
May 21, 2024May 22, 2024

Eric Bana is Back on the Case in FORCE OF NATURE: THE DRY 2

Eddie Strait
May 21, 2024May 20, 2024

Arrow Heads: Joe Carnahan’s NARC Comes to 4K UHD From Arrow Video

Eddie Strait
May 21, 2024April 11, 2025

THE BLUE ANGELS Have Rocketed into IMAX Theaters

Austin Vashaw
May 18, 2024May 18, 2024

Criterion Review: DOGFIGHT (1991)

elizabeth stoddard
May 17, 2024May 17, 2024

THE STRANGERS: CHAPTER ONE – Middling Horror in Search of a Point

Matthew Jackson
May 17, 2024May 16, 2024

THE HIGH SCHOOL PERSPECTIVE: MONKEY MAN

Leonardo Gil-Ortiz
May 15, 2024May 15, 2024

CONQUEST OF THE PLANET OF THE APES (1972): The Revolt of the Cin-APES – Roundtable Reviews [Two Cents]

Ed Travis
May 13, 2024February 19, 2025

‘KINGDOM’ Proves the PLANET OF THE APES Saga Has Lost None of its Vitality

Austin Vashaw
May 10, 2024May 22, 2024

PLANET OF THE APES (1968): CinAPES is a Madhouse – Roundtable Reviews [Two Cents]

Ed Travis
May 7, 2024February 19, 2025

EVIL DOES NOT EXIST: Silence Speaks Volumes in a Chilling Reflection on Human Nature

Julian Singleton
May 7, 2024May 6, 2024

THE CROW: Seminal 90s Classic Hits 4K [30th Anniversary]

Ed Travis
May 5, 2024May 5, 2024

THE FALL GUY, Genre Mash-Up Delivers Sloppy Love Letter to Stunt Performers and the People Who Dig Them

Mel Valentin
May 3, 2024May 10, 2024

ROLLING THUNDER is a Revenge-O-Matic Masterpiece

Dan Tabor
May 3, 2024May 6, 2024

MADAME WEB: More Than a Meme, it’s Girl Power with a Side of Vehicular Spider-Slaughter!

Dan Tabor
May 2, 2024May 2, 2024

THE FALL GUY Takes Its Punches and Earns Its Laughs

Julian Singleton
May 2, 2024May 10, 2024

Two Cents Film Club – APE-RIL Concludes With a Trip to KONG: SKULL ISLAND

Jay Tyler
May 1, 2024February 19, 2025

Passionate Anime Musicians Tale BLUE GIANT is the Most Expressive Movie I’ve Seen in Ages

Austin Vashaw
May 1, 2024May 10, 2024

THE HIGH SCHOOL PERSPECTIVE: ROADHOUSE (2024)

Leonardo Gil-Ortiz
April 29, 2024May 1, 2024

Review: BOY KILLS WORLD, Truth (Mostly) In Advertising

Mel Valentin
April 26, 2024April 26, 2024

REVIEW: CHALLENGERS Elevates Zendaya to Movie-Star Status

Mel Valentin
April 26, 2024April 26, 2024

Film Masters Presents TORMENTED (1960) in a Comprehensive Special  Edition

Dan Tabor
April 24, 2024April 30, 2024

Criterion Review: WERCKMEISTER HARMONIES (2000) [4K UHD]

Julian Singleton
April 24, 2024April 24, 2024

APE-RIL Hails the Eighth Wonder of the World as Two Cents Revisits KING KONG (2005)

Julian Singleton
April 23, 2024February 19, 2025

ABIGAIL Arrives as an All-Time Vampire Classic

Jay Tyler
April 19, 2024May 6, 2024

APE-RIL Orders Room Service While the Two Cents Roundtable Watches DUNSTON CHECKS IN

Frank Calvillo
April 18, 2024February 19, 2025

ABIGAIL Delivers the Blood, But Needs More Guts

Julian Singleton
April 18, 2024May 6, 2024

Criterion 4K: The Haunting Beauty and Mystery of Peter Weir’s PICNIC AT HANGING ROCK

Austin Vashaw
April 16, 2024April 16, 2024

THE COFFEE TABLE is the Most Anxiety Inducing 90 Minutes you will Endure in 2024!

Dan Tabor
April 16, 2024April 16, 2024

HUNDREDS OF BEAVERS is Ambitious as it is Hilarious!

Dan Tabor
April 15, 2024May 1, 2024

CIVIL WAR is Pure Americasploitation

Dan Tabor
April 9, 2024April 23, 2024

APE-RIL continues with this Week’s Two Cents Roundtable, GREYSTOKE: THE LEGEND OF TARZAN

Jon Partridge
April 8, 2024February 19, 2025

Criterion Review: ALL THE BEAUTY AND THE BLOODSHED

elizabeth stoddard
April 8, 2024April 8, 2024

Review: HOUSEKEEPING FOR BEGINNERS, A Community Unlike Any Other (Except For All the Rest)

Mel Valentin
April 5, 2024April 26, 2024

Destiny and Passion Guide the Intriguing COUP DE CHANCE

Frank Calvillo
April 5, 2024April 5, 2024

Review: THE FIRST OMEN, A Prequel to a Horror Classic That Fails More Often Than It Succeeds

Mel Valentin
April 5, 2024April 26, 2024

Sleeping with the Enemy in FEMME

Jon Partridge
April 5, 2024April 5, 2024

WICKED LITTLE LETTERS is Prim, Proper, Profane and Paper-Thin

Jon Partridge
April 4, 2024April 4, 2024

In Honor of GxK, it’s APE-RIL at Cinapse! This Week’s Two Cents Roundtable: CONGO!!

Austin Vashaw
April 3, 2024February 19, 2025

Criterion Review: Nicole Kidman is TO DIE FOR

Jon Partridge
April 3, 2024April 3, 2024

WILD ZERO 2 is Crowdfunding, and one of the Perks is Turning Patrons into Zombies!!!!

Dan Tabor
March 31, 2024April 6, 2024

SXSW 2024: THE FALL GUY Q&A

David Delgado
March 29, 2024March 29, 2024

SXSW 2024: Sydney Sweeney’s IMMACULATE and Q&A

David Delgado
March 29, 2024March 29, 2024

Review: GODZILLA X KONG: THE NEW EMPIRE: All Kaiju Action, All Kaiju Time

Mel Valentin
March 29, 2024March 29, 2024

Unboxing The BOUNTY HUNTER TRILOGY Box Set, new on Blu from Radiance

Austin Vashaw
March 27, 2024March 27, 2024

SXSW 2024: THINGS WILL BE DIFFERENT

Eddie Strait
March 25, 2024March 25, 2024

JOHN CARTER: Two Cents… to the Stars! – Roundtable Review

Ed Travis
March 25, 2024February 19, 2025

“Make Me Famous:” The Vision of ACTORS Auteur Betsey Brown

Emma James
March 25, 2024March 25, 2024

GHOSTBUSTERS: FROZEN EMPIRE is Something Weird and it Don’t Look Good

Frank Calvillo
March 22, 2024March 27, 2024

LATE NIGHT WITH THE DEVIL is a Refreshingly Intriguing Spin on Found Footage

Dan Tabor
March 22, 2024April 16, 2024

LATE NIGHT WITH THE DEVIL: Real-Time, Really Funny, and Truly Terrifying

Julian Singleton
March 21, 2024April 16, 2024

GHOSTBUSTERS: FROZEN EMPIRE – The Powers are Still Standing

Austin Vashaw
March 21, 2024March 21, 2024

SXSW 2024: SASQUATCH SUNSET. Sweet, Silly, Somber, and Oh So Singular

Jon Partridge
March 20, 2024March 20, 2024

REMEMBERING GENE WILDER Honors a Movie Great

Frank Calvillo
March 20, 2024March 20, 2024

THE BLACK HOLE: Two Cents…to the Stars! – Roundtable Review [Two Cents]

Jay Tyler
March 20, 2024February 19, 2025

THE RING COLLECTION is Well Worth the Wait [4K REVIEW]

Julian Singleton
March 17, 2024March 17, 2024

LOVE LIES BLEEDING is a Steroid-Infused Shot of Cinema

Jon Partridge
March 15, 2024March 15, 2024

SXSW 2024: SECRET MALL APARTMENT

Eddie Strait
March 15, 2024March 15, 2024

SXSW 2024: BEN AND SUZANNE, A REUNION IN 4 PARTS

Eddie Strait
March 15, 2024March 15, 2024

SXSW 2024: Alex Garland’s CIVIL WAR Embeds Us In A Future We Don’t Want

Ed Travis
March 15, 2024March 15, 2024

SXSW 2024: BABES Hilariously Charts the Messiness of Maternity and Motherhood

Jon Partridge
March 14, 2024March 14, 2024

SXSW 2024: OMNI LOOP

elizabeth stoddard
March 14, 2024March 14, 2024

SXSW 2024: THE GUTTER Brings Back the Goofball Sports Comedy

Jay Tyler
March 13, 2024March 14, 2024

SXSW 2024: ODDITY Delivers Sublime Scares Despite a Shaky Setup

Jon Partridge
March 13, 2024March 13, 2024

SXSW 2024: Ryan Gosling & Emily Blunt’s Chemistry Ignites THE FALL GUY (2024) 

Ed Travis
March 13, 2024March 13, 2024

SXSW 2024: Alice Lowe’s TIMESTALKER Tells of Obsession Across the Ages

Jon Partridge
March 12, 2024March 12, 2024

Catch Steven Soderbergh’s CONTAGION

Jon Partridge
March 12, 2024March 19, 2024

SXSW 2024: MONKEY MAN: Writer/Director/Producer/Star Dev Patel Remembers Who He Really Is

Ed Travis
March 12, 2024March 12, 2024

Book Review: BLACK CAESARS AND FOXY CLEOPATRAS is Essential Reading for Essential Watching

Austin Vashaw
March 12, 2024April 19, 2024

SXSW 2024: STAR TREK DISCOVERY Season 5 Finds a New Sense of Adventure

Jon Partridge
March 11, 2024March 13, 2024

SXSW 2024: GRAND THEFT HAMLET Shows That Art Beckons, By Any Means Necessary

Jay Tyler
March 11, 2024March 11, 2024

SXSW 2024: AUDREY is a Dark Family Comedy With Plenty of Bite and a Touch of Heart

Eddie Strait
March 11, 2024March 12, 2024

Review: SHOGUN, An Early Contender for TV Event of the Year

Brendan Foley
March 11, 2024March 10, 2024

Review: DAMSEL Blazes Onto Netflix

Brendan Foley
March 11, 2024March 10, 2024

Machines of Empathy: 2023’s Top Films to Help You Be a More Empathetic Human Being

Austin Vashaw
March 11, 2024March 27, 2024

SXSW 2024: Y2K Provides Goofy Millennial Comfort Food for the End Times That Never Were

Jay Tyler
March 10, 2024March 10, 2024

SXSW 2024: AZRAEL: Theological Survival Horror Continues Samara Weaving’s Scream Queen Reign 

Ed Travis
March 10, 2024March 10, 2024

The Eleventh Annual Cinapse Awards

Dan Tabor
March 10, 2024March 27, 2024

SXSW 2024: THE HOBBY Champions Board Games as a Medium for Creativity and Connectivity

Jon Partridge
March 10, 2024March 10, 2024

SXSW 2024: HUNTING DAZE is an Unsettling Trip Into the Woods

Eddie Strait
March 9, 2024March 12, 2024

SXSW 2024: WE CAN BE HEROES Shows Where Play Collides With Reality

Jay Tyler
March 9, 2024March 9, 2024

SXSW 2024: DEAD MAIL is a Period Perfect Thriller

Dan Tabor
March 9, 2024March 9, 2024

SXSW 2024: MALTA

elizabeth stoddard
March 9, 2024March 9, 2024

SXSW 2024: MY SEXTORTION DIARY

Eddie Strait
March 9, 2024March 12, 2024

SXSW 2024: “We’re Goin’ to the ROAD HOUSE (2024) and Gonna Have a Real Good Time”

Ed Travis
March 9, 2024March 9, 2024

SXSW 2024: FAMILY Explores The Horror And Pain of Illness

Jay Tyler
March 9, 2024March 9, 2024

Dinklage and MacLaine Make Audiences Believe in the AMERICAN DREAMER

Frank Calvillo
March 8, 2024March 8, 2024

KUNG FU PANDA 4 Continues Streak of Unique Chapters in an Overall Character Arc

Austin Vashaw
March 7, 2024March 11, 2024

SXSW2024: The Cinapse Team’s Most Anticipated Film & TV Picks

Jon Partridge
March 6, 2024March 27, 2024

DUNE (1984): Two Cents… To The Stars! – Roundtable Reviews [Two Cents]

Jay Tyler
March 4, 2024February 19, 2025

When the Authors Went to Hollywood [THE CARPETBAGGERS & THE LAST TYCOON]

Frank Calvillo
March 1, 2024March 1, 2024

DUNE: PART TWO Review: A Triumph of Spectacle, Character, and Theme

Mel Valentin
March 1, 2024March 14, 2024

UNCLE SAM: Lesser Known Holiday Slashers – Roundtable Reviews [Two Cents]

Justin Harlan
February 29, 2024February 19, 2025

Sleuths for Truth: A TRUE DETECTIVE Roundtable – Season 4 Finale and Aftermath

Justin Harlan
February 27, 2024February 27, 2024

The Dangers of Faith and Reconciling the White Savior Trope in DUNE: PART TWO

Dan Tabor
February 26, 2024March 7, 2024

Review: ORION AND THE DARK Brings Anxiety to Animation

Brendan Foley
February 24, 2024February 23, 2024

Looking Back at BLOOD SIMPLE as Drive-Away Dolls Hits Theaters

Eddie Strait
February 23, 2024March 12, 2024

DRIVE-AWAY DOLLS: A Mostly Fun Road Trip with a Few Speedbumps

Frank Calvillo
February 23, 2024March 7, 2024

Sleuths for Truth: A TRUE DETECTIVE Roundtable – Season 4, Episodes 4 & 5

Justin Harlan
February 23, 2024February 23, 2024

DRIVE AWAY DOLLS. A Road-Trip Crime Caper Revolving Around Fun, Farce, and Phalluses

Jon Partridge
February 23, 2024March 7, 2024

Satoshi Kon’s PAPRIKA (2006) Haunts Your Dreams in 4K UHD – New Steelbook Edition Review

Austin Vashaw
February 22, 2024February 22, 2024

Review: DUNE PART TWO Continues Denis Villeneuve’s Run of Sci-fi Masterworks (Plus a Quick Recap of PART ONE)

Austin Vashaw
February 21, 2024February 27, 2024

Make It a Double: Wim Wenders’ PERFECT DAYS and TOKYO-GA (1985)

Austin Vashaw
February 19, 2024February 23, 2024

Eli Roth’s THANKSGIVING Arrives Fully Stuffed On Blu-ray!

Dan Tabor
February 19, 2024February 23, 2024

HAPPY BIRTHDAY TO ME: Lesser Known Holiday Slashers [Two Cents] – With Guest Programmer Robb Antequera

Ed Travis
February 19, 2024February 19, 2025

LIGHTS OUT: Frank Grillo Brings it in this Bare Knuckle Brawler

Dan Tabor
February 16, 2024February 22, 2024

MONOLITH is a Masterclass in No Budget Horror

Dan Tabor
February 16, 2024February 16, 2024

THE THOMAS CROWN AFFAIR Is a Fun, Stylish Romp

elizabeth stoddard
February 15, 2024February 15, 2024

VALENTINE: Lesser Known Holiday Slashers – Roundtable Reviews [Two Cents]

Justin Harlan
February 13, 2024February 19, 2025

PICCADILLY Puts a Spotlight on Anna May Wong

elizabeth stoddard
February 8, 2024February 19, 2024

A Mother Finds Her Daughter and a Daughter Finds Herself at SUNCOAST

Frank Calvillo
February 7, 2024February 7, 2024

LISA FRANKENSTEIN: A Sweetly Sinister Romance from Beyond the Grave

Julian Singleton
February 7, 2024April 21, 2024

[Interview] Delving into the Surrealist World of SHE IS CONANN with Director Bertrand Mandico 

Dan Tabor
February 7, 2024February 7, 2024

THE SHOW HAS ALREADY STARTED: SHORT FILMS BY BERTRAND MANDICO is a Wondrous and Surreal Fever Dream

Dan Tabor
February 6, 2024February 6, 2024

APRIL FOOL’S DAY: Lesser Known Holiday Slashers – Roundtable Reviews [Two Cents]

Ed Travis
February 5, 2024February 19, 2025

Sundance 2024: THE BATTLE FOR LAIKIPIA

elizabeth stoddard
February 3, 2024February 3, 2024

Sleuths for Truth: A TRUE DETECTIVE Roundtable – Season 4, Episode 3

Justin Harlan
February 2, 2024February 2, 2024

HOW TO HAVE SEX is an Eye-Catching Debut

Eddie Strait
February 2, 2024February 1, 2024

ARGYLLE and the Return of Matthew Vaughn

Frank Calvillo
February 1, 2024February 1, 2024

The Biggest Secret to ARGYLLE Is That It’s a Romantic Comedy

Jay Tyler
February 1, 2024January 31, 2024

Sundance 2024: EVERY LITTLE THING

elizabeth stoddard
January 31, 2024January 31, 2024

STARSHIP TROOPERS: Paul Verhoeven Retrospective [Two Cents]

Ed Travis
January 29, 2024February 19, 2025

Sundance 2024: THE MOTHER OF ALL LIES

elizabeth stoddard
January 29, 2024January 29, 2024

OPPENHEIMER Takes Top Honors with KC Film Critics

Austin Vashaw
January 29, 2024February 13, 2024

Sundance 2024: IGUALADA

elizabeth stoddard
January 28, 2024January 28, 2024

Sundance 2024: BRIEF HISTORY OF A FAMILY

elizabeth stoddard
January 27, 2024January 27, 2024

Sundance 2024: SUGARCANE

elizabeth stoddard
January 26, 2024January 26, 2024

Sleuths for Truth: A TRUE DETECTIVE Roundtable – Season 4, Episode 2

Justin Harlan
January 26, 2024February 5, 2024

THE UNDERDOGGS – Snoop Dogg Tackles Sports Comedy with Hilarious Excess

Austin Vashaw
January 26, 2024February 5, 2024

Sundance 2024: SEEKING MAVIS BEACON

elizabeth stoddard
January 25, 2024February 13, 2024

Sundance 2024: BLACK BOX DIARIES

elizabeth stoddard
January 25, 2024January 25, 2024

FLESH+BLOOD: Paul Verhoeven Retrospective [Two Cents]

Dan Tabor
January 22, 2024February 19, 2025

JFK: A Masterpiece of American Myth-Making Hits 4K

Julian Singleton
January 20, 2024January 22, 2024

MEAN GIRLS Drags the Movie Musical Into the Viral Age

Jay Tyler
January 19, 2024January 23, 2024

Criterion Review: LONE STAR (1996)

elizabeth stoddard
January 19, 2024January 19, 2024

Sleuths for Truth: A TRUE DETECTIVE Roundtable – Season 4, Episode 1

Justin Harlan
January 18, 2024January 26, 2024

FIVE NIGHTS AT FREDDY’S: The Biggest Horror Film of 2023 Hits 4k UHD in the “Night Shift Edition”

Dan Tabor
January 18, 2024January 18, 2024

Death and Other Details, Another Murder-Mystery, This Time With Mandy Patinkin as the “World’s Greatest Detective”

Mel Valentin
January 16, 2024March 4, 2024

THE RAID: REDEMPTION, a Modern Masterpiece, Gets a 4K UHD Upgrade

Ed Travis
January 15, 2024January 15, 2024

BENEDETTA: Paul Verhoeven Retrospective [Two Cents]

Julian Singleton
January 15, 2024February 19, 2025

Criterion Review: DAYS OF HEAVEN [4K-UHD]

Julian Singleton
January 14, 2024January 13, 2024

THE BEEKEEPER Gives Jason Statham One of His Best Action Roles in Years

Mel Valentin
January 11, 2024January 26, 2024

MEAN GIRLS is a Rote Remix of the Original

Jon Partridge
January 11, 2024January 26, 2024

The Austin Film Critics Association Announce their 2023 Award Winners

Jon Partridge
January 10, 2024January 18, 2024

ERNEST & CELESTINE Return in “A TRIP TO GIBBERITIA”, Coming to Blu-ray

Austin Vashaw
January 8, 2024January 11, 2024

SHOWGIRLS: Paul Verhoeven Retrospective [Two Cents]

Dan Tabor
January 7, 2024February 19, 2025

New on Blu: THE BLUE JEAN MONSTER

VN Pryor
January 7, 2024January 11, 2024

NORYANG: DEADLY SEA Caps Off South Korea’s Epic Naval Warfare Trilogy

Austin Vashaw
January 7, 2024January 11, 2024

HE WENT THAT WAY Quickly Loses Direction

Frank Calvillo
January 5, 2024February 1, 2024

NIGHT SWIM Brings Aquatic Horror To Your Friendly Neighborhood Swimming Pool

Mel Valentin
January 4, 2024January 4, 2024

NIGHT SWIM Aims Deep, Hits Shallow

Julian Singleton
January 4, 2024January 3, 2024

Blu Review: 88 Films’ LONG ARM OF THE LAW PARTS I & II Collection

Austin Vashaw
January 3, 2024January 3, 2024

ROBOCOP: Paul Verhoeven Retrospective [Two Cents]

Ed Travis
January 1, 2024February 19, 2025

Actresses Abroad [THE HAUNTING OF JULIA & HUSTLE]

Frank Calvillo
December 31, 2023December 31, 2023

Looking Back at Some of the Top Kino Lorber Releases of 2023

Frank Calvillo
December 31, 2023December 31, 2023

Savoring the Flavor of THE TASTE OF THINGS

Frank Calvillo
December 31, 2023December 31, 2023

It’s Time to Bury the Ending of ALL OF US STRANGERS

Julian Singleton
December 27, 2023January 11, 2024

Clooney Misses THE BOYS IN THE BOAT

Frank Calvillo
December 24, 2023December 24, 2023

THE COLOR PURPLE Finds Hope Where All Seems Hopeless

Austin Vashaw
December 23, 2023December 23, 2023

Chastain, Sarsgaard Unlock the Past in MEMORY

Frank Calvillo
December 22, 2023December 22, 2023

FERRARI Starts and Stops Before Finally Taking Off

Frank Calvillo
December 22, 2023January 11, 2024

In Andrew Haigh’s Poignant ALL OF US ARE STRANGERS, You Can Go Home Again

Mel Valentin
December 22, 2023December 22, 2023

A DISTURBANCE IN THE FORCE is an Entertaining and Insightful Documentary about a STAR WARS TV Special That’s Neither

Austin Vashaw
December 22, 2023February 5, 2024

SHREDDER ORPHEUS (1989) on Blu-ray: A Gutterpunk Retelling of the Greek Tragedy – Review and Screen Comparisons

Austin Vashaw
December 21, 2023February 5, 2024

Criterion Review: PINOCCHIO [4K-UHD]

Julian Singleton
December 20, 2023December 19, 2023

A Mother and Child Escape Reality in the Wondrous L’IMMENSITA

Frank Calvillo
December 19, 2023December 28, 2023

Criterion Puts a Legend Back in the Spotlight with LA BAMBA 

Frank Calvillo
December 19, 2023December 19, 2023

ALL OF US STRANGERS Looks for Connection in One of the Best Films of the Year

Eddie Strait
December 19, 2023December 18, 2023

Lost Souls Are Found in ALL OF US STRANGERS

Frank Calvillo
December 18, 2023December 18, 2023

Unboxing 88 Films’ LONG ARM OF THE LAW PARTS I & II

Austin Vashaw
December 18, 2023December 18, 2023

SHAW BROTHERS CLASSICS VOL. 2: LADY OF STEEL & BROTHERS FIVE

Dan Tabor
December 18, 2023December 18, 2023

THE IRON CLAW Retells One of Wrestling’s Darkest Tragedies

Jay Tyler
December 17, 2023December 18, 2023

Getting Caught in the Grasp of THE IRON CLAW

Frank Calvillo
December 16, 2023December 16, 2023

THE ZONE OF INTEREST: Jonathan Glazer Once Again Delivers Masterpiece-Level Filmmaking

Mel Valentin
December 15, 2023December 16, 2023

Cozying Up with Some AMERICAN FICTION

Frank Calvillo
December 15, 2023December 19, 2023

Hopkins, Goode Both Show Up for FREUD’S LAST SESSION

Frank Calvillo
December 15, 2023December 15, 2023

The Zone of Interest and the Comfortability of Evil

Julian Singleton
December 15, 2023January 3, 2024

SPIRITED AWAY: LIVE ON STAGE Magically brings the Animated Classic to Life

Dan Tabor
December 15, 2023December 15, 2023

AMERICAN FICTION is a Fresh Take on the Publishing World

elizabeth stoddard
December 14, 2023January 3, 2024

GOODBYE, DRAGON INN is a Love Letter to the Cinematic Experience

Dan Tabor
December 14, 2023December 14, 2023

WONKA Prequel Delivers a Passably Entertaining, Lightweight Confection For the Masses

Mel Valentin
December 13, 2023December 23, 2023

STAND BY ME 4K Steelbook Review

Brendan Agnew
December 13, 2023December 13, 2023

THE IRON CLAW Wrestles With the Joy and Burden of Family

Eddie Strait
December 12, 2023December 22, 2023

Discovering the Secret, Stylish World of EILEEN

Frank Calvillo
December 11, 2023December 11, 2023

POOR THINGS is an Indulgent and Beautiful Odyssey

Julian Singleton
December 10, 2023December 10, 2023

Surrealism on the Silver Screen – DREAM SCENARIO and POOR THINGS

Austin Vashaw
December 9, 2023February 5, 2024

The High School Perspective – Taylor Swift: The Eras Tour

Leonardo Gil-Ortiz
December 8, 2023December 6, 2023

BARBARELLA Screen Comparisons: How Arrow’s New Restoration Stacks Up Against Paramount’s 2012 Release

Austin Vashaw
December 7, 2023December 7, 2023

TREMORS 2 Screen Comparisons – Arrow’s New Restoration Against Universal’s 2013 Blu-ray

Austin Vashaw
December 7, 2023December 7, 2023

POOR THINGS: F#ck the Patriarchy!

Dan Tabor
December 5, 2023December 13, 2023

OPPENHEIMER Packs a Punch on Any Screen

Jon Partridge
December 4, 2023March 19, 2024

CANDY CANE LANE: Eddie Murphy Stars in a Winning Family Comedy for the Holidays

Austin Vashaw
December 2, 2023December 9, 2023

It’s still Noirvember with Kino Lorber [JOY HOUSE & 2 DAYS IN THE VALLEY]

Frank Calvillo
November 29, 2023April 21, 2024

Getting Lost in SALTBURN

Frank Calvillo
November 27, 2023December 13, 2023

BLUE EYE SAMURAI Is A Blood-Soaked Blast

Brendan Foley
November 24, 2023December 8, 2023

SCRAPPER – A Low-Key Love Letter to Messy Families

Brendan Foley
November 24, 2023December 6, 2023

Ridley Scott’s NAPOLEON Prints the Legend

Julian Singleton
November 22, 2023November 27, 2023

EXPENDABLES 4 – Out Today on 4K UHD Blu-ray

Austin Vashaw
November 21, 2023February 5, 2024

THE TWILIGHT SAGA Reviewed By Someone Who Knows Nothing About THE TWILIGHT SAGA

Ed Travis
November 19, 2023December 8, 2023

The Trolls Hit the Road in Their Third Outing, TROLLS BAND TOGETHER

Austin Vashaw
November 17, 2023November 19, 2023

THANKSGIVING Serves Up a Bloody Good Time for the Holidays

Eddie Strait
November 17, 2023November 17, 2023

THANKSGIVING: A Gory, Gnarly, Grisly Slasher for the Holidays

Mel Valentin
November 16, 2023December 2, 2023

The Archivist #144: A Warner Archive Double-Header with ANGELS IN THE OUTFIELD (1951) and DEATH ON THE DIAMOND (1934)

Austin Vashaw
November 15, 2023February 27, 2025

A STILL SMALL VOICE Reveals Life in the Shadow of Death

Jay Tyler
November 15, 2023December 8, 2023

MAY DECEMBER Blurs Lines of Cruelty and Complicity to Disturbingly Effective Ends

Julian Singleton
November 15, 2023November 9, 2023

Criterion Review: NANNY (2022)

Julian Singleton
November 14, 2023November 13, 2023

THE MARVELS Reminds Us How Much Fun the MCU Used to Be

Dan Tabor
November 14, 2023November 16, 2023

The High School Perspective: Killers of the Flower Moon

Leonardo Gil-Ortiz
November 13, 2023December 7, 2023

TWILIGHT Reviewed By Someone Who Knows Nothing About TWILIGHT

Ed Travis
November 13, 2023November 19, 2023

THE DEVIL COMES TO KANSAS CITY Comes To Tubi

Austin Vashaw
November 13, 2023February 5, 2024

THE MARVELS Delivers with Great Protagonists, Lots of Laughs, and a Zippy Runtime

Austin Vashaw
November 10, 2023February 5, 2024

FOUR DAUGHTERS Is One of 2023’s Best Documentaries

elizabeth stoddard
November 10, 2023November 10, 2023

THE DESPERATE HOURS is a Harrowing Home Invasion Thriller

Eddie Strait
November 9, 2023November 9, 2023

THE MARVELS Refreshingly Brings Marvel Back to Basics

Julian Singleton
November 8, 2023November 14, 2023

IT! THE TERROR FROM BEYOND SPACE Blu-Ray Review: Sci-Fi/Horror Cult Flick Gets an A+ Upgrade

Mel Valentin
November 8, 2023November 8, 2023

CUJO: 40TH ANNIVERSARY Blu-Ray Review: 1983’s Third-Best King Adaptation Gets a High-Def Polish

Mel Valentin
November 7, 2023November 8, 2023

WHERE THE DEVIL ROAMS is an Ambitious American Indie Horror Vision

Dan Tabor
November 7, 2023November 7, 2023

Ron Perlman is: THE BAKER, Action Grandpa

Austin Vashaw
November 7, 2023February 5, 2024

ENTER THE NINJA (1981): White Guy Karate: Origins

Ed Travis
November 7, 2023November 6, 2023

Sam Pollard’s Documentary THE LEAGUE is a Wonderful Primer on the History of Baseball’s Negro Leagues

Austin Vashaw
November 6, 2023June 5, 2024

Documentary THE PIGEON TUNNEL Tells the Story of Spy Fiction Author John le Carré – in His Own Words

Austin Vashaw
November 6, 2023November 6, 2023

THE BARE-FOOTED KID: Shawscope Vol. 2 – Roundtable Reviews

Ed Travis
November 5, 2023December 2, 2023

Looking Back at DON’T LOOK NOW

Frank Calvillo
November 4, 2023March 12, 2024

Audiences Prefer Blondes? Hayley, Jean Enchant in THE TRUTH ABOUT SPRING & MOMENT TO MOMENT

Frank Calvillo
November 4, 2023November 4, 2023

THE HOLDOVERS Settles in for a Long Winter’s Emotional Journey

Frank Calvillo
November 3, 2023January 12, 2024

A Chat with Demián Rugna writer/director of the best Possession flick of 2023: WHEN EVIL LURKS

Dan Tabor
November 2, 2023November 2, 2023

MEG 2: THE TRENCH 4K/Blu-Ray Review: Giant Shark Enthusiasts Will Be Disappointed

Mel Valentin
October 31, 2023November 2, 2023

FIVE NIGHTS AT FREDDY’S Leans Heavily into the Game’s Lore for a Shockingly Satisfying Adaption

Dan Tabor
October 30, 2023December 2, 2023

THE MIST Thrills and Chills in 4K UHD

Eddie Strait
October 30, 2023October 30, 2023

Criterion Review: THE OTHERS

elizabeth stoddard
October 26, 2023October 26, 2023

Why BARBIE IS Totally Awards Worthy: A 4K UHD Review

Dan Tabor
October 25, 2023October 25, 2023

LORNA THE EXORCIST: One of Franco’s Best Hits Blu-ray This Week!

Dan Tabor
October 25, 2023October 25, 2023

EVANGELION:3.0+1.11 THRICE UPON A TIME Delivers a Satisfying Conclusion Gorgeously Rendered in 4K Thanks to GKIDS

Dan Tabor
October 25, 2023October 25, 2023

David Fincher’s THE KILLER Review: Filmography as Autobiography

Mel Valentin
October 25, 2023November 6, 2023

The High School Perspective: THE LAST VOYAGE OF THE DEMETER

Leonardo Gil-Ortiz
October 23, 2023October 23, 2023

THE CHALLENGE (1982): One Of My New Favorite Movies

Ed Travis
October 23, 2023November 6, 2023

Criterion Review: MOONAGE DAYDREAM [4K-UHD]

Julian Singleton
October 23, 2023October 22, 2023

MARTIAL ARTS OF SHAOLIN: Shawscope Vol. 2 – Roundtable Reviews

Ed Travis
October 21, 2023October 21, 2023

Criterion Review: WALKABOUT [4K-UHD]

Jon Partridge
October 20, 2023March 12, 2024

It’s Time to Keep Your Appointment with THE WICKER MAN

Jon Partridge
October 20, 2023March 19, 2024

KILLERS OF THE FLOWER MOON Review: Scorsese Enters His 80s With Another Stone-Cold Masterpiece

Mel Valentin
October 17, 2023November 6, 2023

REVOIR PARIS: What Happens After [DVD Review]

elizabeth stoddard
October 12, 2023October 12, 2023

FOE: Sci-Fi Dystopian Tale Wastes Talent On Both Sides of the Camera

Mel Valentin
October 11, 2023October 11, 2023

FANTASTIC FEST 2023: THE WAIT(La Espera), is Worth It

Dan Tabor
October 11, 2023October 13, 2023

Fantastic Fest 2023: Best of the Fest!

David Delgado
October 9, 2023October 9, 2023

THE EXORCIST: BELIEVER Will Make an Unbeliever Out Of Anyone

Mel Valentin
October 8, 2023October 11, 2023

Rachael Takes Us on a (Tellu)ride to One of the Great American Film Festivals

Rachael Hauschild
October 8, 2023October 8, 2023

Finding Inspiration in SHE CAME TO ME

Frank Calvillo
October 6, 2023October 6, 2023

THE EXORCIST: BELIEVER Leaves One Questioning their Faith in Green, Blumhouse

Frank Calvillo
October 6, 2023October 6, 2023

NIGHT OF THE DEMONS 2 – Collector’s Edition Blu-Ray Review

Brendan Agnew
October 6, 2023October 6, 2023

NIGHT OF THE DEMONS – Collector’s Edition 4K Review

Brendan Agnew
October 6, 2023October 6, 2023

THE ROYAL HOTEL is a Modern Western of Misogynist Menace

elizabeth stoddard
October 5, 2023October 6, 2023

THE EXORCIST: BELIEVER is a Loving But Hollow Cover of a Classic

Jay Tyler
October 5, 2023October 25, 2023

FANTASTIC FEST 2023: SPOOKTACULAR! is a Charming Look at the Once Great Horror Theme Park

Dan Tabor
October 5, 2023October 6, 2023

Fantastic Fest 2023: DREAM SCENARIO and Nic Cage

David Delgado
October 4, 2023October 6, 2023

THE EXORCIST: BELIEVER Needs to Believe In Itself

Julian Singleton
October 4, 2023October 25, 2023

Fantastic Fest 2023: JACKDAW is DRIVE Channeled Through Tony Scott

David Delgado
October 3, 2023October 6, 2023

LONELY CASTLE IN THE MIRROR is a Fantastically Moving Modern Day Fairytale

Dan Tabor
October 2, 2023October 6, 2023

FANTASTIC FEST 2023: KILLING ROMANCE is an Exquisitely Entertaining Candy Colored K-Dramedy

Dan Tabor
October 2, 2023October 6, 2023

25 Years Later HALLOWEEN: H20 Hits 4K Limited Edition Steelbook

Eddie Strait
October 2, 2023October 6, 2023

SAW X Brings Back Everyone’s Favorite Puzzle King To Nightmare Inducing Results

Mel Valentin
September 30, 2023October 6, 2023

Fantastic Fest 2023: Night Terrors Lead to a Domestic Disintegration in SLEEP

Jon Partridge
September 29, 2023October 6, 2023

Fantastic Fest 2023: YOUR LUCKY DAY Places Us in the Thick of a Harrowing Crime Thriller

Julian Singleton
September 28, 2023October 6, 2023

FANTASTIC FEST 2023: CALIGULA: THE ULTIMATE CUT – A RED Carpet Q&A with Malcolm McDowell and Producer Thomas Negovan

Dan Tabor
September 27, 2023October 25, 2023

Fantastic Fest 2023: Gareth Edwards’ Vision For THE CREATOR is Stunning

Ed Travis
September 27, 2023October 6, 2023

Fantastic Fest 2023: RIVER is a Hilarious and Heartfelt Trip Through a Time-Loop

Jon Partridge
September 27, 2023October 6, 2023

TENEBRAE Screen Comparisons – Checking Synapse’s 4K Restoration against their earlier 2016 Blu-ray

Austin Vashaw
September 27, 2023November 7, 2023

FANTASTIC FEST 2023: DOOR is a Gory Lost J-Horror Hidden Gem Well Worth Discovering

Dan Tabor
September 26, 2023October 6, 2023

Spinema Issue 71: SF Incorporated Penetrates the Film and TV World

Justin Harlan
September 26, 2023October 6, 2023

Fantastic Fest 2023: RAGE Evolves our Expectations of Werewolf Films

Julian Singleton
September 26, 2023October 6, 2023

New Label ‘Film Masters’ Launches with Definitive Release of THE GIANT GILA MONSTER and THE KILLER SHREWS

Austin Vashaw
September 26, 2023February 5, 2024

Fantastic Fest 2023: Morality Tale Meets Mexican Standoff at THE LAST STOP IN YUMA COUNTY

Jon Partridge
September 25, 2023October 6, 2023

FANTASTIC FEST 2023: CALIGULA: THE ULTIMATE CUT All Hail Caesar!

Dan Tabor
September 25, 2023October 6, 2023

FANTASTIC FEST 2023: THE DEEP DARK is Claustrophobic Cosmic Horror

Julian Singleton
September 25, 2023October 6, 2023

FANTASTIC FEST 2023: UFO SWEDEN is a Soaring Scandinavian Sci-Fi Wonder

Julian Singleton
September 25, 2023October 6, 2023

Fantastic Fest 2023: KILL Gives India Its Own Gory/Great RAID-like

Ed Travis
September 25, 2023October 6, 2023

Fantastic Fest 2023: OUT OF DARKNESS Reminds Us to Fear the Darkness, Within and Without

Jon Partridge
September 24, 2023November 3, 2023

Fantastic Fest 2023: 100 YARDS: A Grand, Character-Based Martial Arts Epic

Ed Travis
September 24, 2023October 6, 2023

FANTASTIC FEST 2023: CONANN is a Queer Fantasy Epic through Bertrand Mandico’s Phantasmagorical Glitter Covered Lens

Dan Tabor
September 24, 2023October 6, 2023

Criterion Review: THE TRIAL

Eddie Strait
September 24, 2023October 6, 2023

FANTASTIC FEST 2023: WHEN EVIL LURKS is a Gleefully Grotesque Possession Flick 

Julian Singleton
September 23, 2023October 6, 2023

Fantastic Fest 2023: ONE PERCENTER is Elite Self Aware Action Cinema

Ed Travis
September 23, 2023October 6, 2023

Fantastic Fest 2023: STRANGE DARLING: Don’t Read This Review [Spoiler Free]

Ed Travis
September 23, 2023October 6, 2023

FANTASTIC FEST 2023: THE FALL OF THE HOUSE OF USHER is Flanagan’s Fiendish Farewell to Netflix

Julian Singleton
September 22, 2023October 6, 2023

FANTASTIC FEST 2023: ENTER THE CLONES OF BRUCE is a Hilarious Deep Dive into Brucesploitation 

Dan Tabor
September 22, 2023October 6, 2023

THE GIRL FROM RIO: Jess Franco’s Jet Set Bondsploitation Epic Swings onto 4K UHD

Dan Tabor
September 21, 2023October 6, 2023

BATMAN: MASK OF THE PHANTASM on 4K UHD – A Stunning Disc Worth the Upgrade!

Dan Tabor
September 20, 2023October 6, 2023

Screen Comparisons: THE EXORCIST 4K UHD vs 2010 Blu-ray

Julian Singleton
September 20, 2023October 6, 2023

A HAUNTING IN VENICE is an Impressively Paced and Chilling Chamber Piece

Dan Tabor
September 20, 2023October 6, 2023

THE BOXER’S OMEN: Shawscope Vol. 2 – Roundtable Reviews

Ed Travis
September 20, 2023October 6, 2023

Fantastic Fest 2023 – The Cinapse Team’s Most Anticipated Features

Jon Partridge
September 18, 2023October 6, 2023

ONE PIECE Reviewed By Someone Who Knows Nothing About ONE PIECE

Brendan Foley
September 16, 2023October 6, 2023

Spin the BLACK CIRCLE on Blu-ray thanks to Synapse Films!

Dan Tabor
September 15, 2023October 6, 2023

[Q&A] REBEL Directors Adil El Arbi and Bilall Fallah Discuss the Real Life Inspirations Behind their Exploration of ISIS and the Radicalization of Muslim Youth

Dan Tabor
September 15, 2023October 6, 2023

Kenneth Branagh’s A HAUNTING IN VENICE Blends Style and Scares with Aplomb

Jon Partridge
September 14, 2023October 6, 2023

MERCENARIES FROM HONG KONG: Shawscope Volume 2 – Roundtable Reviews

Ed Travis
September 14, 2023October 6, 2023

A HAUNTING IN VENICE Shows Third Crime’s a Charm

Frank Calvillo
September 14, 2023January 12, 2024

A HAUNTING IN VENICE Beautifully Blends Horror Mystery and Humor

Jay Tyler
September 9, 2023October 6, 2023

MY YOUNG AUNTIE – Shawscope Vol. 2 – Roundtable Reviews

Ed Travis
September 8, 2023October 6, 2023

CHUCKY Comes Out to Play in 4K-UHD

Jon Partridge
September 8, 2023October 6, 2023

Is 2023 the Year of the Self-Aware Blockbuster?

Brendan Foley
September 7, 2023October 6, 2023

MALONE [Blu Review]: Burt Reynolds V White Supremacists 

Ed Travis
September 4, 2023October 6, 2023

GRAN TURISMO Review: A Spectacular Ad for the PlayStation Sim

Mel Valentin
September 3, 2023October 6, 2023

THE GOOD MOTHER is a Bad Movie

Frank Calvillo
September 1, 2023October 6, 2023

Cauldron Films Unleashes Lucio Fulci’s CITY OF THE LIVING DEAD on 4K UHD!

Dan Tabor
September 1, 2023October 6, 2023

WE KILL FOR LOVE is an Epic Deep Dive into the History of the Erotic Thriller

Dan Tabor
September 1, 2023October 6, 2023

GOLDA Aims to Humanize One of the World’s Most Controversial Leaders

Frank Calvillo
August 28, 2023October 6, 2023

Criterion Looks at How the 60s Told the Future with TARGETS and THE SERVANT

Frank Calvillo
August 28, 2023March 12, 2024

Criterion Review: Jean-Luc Goddard’s BREATHLESS [4K-UHD]

Jon Partridge
August 25, 2023March 12, 2024

TWO FILMS BY PETER GREENAWAY Crave Your Curiosity and Attention

Julian Singleton
August 25, 2023October 6, 2023

TEN TIGERS OF KWANGTUNG – Shawscope Vol. 2 – Roundtable Reviews

Ed Travis
August 21, 2023October 6, 2023

Shout! Factory, Bring Cocaine Bear to 4K

Leonardo Gil-Ortiz
August 21, 2023October 6, 2023

Criterion Review: DIM SUM: A LITTLE BIT OF HEART

elizabeth stoddard
August 17, 2023October 6, 2023

Criterion Review: ONE FALSE MOVE (4K-UHD)

Eddie Strait
August 17, 2023March 12, 2024

FANTASIA 2023: NEW LIFE is a Intimate and Thought Provoking Genre Mashup

Dan Tabor
August 16, 2023October 6, 2023

SO I MARRIED AN AXE MURDERER Blends Comedic Absurdity and Murderous Thrills

Jon Partridge
August 11, 2023March 19, 2024

Virginie Efira and the Soul of OTHER PEOPLE’S CHILDREN

elizabeth stoddard
August 11, 2023October 6, 2023

MVD Kicks Off Their 4K Rewind Slate with SWAMP THING on UHD!

Austin Vashaw
August 9, 2023February 5, 2024

ENTER THE DRAGON: The Martial Arts Classic Makes a Stunning 4K Debut

Dan Tabor
August 8, 2023October 6, 2023

NYAFF 2023: MISS SHAMPOO

VN Pryor
August 8, 2023October 6, 2023

NYAFF 2023: Interview With Anshul Chauhan, Director of DECEMBER

VN Pryor
August 6, 2023October 6, 2023

NYAFF 2023: BACK HOME

VN Pryor
August 4, 2023October 6, 2023

NYAFF 2023: MAD FATE

VN Pryor
August 4, 2023October 6, 2023

NYAFF 2023: GREENHOUSE

VN Pryor
August 4, 2023October 6, 2023

TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM Review: The TMNT Movie We Should Have Had Decades Ago

Mel Valentin
August 2, 2023October 6, 2023

A Not Wholly Unbiased Review of TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM

Austin Vashaw
August 2, 2023February 5, 2024

Living With Miyazaki, Part 11 – THE WIND RISES

Brendan Foley
August 1, 2023October 6, 2023

PASSAGES and the Irresistible Chaos of Connection

Julian Singleton
August 1, 2023October 6, 2023

FANTASIA 2023: THE FIRST SLAM DUNK is a Shōnen Masterwork

Dan Tabor
July 31, 2023October 6, 2023

NYAFF 2023: A TOUR GUIDE

VN Pryor
July 30, 2023October 6, 2023

Disney’s HAUNTED MANSION is Grim, and will Leave you Grinning with its Ghostly Humor!

Dan Tabor
July 30, 2023October 6, 2023

TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM Embraces the Lunacy of its Legacy

Jay Tyler
July 30, 2023March 22, 2024

NYAFF 2023: EVERYPHONE, EVERYWHERE

VN Pryor
July 30, 2023October 6, 2023

Criterion Review: AFTER HOURS (1985) [4K-UHD]

Julian Singleton
July 30, 2023October 6, 2023

FANTASIA 2023: Junta Yamaguchi’s RIVER is a Dreamy Whimsical Delight!

Dan Tabor
July 28, 2023October 6, 2023

FANTASIA 2023: A DISTURBANCE IN THE FORCE Bestows Context and Clarity onto the STAR WARS HOLIDAY SPECIAL 

Dan Tabor
July 27, 2023October 6, 2023

AFIRE: On Climate Change and Self-Absorption

elizabeth stoddard
July 27, 2023October 6, 2023

NYAFF 2023: KITTY THE KILLER

VN Pryor
July 27, 2023October 6, 2023

NYAFF 2023: GEYLANG

VN Pryor
July 27, 2023October 6, 2023

NYAFF 2023: VITAL SIGNS

VN Pryor
July 27, 2023October 6, 2023

NYAFF 2023: ANIMATED SHORTS

VN Pryor
July 27, 2023October 6, 2023

HAUNTED MANSION is a Faithful Adaptation – And That Might Be Its Biggest Problem

Jay Tyler
July 27, 2023October 6, 2023

FANTASIA 2023: A Chat with Renaissance Woman and Director of PRUNING Lola Blanc

Dan Tabor
July 27, 2023October 6, 2023

NYAFF 2023: MARRY MY DEAD BODY

VN Pryor
July 26, 2023October 6, 2023

NYAFF 2023: OKIKU AND THE WORLD

VN Pryor
July 26, 2023October 6, 2023

NYAFF 2023: BEAR MAN

VN Pryor
July 25, 2023October 6, 2023

FANTASIA 2023: RESTORE POINT is a Rousing Dose of High Concept Czech Sci-Fi

Dan Tabor
July 25, 2023October 6, 2023

Criterion Review: Terry Gilliam’s TIME BANDITS [4K-UHD]

Jon Partridge
July 24, 2023March 12, 2024

FANTASIA 2023: VINCENT MUST DIE is a Captivating Genre Bending Debut

Dan Tabor
July 23, 2023October 6, 2023

See it in 70mm!

Austin Vashaw
July 23, 2023October 6, 2023

NYAFF 2023: GLORIOUS ASHES

VN Pryor
July 21, 2023October 6, 2023

OPPENHEIMER is Christopher Nolan at His Most Haunted Best

Jay Tyler
July 20, 2023October 6, 2023

BARBIE Review: Pink Power vs. the Patriarchy

Jon Partridge
July 20, 2023October 6, 2023

MAGNIFICENT RUFFIANS – Shawscope Vol. 2 – Roundtable Reviews

Ed Travis
July 20, 2023October 6, 2023

TALK TO ME is Full of Nerve-Shredding Terror

Julian Singleton
July 19, 2023December 21, 2023

NYAFF 2023: BAD EDUCATION

VN Pryor
July 19, 2023October 6, 2023

NYAFF2023: LIVE ACTION SHORT FILM COLLECTION

VN Pryor
July 19, 2023April 21, 2024

OPPENHEIMER is a Stunning Dissection of Apocalyptic Guilt and Glory

Julian Singleton
July 19, 2023October 6, 2023

THE MIRACLE CLUB Travels Familiar Territory

elizabeth stoddard
July 14, 2023October 6, 2023

AmnesiA is a Dark and Dreamy 90’s Hidden Gem

Dan Tabor
July 14, 2023April 21, 2024

FREEWAY in 4K is a Gorgeous Presentation of a Film that Could NEVER be Made Today

Dan Tabor
July 13, 2023April 21, 2024

PACIFIC RIM 10th Anniversary Retrospective

Brendan Foley
July 12, 2023July 21, 2023

CHILE ’76 Is a Masterful Political Thriller

elizabeth stoddard
July 12, 2023July 12, 2023

MISSION: IMPOSSIBLE – DEAD RECKONING PART ONE Raises the Bar… Again

Eddie Strait
July 11, 2023July 21, 2023

Screen Comparisons: Arrow’s DOLLS (Empire of Screams Box Set) vs 2014 Blu-ray

Austin Vashaw
July 11, 2023July 11, 2023

THE KID WITH THE GOLDEN ARM – Shawscope Vol. 2 – Roundtable Reviews

Ed Travis
July 10, 2023July 20, 2023

PRISON GIRLS 3D Delivers the Sleazy Goods and There’s Nothing Wrong with That!

Dan Tabor
July 7, 2023July 7, 2023

JOY RIDE is a Cute, Crude, and Chaotic Comedy

Jon Partridge
July 7, 2023July 16, 2023

FANTASIA 2023: Frank & Dan’s Most Anticipated for this Year’s Fest!

Dan Tabor
July 7, 2023July 16, 2023

CFF 2023: INVOKING YELL is a Found Footage Banger with a Black Metal Hook

Dan Tabor
July 7, 2023July 7, 2023

Screen Comparisons: Arrow’s CELLAR DWELLER (Empire of Screams Box Set) vs 2015 Blu-ray

Austin Vashaw
July 6, 2023July 19, 2023

INDIANA JONES AND THE DIAL OF DESTINY: Once More, With Less Feeling

Mel Valentin
July 5, 2023July 5, 2023

INVINCIBLE SHAOLIN: Shawscope Vol. 2 – Roundtable Reviews

Ed Travis
July 4, 2023July 20, 2023

McBAIN: Regime Change As Action Film [Blu Review]

Ed Travis
July 4, 2023July 4, 2023

Screen Comparisons: Arrow’s DUNGEONMASTER (Empire of Screams Box Set) vs 2015 Blu-ray

Austin Vashaw
June 30, 2023July 10, 2023

The Hunt for a Worthwhile Sequel is on in INDIANA JONES AND THE DIAL OF DESTINY

Frank Calvillo
June 30, 2023June 30, 2023

Living With Miyazaki, Part 10 – PONYO

Brendan Agnew
June 30, 2023July 14, 2023

INDIANA JONES AND THE DIAL OF DESTINY Turns Back the Clock to Deliver a Strong Finisher

Austin Vashaw
June 30, 2023February 5, 2024

CFF 2023: NEW RELIGION is a Surreal Exploration of Grief, Death, and Hope?

Dan Tabor
June 28, 2023June 28, 2023

CFF 2023: STAG, Horror with Heart!

Dan Tabor
June 28, 2023June 28, 2023

One Relic Hunts Down Another in INDIANA JONES AND THE DIAL OF DESTINY

Jon Partridge
June 28, 2023July 6, 2023

CFF 2023: THE ELDERLY is a Nightmarish Look at Aging Through a Geronotophobic Lens

Dan Tabor
June 28, 2023June 28, 2023

RUBY GILLMAN: TEENAGE KRAKEN Beautifully Blends Family Dramedy and Kaiju Antics

Jay Tyler
June 28, 2023July 10, 2023

THE DRAUGHTSMAN’S CONTRACT is a Lush and Lurid Debut from Peter Greenaway

Julian Singleton
June 28, 2023August 27, 2023

CFF 2023: SUBJECT is a Transgressive Tour de Force

Dan Tabor
June 28, 2023June 28, 2023

Take Me Down to the ASTEROID CITY

Frank Calvillo
June 23, 2023January 10, 2024

Criterion Review: Seijun Suzuki’s BRANDED TO KILL [4K-UHD]

Jon Partridge
June 23, 2023March 12, 2024

THEY CAME TO CORDURA Spotlights Tab Hunter’s Finest Moment

Frank Calvillo
June 23, 2023June 23, 2023

FIVE SUPERFIGHTERS: Shawscope Vol. 2 – Roundtable Reviews

Ed Travis
June 20, 2023July 20, 2023

MAD HEIDI is a Grindhouse Throwback that Understood the Assignment

Dan Tabor
June 20, 2023June 20, 2023

Glorious Animation and a Relevant Story Make ELEMENTAL Essential

Frank Calvillo
June 16, 2023July 10, 2023

Celebrate Over 40 Years of INDIANA JONES with All-New 4K-UHD Releases

Jon Partridge
June 16, 2023June 19, 2023

EXTRACTION 2: Bigger! Bolder! Better…?

Matthew Essary
June 16, 2023June 30, 2023

THE FLASH is a Big, Bold, Fan-service Delivery Mechanism – if You Can Overlook its Biggest Problem

Austin Vashaw
June 15, 2023July 27, 2023

JOHN WICK CHAPTER 4. Visceral Violence in a Sublimely Realized Underworld

Jon Partridge
June 15, 2023March 19, 2024

Hideo Gosha’s Explosive Yakuza Classic VIOLENT STREETS – Blu-ray Review & Unbox

Austin Vashaw
June 15, 2023April 17, 2024

BROOKLYN 45 is a Ghoulishly Clever Supernatural Thriller

Dan Tabor
June 15, 2023June 19, 2023

Tribeca 2023: I.S.S. is an Anxiety Fueled Sci-Fi Thriller

Dan Tabor
June 12, 2023June 11, 2023

Tribeca 2023: SUITABLE FLESH is a Frustrating Throwback without the Spice

Dan Tabor
June 11, 2023June 12, 2023

Tribeca 2023: SOMEWHERE QUIET Is a Suspensefully Atmospheric Descent into Madness

Dan Tabor
June 11, 2023June 11, 2023

The One Infuriating Thing About the JOHN WICK Sequels

Brendan Foley
June 9, 2023June 8, 2023

Spinema Issue 70: BEETLEJUICE: THE MUSICAL is a Simply Perfect Adaption!

Dan Tabor
June 9, 2023September 26, 2023

Unboxing and Review: Film Movement Brings Hideo Gosha’s SAMURAI WOLF 1 & 2 to Blu-ray

Austin Vashaw
June 9, 2023June 30, 2023

Breaking Backs in Heaven: A Field of Streams Tribute to the Iron Sheik

Justin Harlan
June 8, 2023June 30, 2023

A Chat with Bomani J. Story, Writer/Director of THE ANGRY BLACK GIRL AND HER MONSTER

Dan Tabor
June 8, 2023June 7, 2023

TRANSFORMERS Keeps Things Fresh With RISE OF THE BEASTS

Jay Tyler
June 8, 2023June 15, 2023

TRANSFORMERS: RISE OF THE BEASTS Signals the Rebirth of the Franchise

Dan Tabor
June 8, 2023June 7, 2023

JIMMY ZIP: RELOADED Brings the Late 90s Crime Drama Back for New Audiences

Justin Harlan
June 6, 2023June 6, 2023

MAD MONKEY KUNG FU: Shawscope Vol. 2 – Roundtable Reviews

Ed Travis
June 6, 2023July 20, 2023

SHIN KAMEN RIDER is a Thrilling Love Letter to the Tokusatsu Icon

Dan Tabor
June 5, 2023June 30, 2023

THELMA & LOUISE: Icons & Outlaws [Criterion Review]

Ed Travis
June 2, 2023March 12, 2024

SPIDER-MAN: ACROSS THE SPIDER-VERSE Jumps Breathlessly from Big Fun to Existential Contemplation

Austin Vashaw
June 2, 2023May 12, 2024

SPIDER-MAN: ACROSS THE SPIDER-VERSE is Ambitious Animation that Stuns and Soars in Equal Measure

Julian Singleton
May 31, 2023August 27, 2023

Uncle Reyes, Batman is NOT a Fascist

Leonardo Gil-Ortiz
May 30, 2023June 6, 2023

Field of Streams, Skate-Watch Edition: SKATESHOP, UNTIL THE WHEELS FALL OFF, STAY ON BOARD

Austin Vashaw
May 30, 2023June 8, 2023

DISCIPLES OF THE 36th CHAMBER: Shawscope Vol. 2 – Roundtable Reviews

Ed Travis
May 29, 2023July 20, 2023

Spinema Issue 69: Trensettahs and BLACK SOUNDS OF FREEDOM

Justin Harlan
May 29, 2023September 26, 2023

Living With Miyazaki, Part 9: HOWL’S MOVING CASTLE

Brendan Agnew
May 29, 2023June 29, 2023

Family Clashes with Mythology in Superpowered Sequel SHAZAM! FURY OF THE GODS

Austin Vashaw
May 26, 2023May 26, 2023

INFLUENCER Deals Out an Intoxicating Gen-X Hitchcockian Thriller

Dan Tabor
May 26, 2023May 30, 2023

Criterion Review: PETITE MAMAN

elizabeth stoddard
May 26, 2023May 25, 2023

KANDAHAR: Gerard Butler & Ric Roman Waugh Remain A Formidable Star/Director Duo

Ed Travis
May 24, 2023May 15, 2023

FAST X: Let the Naysayers Have Their Opinions, We Still Have “Family”

Justin Harlan
May 23, 2023May 23, 2023

THE LITTLE MERMAID: A More Nuanced Romance and a Breakout Performance by Halle Bailey

Austin Vashaw
May 23, 2023April 17, 2024

FAST X Finds the Fast Franchise Spinning Its Wheels

Jay Tyler
May 22, 2023May 30, 2023

88 Films: In The Line of Duty I-IV is a Fully Loaded Girls and Guns Extravaganza! [Unboxing Video + Review]

Dan Tabor
May 19, 2023May 29, 2023

Yuen Woo Ping’s TIGER CAGE Trilogy on Blu-ray from Shout! Factory

Austin Vashaw
May 18, 2023May 23, 2023

RETURN TO THE 36th CHAMBER: Shawscope Vol. 2 – Roundtable Reviews

Ed Travis
May 15, 2023July 20, 2023

Happy Mother’s Day, MILDRED PIERCE

Frank Calvillo
May 14, 2023May 15, 2023

Criterion Review: THE FISHER KING [4K-UHD]

Jon Partridge
May 12, 2023May 9, 2023

ASSASSIN CLUB is a Hitman Battle Royale!

Dan Tabor
May 10, 2023May 9, 2023

The JLA Goes Anime in Crossover Event JUSTICE LEAGUE X RWBY

Austin Vashaw
May 10, 2023May 12, 2023

Living With Miyazaki, Part 8 — SPIRITED AWAY

Brendan Foley
May 10, 2023June 29, 2023

CHEVALIER is an Exquisite Reclamation of a Revolutionary Artist

Julian Singleton
May 10, 2023August 27, 2023

Cinapse Top Ten: Jay Tyler

Jay Tyler
May 9, 2023May 9, 2023

GUARDIANS VOL. 3 – A Darker but No Less Welcome Closing Chapter

Austin Vashaw
May 8, 2023May 22, 2023

36th CHAMBER OF SHAOLIN: Shawscope Vol. 2 – Roundtable Reviews

Ed Travis
May 8, 2023July 20, 2023

WHAT’S LOVE GOT TO DO WITH IT? is the Question that Eventually Gets Answered

Frank Calvillo
May 7, 2023May 29, 2023

GUARDIANS OF THE GALAXY VOL. 3. is a Muddled Misfire

Jon Partridge
May 3, 2023May 9, 2023

GUARDIANS OF THE GALAXY VOL. 3 Review: A Worth-the-Wait Trilogy Capper

Mel Valentin
May 3, 2023May 9, 2023

Criterion Review: TRIANGLE OF SADNESS (2023) 4K UHD

Julian Singleton
April 30, 2023August 27, 2023

Here’s to You, Michelle Pfeiffer

Frank Calvillo
April 29, 2023January 8, 2024

Eurocrime Actioner THE NEW GODFATHERS (1979) Arrives on Blu-ray from Raro

Austin Vashaw
April 28, 2023May 7, 2023

ARE YOU THERE GOD? IT’S ME, MARGARET

elizabeth stoddard
April 28, 2023May 8, 2023

DEAD SILENCE Seeks Vengeance From Beyond the Grave in 4K UHD

Eddie Strait
April 28, 2023May 3, 2023

THE BIG EASY is a Breezy Crime Thriller

Eddie Strait
April 28, 2023May 3, 2023

New on Blu: BACKTRACK (aka CATCHFIRE) is an Exercise in Idiosyncrasy

Eddie Strait
April 28, 2023May 3, 2023

2023 Old School Kung Fu Fest: VENGEANCE OF THE PHOENIX SISTERS (1968)

Dan Tabor
April 26, 2023May 3, 2023

2023 Old School Kung Fu Fest: THE SWORDSMAN OF ALL SWORDSMEN (1968)

Dan Tabor
April 26, 2023May 3, 2023

Arrow Heads #105: THE ASSASSINATION BUREAU

Mel Valentin
April 26, 2023May 3, 2023

2023 Old School Kung Fu Fest: KING OF WUXIA is a Masterclass on King Hu

Dan Tabor
April 24, 2023May 3, 2023

SISU Kills ’Em All

Ed Travis
April 24, 2023September 2, 2023

BEAU IS AFRAID Puts the Odd in Odyssey

Jay Tyler
April 19, 2023April 30, 2023

THE SEVENTH SEAL: A N00b’s Take on Ingmar Bergman’s Classic [Criterion 4K UHD Review]

Ed Travis
April 18, 2023September 2, 2023

STAR TREK The Next Generation Movies are Energized by 4K-UHD

Jon Partridge
April 14, 2023April 28, 2023

The Chattanooga Film Festival Unleashes Their First Wave of Programming for 2023!

Dan Tabor
April 14, 2023April 28, 2023

Living With Miyazaki, Part 6— PORCO ROSSO

Brendan Foley
April 14, 2023June 29, 2023

SHOWING UP and Being Stuck

elizabeth stoddard
April 14, 2023April 28, 2023

RENFIELD Review: Horror-Action-Comedy Undone By Tonal Incongruities

Mel Valentin
April 13, 2023April 28, 2023

RENFIELD is a Vampire Comedy Sucked Dry of Effective Humor

Julian Singleton
April 12, 2023August 27, 2023

Yasuhiko Shimizu’s Japanese CUBE Remake is a Worthy Addition to the Franchise

Dan Tabor
April 11, 2023April 28, 2023

The 10th Annual Old School Kung Fu Fest: Swordfighting Heroes Edition Takes NY!

Dan Tabor
April 11, 2023April 28, 2023

65 Review: Prehistoric in More Ways Than One

Mel Valentin
April 10, 2023April 28, 2023

Tokusatsu Talk: KAMEN RIDER BLACK SUN is a “Woke” Rubber Suited Masterwork

Dan Tabor
April 10, 2023April 28, 2023

THE MALTESE FALCON [4K UHD Review]

Julian Singleton
April 10, 2023August 27, 2023

Words of the Condor: A conversation with martial arts star Marko Zaror

Matthew Essary
April 7, 2023June 16, 2023

Jackie Chan Documentary THE GOLDEN BOY Explores His Rise to International Fame

Austin Vashaw
April 7, 2023May 7, 2023

Damien Chazelle’s BABYLON is a Bold, and Brazen Immersion in 1920s Hollywood

Jon Partridge
April 7, 2023March 19, 2024

Criterion Review: INLAND EMPIRE

Jon Partridge
April 7, 2023April 25, 2023

SUPER MARIO BROS: Nintendo’s Flagship Series Gets an Underwhelming Big-Screen Adaptation

Mel Valentin
April 6, 2023April 28, 2023

Nicholas Ray’s REBEL WITHOUT A CAUSE [4K/Blu-Ray Review]

Mel Valentin
April 6, 2023April 28, 2023

On the Origin of the Sneakies: AIR and the Disruptive Evolution of Nike

Austin Vashaw
April 6, 2023May 2, 2023

THE SUPER MARIO BROS. is a Hollow Feast of Fan Service

Jay Tyler
April 4, 2023April 30, 2023

STAR TREK: STRANGE NEW WORLDS Season One is a Joyous, Vibrant Throwback, Set in the Far Flung Future

Jon Partridge
April 4, 2023March 19, 2024

New on 4K Blu — BATMAN: THE DOOM THAT CAME TO GOTHAM

Austin Vashaw
April 4, 2023May 26, 2023

ENYS MEN Review: An Island, Isolation, and Mind Tricks Everywhere

Mel Valentin
March 31, 2023April 28, 2023

Top 5 2022 Films to Make You More Empathetic

Ed Travis
March 31, 2023March 2, 2025

Review: RYE LANE

Brendan Foley
March 31, 2023May 2, 2023

ALL QUIET ON THE WESTERN FRONT [4K UHD Review]

Julian Singleton
March 29, 2023August 27, 2023

Chatting with April Wright of BACK TO THE DRIVE-IN

Dan Tabor
March 29, 2023May 8, 2023

ROCKY The Knockout Collection [4K-Review]

Jon Partridge
March 24, 2023April 25, 2023

Dario Argento’s PHENOMENA (aka CREEPERS) [4K-Review]

Jon Partridge
March 24, 2023April 28, 2023

JOHN WICK CHAPTER 4: Rather Impossibly, the Best Entry in a Series with No Bad Ones

Austin Vashaw
March 23, 2023May 26, 2023

Living With Miyazaki, Part 5— KIKI’S DELIVERY SERVICE

Brendan Foley
March 23, 2023June 29, 2023

PUSS IN BOOTS: THE LAST WISH Buckles and Swashes on Blu-ray

Brendan Foley
March 22, 2023May 2, 2023

Let’s Talk About MOVING ON

Frank Calvillo
March 21, 2023January 8, 2024

A Farewell to SERVANT, A Titan of Tension and Terror

Julian Singleton
March 21, 2023August 27, 2023

SXSW 2023: EVIL DEAD RISE is a Worthy Entry in the Series

David Delgado
March 20, 2023July 23, 2023

SXSW 2023: THE LONG GAME is a Texan-Mexican-American True Story

David Delgado
March 20, 2023July 23, 2023

SXSW 2023: ART FOR EVERYBODY Explores Artist Beyond His Art

Jay Tyler
March 18, 2023April 30, 2023

SXSW 2023: AMERICANA is Western Crime Poetry

Jay Tyler
March 18, 2023April 30, 2023

SXSW 2023: MONOLITH Revels in Isolation and Intrigue

Jon Partridge
March 18, 2023April 25, 2023

SXSW 2023: MOLLI AND MAX IN THE FUTURE Exudes Charm and Creativity

Jon Partridge
March 18, 2023April 25, 2023

SXSW 2023: DUNGEONS & DRAGONS: HONOR AMONG THIEVES — Sword and Sorcery Gets the Marvel Treatment

David Delgado
March 18, 2023July 23, 2023

SXSW 2023: THE STARLING GIRL, on Religion, Suppression, and Desire

Ed Travis
March 16, 2023February 3, 2024

SXSW 2023: PURE O Displays Raw Emotion and Vulnerability

Ed Travis
March 16, 2023March 12, 2024

SXSW 2023: RAGING GRACE—A Haunting Damnation of Diaspora

Jon Partridge
March 15, 2023April 25, 2023

SXSW 2023: PROBLEMISTA is a Hilarious Skewering of Society’s Injustices

Jay Tyler
March 15, 2023April 30, 2023

SXSW 2023: UNTIL BRANCHES BEND

Jon Partridge
March 15, 2023April 25, 2023

SXSW 2023: JOHN WICK: CHAPTER 4 is an Action Masterwork

Ed Travis
March 14, 2023March 12, 2024

SXSW 2023: Love is Hard in PARACHUTE

Jay Tyler
March 14, 2023April 30, 2023

SXSW 2023: TALK TO ME

Jon Partridge
March 13, 2023April 25, 2023

SXSW 2023: Veronica Ngo’s FURIES Is a Must See Action Epic

Ed Travis
March 13, 2023September 2, 2023

SXSW 2023: Addiction and Family Collide in YOU SING LOUD, I SING LOUDER

Jay Tyler
March 13, 2023April 30, 2023

The Tenth Annual Cinapse Awards

Dan Tabor
March 12, 2023April 28, 2023

SXSW 2023: WITH LOVE AND A MAJOR ORGAN

elizabeth stoddard
March 12, 2023April 28, 2023

SXSW 2023: THE HERRICANES

Jay Tyler
March 12, 2023April 30, 2023

SXSW 2023: Travel Back to the Satanic Seventies in LATE NIGHT WITH THE DEVIL

Jay Tyler
March 12, 2023April 30, 2023

SXSW 2023: FLAMIN’ HOT’s Got Heart

Ed Travis
March 12, 2023February 3, 2024

SXSW 2023: WRATH OF BECKY — This Girl Kills Fascists!

Dan Tabor
March 11, 2023April 28, 2023

SXSW 2023: SATAN WANTS YOU is Shocking and Terrifyingly Relevant Exposé

Dan Tabor
March 11, 2023April 28, 2023

SXSW 2023: THE ANGRY BLACK GIRL AND HER MONSTER Delivers a Monster of a Metaphor

Dan Tabor
March 11, 2023April 24, 2023

SXSW 2023: SISTER & SISTER

elizabeth stoddard
March 11, 2023April 28, 2023

Ghostface takes Manhattan in SCREAM VI

Jon Partridge
March 9, 2023April 25, 2023

KUBO AND THE TWO STRINGS. LAIKA’S Unappreciated Masterpiece

Jon Partridge
March 8, 2023March 19, 2024

SXSW 2023: The Cinapse Team’s ‘Most Anticipated’ Films

Jon Partridge
March 8, 2023April 28, 2023

The Tender Story of ONE FINE MORNING

elizabeth stoddard
March 6, 2023April 28, 2023

Exclusive: A Chat with Thomas Negovan About CALIGULA MMXX

Dan Tabor
March 3, 2023April 30, 2023

The Texas Chain Saw Massacre is a Horrific Visual Feast on 4K UHD

Julian Singleton
March 3, 2023August 27, 2023

4K/Blu-Ray Review: THE BOXTROLLS Delivers Stellar Stop-Motion Animation and Layered Storytelling

Mel Valentin
March 3, 2023April 19, 2023

OPERATION FORTUNE: RUSE DE GUERRE, A Time-Waster By Any Other Name

Mel Valentin
March 2, 2023April 28, 2023

FP 4EVZ Returns Us to the Weird Wonderful World of The FP

Dan Tabor
March 2, 2023April 30, 2023

Living With Miyazaki, Part 3— CASTLE IN THE SKY

Brendan Foley
February 28, 2023June 29, 2023

It’s Always Noirvember with Kino Lorber

Frank Calvillo
February 25, 2023April 30, 2023

Criterion Review: LARS VON TRIER’S EUROPE TRILOGY (1984/1987/1991)

Julian Singleton
February 24, 2023August 27, 2023

COCAINE BEAR Fully Delivers on its Comically Absurd Premise

Mel Valentin
February 24, 2023April 28, 2023

Spinema Issue 68: Talking Film and TV with Composer and Cinephile Yoav Goren

Justin Harlan
February 21, 2023April 28, 2023

4K/Blu-Ray Review: THE FABELMANS Shine on Physical Media

Mel Valentin
February 19, 2023April 19, 2023

Frank’s Top 5 Kino Releases of 2022

Frank Calvillo
February 17, 2023April 30, 2023

Neeson, Jordan Bring a Classic Detective Back to Life with MARLOWE

Frank Calvillo
February 17, 2023January 12, 2024

SHARPER is a Promising Thriller That Ends Up Dull

Frank Calvillo
February 17, 2023January 12, 2024

ANT-MAN AND THE WASP: QUANTUMANIA: Justice for Kang

Dan Tabor
February 17, 2023April 28, 2023

QUANTUMANIA Shows How Lost the MCU has Become

Jay Tyler
February 17, 2023April 30, 2023

BUBBA-HO-TEP. Hail to the King

Jon Partridge
February 17, 2023March 19, 2024

Venturing into the THE OUTWATERS with Star/Director Robbie Banfitch

Dan Tabor
February 17, 2023April 28, 2023

The Psychedelic Intimacy of ANT-MAN AND THE WASP: QUANTUMANIA

Frank Calvillo
February 15, 2023April 30, 2023

Discussing Faith, Film, and CONSECRATION with Writer/Director Christopher Smith and Star Jena Malone

Dan Tabor
February 14, 2023April 30, 2023

Blue Underground Debuts a Marquis de Sade/Jess Franco Double Bill of JUSTINE and EUGENIE on 4K UHD

Dan Tabor
February 14, 2023April 30, 2023

MAGIC MIKE’S LAST DANCE, Truth in Advertising (Hopefully)

Mel Valentin
February 11, 2023April 30, 2023

In CONSECRATION, Sympathy For the Devil

Mel Valentin
February 10, 2023May 6, 2023

CRITERION REVIEW: Michael Haneke — Trilogy (1989/1992/1994)

Julian Singleton
February 10, 2023August 27, 2023

Dan Tabor’s Sundance 2023 Wrap Up and Favorites

Dan Tabor
February 7, 2023April 28, 2023

Criterion Review: THE ADVENTURES OF BARON MUNCHAUSEN [4K-UHD]

Jon Partridge
February 3, 2023April 25, 2023

Spinema Issue 67: Paul Lewis Talks His Favorite Movies, Romeo Rage, and Composing Music for Film

Justin Harlan
February 2, 2023April 28, 2023

KNOCK AT THE CABIN —  M. Night gives Us a Delightfully Atmospheric Fun House Mirror

Dan Tabor
February 2, 2023May 2, 2023

2022: 25 Films

Julian Singleton
February 2, 2023August 27, 2023

Sundance 2023: MAGAZINE DREAMS is a Daring Tour de Force for Majors

Dan Tabor
February 2, 2023April 28, 2023

In KNOCK AT THE CABIN, M. Night Shyamalan Delivers a Master Class in Suspense

Mel Valentin
February 2, 2023May 2, 2023

Sundance 2023: VICTIM/SUSPECT

elizabeth stoddard
February 1, 2023April 28, 2023

INFINITY POOL Takes an Unflinching Look at Humanity’s Ugliness

Jay Tyler
January 31, 2023April 30, 2023

Sundance 2023: GOING VARSITY IN MARIACHI

elizabeth stoddard
January 26, 2023April 28, 2023

Sundance 2023: NAM JUNE PAIK: MOON IS THE OLDEST TV

elizabeth stoddard
January 25, 2023April 28, 2023

Sundance 2023: KIM’S VIDEO Documents The Hunt for the Lost Collection

Dan Tabor
January 24, 2023April 28, 2023

Sundance 2023: SOMETIMES I THINK ABOUT DYING is a Melancholic, Moving Character Piece for Ridley

Dan Tabor
January 24, 2023April 28, 2023

Sundance 2023: JUDY BLUME FOREVER

elizabeth stoddard
January 24, 2023April 28, 2023

Sundance 2023: BIRTH/REBIRTH is a Feminist Horror Masterwork

Dan Tabor
January 24, 2023April 28, 2023

Sundance 2023: Brandon Cronenberg’s INFINITY POOL is a Phantasmagorical Descent into Madness

Dan Tabor
January 24, 2023April 28, 2023

Living With Miyazaki — THE CASTLE OF CAGLIOSTRO

Brendan Foley
January 24, 2023June 29, 2023

Sundance 2023: FANCY DANCE

elizabeth stoddard
January 23, 2023April 28, 2023

Sundance 2023: THE DISAPPEARANCE OF SHERE HITE

elizabeth stoddard
January 23, 2023April 28, 2023

Sundance 2023: MY ANIMAL Offers up a Queer Sexual Awakening through the Prism of Lycanthropy

Dan Tabor
January 23, 2023April 28, 2023

Sundance 2023: ONYX THE FORTUITOUS AND THE TALISMAN OF SOULS is a Hell of a good time!

Dan Tabor
January 22, 2023April 28, 2023

Sundance 2023: IT’S ONLY LIFE AFTER ALL

elizabeth stoddard
January 22, 2023April 28, 2023

Sundance 2023: SLOW

elizabeth stoddard
January 21, 2023April 28, 2023

Sundance 2023: ALIENS ABDUCTED BY PARENTS AND NOW I FEEL KINDA LEFT OUT —  Come for the Title, Stay…

Dan Tabor
January 20, 2023April 28, 2023

ALICE, DARLING, No Adventures in Wonderland

Mel Valentin
January 20, 2023

MISSING Sets Up The Clues, But Can’t Quite Crack the Case

Jay Tyler
January 17, 2023April 30, 2023

An Ode to the Insane Brawls in THALLUMAALA

Brendan Foley
January 17, 2023May 2, 2023

THE PEOPLE’S JOKER is the Future of Comic Book Cinema

Dan Tabor
January 14, 2023

SKINAMARINK Delivers Unforgettable Experiential Horror

Mel Valentin
January 13, 2023

Delving into SKINAMARINK with Director Kyle Edward Ball

Dan Tabor
January 12, 2023May 8, 2023

The Greatest Trick THE DEVIL CONSPIRACY’s Trailer Pulled Was Convincing the World the Movie Was…

Dan Tabor
January 12, 2023

The Austin Film Critics Association Announce their 2022 Award Winners

Jon Partridge
January 10, 2023April 25, 2023

Cinapse @ Sundance 2023: The Cinapse Crew’s Picks

Dan Tabor
January 10, 2023April 28, 2023

Westworld Season 4: The Final Season Hits 4K UHD

Dan Tabor
January 9, 2023

Top 10 Action Films of 2022

Ed Travis
January 8, 2023September 2, 2023

M3GAN, Multi-Layered Family Drama Wrapped Around A Cautionary Sci-Fi/Horror Tale

Mel Valentin
January 6, 2023May 6, 2023

PUSS IN BOOTS: THE LAST WISH Sheds the Cynicism of Shrek

Jay Tyler
January 4, 2023April 30, 2023

Dan Tabor’s Top 10% of 2022

Dan Tabor
January 3, 2023

CHAINSAW MAN Recap — Episode 12: Season Finale — Requiem For Dream

Dan Tabor
December 30, 2022

PUSS IN BOOTS: THE LAST WISH Delivers High Style, Verve, and Vibes to Spare

Mel Valentin
December 27, 2022

CHAINSAW MAN Recap — Episode 11: Threats on Both Sides

Dan Tabor
December 21, 2022

Chatting with the Artisans Behind RRR

Dan Tabor
December 21, 2022May 8, 2023

GHOSTWATCH: The British Godfather of Found Footage Horror Finally Comes to America

Julian Singleton
December 20, 2022August 27, 2023

STAR TREK DISCOVERY Season 4 Doubles Down on Action and Mystery

Jon Partridge
December 20, 2022March 19, 2024

ELVIS: Baz Luhrmann’s Rhinestone-Studded Remix of Americana on Show-Stopping 4K UHD

Julian Singleton
December 20, 2022August 27, 2023
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