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Fantastic Fest 2023: YOUR LUCKY DAY Places Us in the Thick of a Harrowing Crime Thriller
Fantastic Fest 2023: RAGE Evolves our Expectations of Werewolf Films
FANTASTIC FEST 2023: THE DEEP DARK is Claustrophobic Cosmic Horror
FANTASTIC FEST 2023: UFO SWEDEN is a Soaring Scandinavian Sci-Fi Wonder
FANTASTIC FEST 2023: WHEN EVIL LURKS is a Gleefully Grotesque Possession Flick
FANTASTIC FEST 2023: THE FALL OF THE HOUSE OF USHER is Flanagan’s Fiendish Farewell to Netflix
Screen Comparisons: THE EXORCIST 4K UHD vs 2010 Blu-ray
TWO FILMS BY PETER GREENAWAY Crave Your Curiosity and Attention
PASSAGES and the Irresistible Chaos of Connection
Criterion Review: AFTER HOURS (1985) [4K-UHD]
TALK TO ME is Full of Nerve-Shredding Terror
OPPENHEIMER is a Stunning Dissection of Apocalyptic Guilt and Glory
THE DRAUGHTSMAN’S CONTRACT is a Lush and Lurid Debut from Peter Greenaway
SPIDER-MAN: ACROSS THE SPIDER-VERSE is Ambitious Animation that Stuns and Soars in Equal Measure
CHEVALIER is an Exquisite Reclamation of a Revolutionary Artist
Criterion Review: TRIANGLE OF SADNESS (2023) 4K UHD
RENFIELD is a Vampire Comedy Sucked Dry of Effective Humor
THE MALTESE FALCON [4K UHD Review]
ALL QUIET ON THE WESTERN FRONT [4K UHD Review]
A Farewell to SERVANT, A Titan of Tension and Terror
The Texas Chain Saw Massacre is a Horrific Visual Feast on 4K UHD
Criterion Review: LARS VON TRIER’S EUROPE TRILOGY (1984/1987/1991)
CRITERION REVIEW: Michael Haneke — Trilogy (1989/1992/1994)
2022: 25 Films
GHOSTWATCH: The British Godfather of Found Footage Horror Finally Comes to America
ELVIS: Baz Luhrmann’s Rhinestone-Studded Remix of Americana on Show-Stopping 4K UHD
POLTERGEIST Packs a Paranormal Punch on 4K UHD
Criterion Review: THE POWER OF THE DOG (2021) 4K UHD
Austin Film Festival 2022: THE WHALE Marks the Revelatory Return of Brendan Fraser
CAUSEWAY Examines the Raw Wounds of Recovery
Criterion Review: CURE (1997)
Fantastic Fest 2022: ATTACHMENT is an Insightful Blend of Queer and Religious Horror
Fantastic Fest 2022: BONES AND ALL is a Lush Romantic Epic About the Hunger to Belong
Fantastic Fest 2022: THE FIVE DEVILS is a Sensuous Time-Travel Fable
Fantastic Fest 2022: PROJECT WOLF HUNTING is a Disturbingly Fun Genre Supernova
Fantastic Fest 2022: UNICORN WARS Embraces Cuddly Carnage
Fantastic Fest 2022: HUNT is an Explosive Korean Action Thriller
Believe the Kids: This GOODNIGHT MOMMY is an Imposter
BLONDE tears Marilyn Monroe Apart
Criterion Review: LE CORBEAU (1943)
BELLE Gets a Beast of a 4K Collector’s Edition
Criterion Review: Double Indemnity (1944)
Criterion Review: OKJA 4K (2017)
THE NORTHMAN is a Valhöll-Worthy 4K UHD
Criterion Review: THE TALES OF HOFFMAN (1951)
THE MAN WHO SHOT LIBERTY VALANCE Blasts its Way onto 4K UHD
DASHCAM is a Divisive Endurance Test Like Nothing You’ve Ever Seen
Criterion Review: FOR ALL MANKIND (1989)
MIDNIGHT is a Subversive Sensory Thriller
Top 9 99-Minute Films
Down the Rabbit Hole with THE MATRIX RESURRECTIONS 4K
Embrace the Dark Sincerity of THE BATMAN
Criterion Review: THE CELEBRATION (1996)
Criterion Review: THE PIANO (1994)
RESURRECTION is Sundance 2022’s Biggest Jaw-Dropper
Sundance 2022: WATCHER
DUNE 4K UHD is Worth its Weight in Spice
2021: 25 Films
Criterion Review: ONE NIGHT IN MIAMI and the Powerful Weight of Legacy
WIFE OF A SPY: All’s Fair in Love and War
THE POWER OF THE DOG is a Commanding Deconstruction of Cruelty and Compassion
Arrow Heads #91: Argento’s DEEP RED 4K (Limited Edition)
ANTLERS is a Faltering, Frustrating Folk Horror Tale
Criterion Review: ONIBABA (1964)
Arrow Heads #90: CHILDREN OF THE CORN 4K
THE AWAKENING is a Suspenseful, Somber Supernatural Mystery
MASS Channels Unspeakable Tragedy into Cathartic Confrontations
Fantastic Fest 2021: The Passion Play of BENEDETTA
Fantastic Fest 2021: SALOUM is a Slice of Genre-Bending Senegalese Mayhem
Fantastic Fest 2021: BELLE is an Ambitious Social Media Spectacle
Fantastic Fest 2021: THE BLACK PHONE is Creepy, Claustrophobic, and Wickedly Cool
Fantastic Fest 2021: LAMB is a Patient and Primal Exploration of Parenthood
Fantastic Fest 2021: THE FOUND FOOTAGE PHENOMENON is a Love Letter to Decades of Creepy Cinema
Fantastic Fest 2021: An Interview with THE FOUND FOOTAGE PHENOMENON Co-Director Sarah Appleton
Criterion Review: BEASTS OF NO NATION (2015)
Arrow Heads #87: THE CAT O’ NINE TAILS 4K
MY HEART CAN’T BEAT UNLESS YOU TELL IT TO is an Understated Exploration of Modern-Day Vampirism
A CODA’s Take on CODA
Criterion Review: MIRROR (1975)
HOWLING VILLAGE is a Satisfying Slice of Japanese Horror
Interview: Takashi Shimizu Tackles Tales, Time, and Terror in HOWLING VILLAGE
ANNETTE is a Dazzling and Disorienting Musical Experience
ALMOST FAMOUS Turns 21 On 4K
Arrow Heads #84: DJANGO & TEXAS ADIOS (1966)
Criterion Review: THE HUMAN CONDITION
UNDINE Explores the Depths of Love and Longing
EXPLORERS Soars on Blu-ray
Criterion Review: FAST TIMES AT RIDGEMONT HIGH (1982)
BIG FISH Beautifully Blends Fact and Fiction on 4K
Criterion Review: Assayas’ Kaleidoscope of Cinematic History IRMA VEP Astounds on Blu
LUST, CAUTION: A Complex, Passionate Romance Finally Arrives on US Blu
Criterion Review: SECRETS & LIES (1996)
FILMWORKER is a Testament to the Unsung Heroes of Classic Cinema
THE FATHER is a Disorienting and Visceral Depiction of Dementia
BRING ME THE HEAD OF ALFREDO GARCIA: Kino Lorber Bags A Peckinpah Crime Classic
IDENTIFYING FEATURES is a Bracing Border Journey
THE WANTING MARE: A Sci-Fi Spectacle Brimming with Rough Beauty
SAINT MAUD is an Incendiary Awakening of a Would-Be Savior
TO THE ENDS OF THE EARTH is a Beautiful Psychological Travelogue
Criterion Review: SYMBIOPSYCHOTAXIPLASM–TWO TAKES
MANK Rejects Nostalgia for True-To-Life Idealism
SOUND OF METAL Rings Hollow
Criterion Review: THE IRISHMAN is Martin Scorsese’s Melancholy Mob Masterwork
THE BEGUILED: Kino Lorber Revives a Slice of 70’s Southern Gothic on Blu-ray
Criterion Review: THE GUNFIGHTER
Criterion’s PARASITE Blu-ray is the Definitive Edition of the South Korean Stunner
The FOCUS FEATURES SPOTLIGHT COLLECTION Showcases 16 Years of Prestige Drama
REBECCA: A Visually Striking Adaptation Does its Damnedest to Escape the Shadow of its Predecessors
Criterion Review: THE ELEPHANT MAN
THE DEVIL ALL THE TIME: An Epic of Midwestern Misery That Comes Full Circle
Catching Up with the Classics: NAPOLEON (1927)
TENDER MERCIES: A Quiet Country Classic Returns on Blu-ray
SPUTNIK: A Striking Morality Play Lurks Within This Fun Soviet Creature Feature
THE RENTAL: Fun Summer Suspense that Never Outstays its Welcome
Criterion Review: COME AND SEE (1985)
Criterion Review: THE LADY EVE (1941)
THE TRUTH: A Quietly Compelling Portrait of Family and Fame
YOUNG AHMED: A Lackluster Exploration of Homegrown Extremism [Blu Review]
BEANPOLE: A Striking Saga of Post-War Sacrifices [Blu Review]
DA 5 BLOODS: Spike Lee’s Sprawling Vietnam Epic is One of Raging Truths and Bloody Reconciliations
Criterion Review: WILDLIFE (2018)
Catching Up with the Classics: THE COOK, THE THIEF, HIS WIFE, & HER LOVER (1989)
Catching Up with the Classics: MILDRED PIERCE (1945)
GRETEL & HANSEL: A Gripping Grimm Adaptation Hits Home Video
Criterion Review: THE CREMATOR
10 Streaming Epics To Get You Through Quarantine
THE GOLEM: Kino Restores a Silent Horror Classic
Catching Up with the Classics — THE GODFATHER: PART III (1990)
Catching Up with the Classics: GANGS OF NEW YORK (2002)
A HIDDEN LIFE: A Tribute to the Courage of Conscientious Objection
KINETTA: Yorgos’ Lanthimos Debut is Both Frustrating and Fascinating
KNIVES OUT: You Can’t Resist Rian Johnson’s Delightfully Deadly Murder-Mystery on Blu-ray
ESCAPE FROM PRETORIA: A Prison Break Film Isolated From a Deeper Context
LITTLE JOE: An Unsettling if Uneven Modern Body-Snatchers Tale
ROMA: Criterion and Netflix Bring About an Exciting Turning Point for Home Video
QUAI DES ORFÈVRES: A Clouzot Caper With a New 4K Restoration
Arrow Heads Vol. 77: THE ONE MISSED CALL TRILOGY
WAVES: Trey Edward Shults’ Sprawling Family Saga Comes to Blu-ray
With New Director’s Cut, DOCTOR SLEEP Proves a Mike Flanagan Masterwork
Criterion Review: ALL ABOUT MY MOTHER (1999)
BRICK’s Finally on Blu-ray and Better than Ever
WEATHERING WITH YOU: A Sunny Romance with a Cloudy Moral Center
2019: 25 Films
LES MISÉRABLES is a Cynical Yet Compelling Call to Action
There’s Still Enchantment in THE LIGHTHOUSE on Blu-ray
BOMBSHELL’s Impact Barely Breaks the Surface
LITTLE WOMEN Brims With Joy and Vulnerability
Arrow Heads Vol. 75 — SLAUGHTERHOUSE-FIVE: Once Unfilmable, Now Newly Restored
Criterion Review: OLD JOY (2006)
HITCHCOCK: THE BRITISH INTERNATIONAL PICTURES COLLECTION [Blu Review]
KNIVES AND SKIN: A Surreal Mystery That’s More Missed Opportunity
Catching Up with the Classics: SÁTÁNTANGÓ (1994)
THE REPORT is a Sobering Indictment of Sanctioned Cruelty
DOCTOR SLEEP Isn’t Quite Kubrick or King, But Still Shines On Its Own
STORM OF THE CENTURY: Kino Brings King’s First Original Series in From the Cold
KUNDUN: Scorsese’s Dalai Lama Biopic Finds New Life on Blu-ray
Arrow Heads Vol. 70: THE DEAD CENTER (2019)
KIND HEARTS AND CORONETS: A Comedy Classic about Chopping Down the Family Tree [Blu Review]
Fantastic Fest: THE VAST OF NIGHT is Spellbinding Sound-Driven Sci-Fi
Fantastic Fest: THE LODGE is a Beautifully Bleak Horror Film
Fantastic Fest: SYNCHRONIC is a Trip Worth Taking
DOGTOOTH and ALPS: A Yorgos Lanthimos Double Feature
Fantastic Fest 2019: RIDE YOUR WAVE is a Soaringly Sentimental and Spiritual Romance
Fantastic Fest 2019: Claustrophobic Creepiness Abounds IN THE TALL GRASS
Fantastic Fest 2019: THE LONG WALK is a Time-Travel Film that Reaps Rewards for a Patient Audience
Fantastic Fest 2019: SON OF THE WHITE MARE is a Wondrous, Hallucinatory Epic
AD ASTRA: An Uncompromising Space Epic that Finds Solace in Solitude
Arrow Heads Vol. 67: WHO SAW HER DIE? (1972)
TIGERS ARE NOT AFRAID is a Ferociously Fearless Fairy Tale
DEPRAVED is an Ambitious and Entertaining Spin on Frankenstein Lore
READY OR NOT is a Blood-Soaked Blast
Catching Up with the Classics: CRIES AND WHISPERS (1972)
Catching Up with the Classics: MODERN TIMES (1936)
PORT OF SHADOWS: A French Classic With a Stunning Restoration [Blu Review]
THE NIGHTINGALE Sings a Brutal Song
Interview: Baykali Ganambarr on THE NIGHTINGALE
SCARY STORIES TO TELL IN THE DARK is Full of Fun if Predictable Late-Summer Frights
Catching Up with the Classics: MALCOLM X (1992)
THE FAREWELL: Awkwafina Shines in Lulu Wang’s Sundance Hit
Catching Up with the Classics: BEYOND THE HILLS (2012)
THE LION KING Triumphantly Roars Over Other Disney Re-Dos
SILENT HILL: Shout Factory Resurrects the Best Video Game Adaptation [Blu Review]
MIDSOMMAR is a Terrifying Dose of Sun-Dappled Dread
Catching Up with the Classics: CLOSE-UP (1990)
Catching Up with the Classics: MAD MAX (1979)
Catching Up with the Classics: COME AND SEE (1985)
Julian Singleton’s Top 25 Films Of 2016 Countdown Video
THE DISAPPEARANCE OF ELEANOR RIGBY: All You Need is Love (And Patience)
BULLHEAD and the Futility of Raging Against Our Fates
The Asia Beat: NOROI: THE CURSE (2005) May Be The Greatest Found Footage Horror Film Ever Made
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