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A Tribute to Diane Keaton
In Defense Of TEXAS CHAINSAW MASSACRE: THE NEXT GENERATION
In Defense of THE HAPPENING
Is KPOP DEMON HUNTERS the Biggest Movie of 2025?
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In Honor of Demi Moore
A Tribute to the Films Oscar Overlooked
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SING SING Is One of The Year’s Best Films
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How IN A VIOLENT NATURE Reshapes Slasher Point-of-View
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THE HIGH SCHOOL PERSPECTIVE: MONKEY MAN
Machines of Empathy: 2023’s Top Films to Help You Be a More Empathetic Human Being
The Dangers of Faith and Reconciling the White Savior Trope in DUNE: PART TWO
It’s Time to Bury the Ending of ALL OF US STRANGERS
Is 2023 the Year of the Self-Aware Blockbuster?
Shout! Factory, Bring Cocaine Bear to 4K
Living With Miyazaki, Part 11 – THE WIND RISES
PACIFIC RIM 10th Anniversary Retrospective
Living With Miyazaki, Part 10 – PONYO
The One Infuriating Thing About the JOHN WICK Sequels
Uncle Reyes, Batman is NOT a Fascist
Living With Miyazaki, Part 9: HOWL’S MOVING CASTLE
Living With Miyazaki, Part 8 — SPIRITED AWAY
Living With Miyazaki, Part 6— PORCO ROSSO
Tokusatsu Talk: KAMEN RIDER BLACK SUN is a “Woke” Rubber Suited Masterwork
Living With Miyazaki, Part 5— KIKI’S DELIVERY SERVICE
Living With Miyazaki, Part 3— CASTLE IN THE SKY
Dan Tabor’s Top 10% of 2022
THE MATRIX RESURRECTIONS — Thoughts on The Ending (Spoilers, Obvs)
Remembering the Alamo Mainstreet
2019: 25 Films
Checking out the GIRLS Pop-up Exhibit in Brooklyn
Julian Singleton’s Top 25 Films Of 2016 Countdown Video
In Defense of Scarlett Johansson in GHOST IN THE SHELL
THE DISAPPEARANCE OF ELEANOR RIGBY: All You Need is Love (And Patience)
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5 Reasons MIAMI CONNECTION Is Already The Live Action Adaptation Of JEM AND THE HOLOGRAMS
Jury Duty with Austin — Part 1: Exploring Jury-Centric Courtroom Films
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