ZOOTOPIA 2 – Furry Friends Find Their Footing in Family-Friendly Film Noir Followup Austin VashawNovember 28, 2025November 28, 2025
WAKE UP DEAD MAN Sees Johnson & Craig Answer Our Whodunnit Prayers Frank CalvilloNovember 25, 2025December 2, 2025
INTERVIEW: Hélène Cattet & Bruno Forzani on REFLECTION IN A DEAD DIAMOND – Dreams, Memories, Superheroes and Secret Agents
Kino Lorber Brings a Pair of Dan Curtis Classics to Blu-Ray with DEAD OF NIGHT & DAN CURTIS’ MONSTERS
PFF 2025: THE TESTAMENT OF ANN LEE – Presents a Daring and Empathetic History of the Shaker Faith
CHAINSAW MAN – THE MOVIE: REZE ARC – Chainsaw Man Returns Bigger and Badder than Ever! (Movie + 3D/4DX Review)
The Archivist: Warner Archive’s 50s Sci-Fi Collection Brings Together Four Highly Influential Classics on Blu-ray
Fantastic Fest 2025: Paul Thomas Anderson’s ONE BATTLE AFTER ANOTHER: An Incendiary, Urgent Work For Our Times
Fantastic Fest 2025: V/H/S/HALLOWEEN Not Only Keeps The Annual Tradition Alive, But Might Be The Best Entry Yet
Fantastic Fest 2025: APPOFENIACS Captures the Casual Cruelty of Weaponizing Deepfakes and Social Media
Fantastic Fest 2025: FORBIDDEN CITY: An Operatic Italian Kung Fu Epic That Must Be Seen To Be Believed
Fantastic Fest 2025: Chris Colfer and Alice Krige are a Fabulous Scream in THE RESTORATION AT GRAYSON MANOR
JURASSIC WORLD: REBIRTH: An Overstuffed Script + Shot Immaculately = Mixed Bag Summer Tent Pole (4K Review)
Digging into V-CINEMA ESSENTIALS Part 4: THE HITMAN: BLOOD SMELLS LIKE ROSES & DANGER POINT: THE ROAD TO HELL
[Spoiler Free] WEAPONS Tackles School Violence though the Guise of One of the Best Horror Films of the Year
Fantasia 2025: DÉSOLÉ, PARDON, JE M’EXCUSE OR EXCUSE ME, SORRY, PLEASE FORGIVE offers up a Charming Dark Comedy about Dark Web Torture Videos
Fantasia 2025: HAUNTED MOUNTAINS: THE YELLOW TABOO is a Time Loop Horror Flick You Wish You Could Escape
CFF 2025: EXORCISMO: THE TRANSGRESSIVE LEGACY OF CLASIFICADA ‘S’ offers up a Dense Deep Dive into Spanish Cinema
SORCERER (1977): A Thief, a Hitman, a Fraud, and a Terrorist Drive Into the Jungle [Criterion 4K UHD Review]
MISHIMA: A LIFE IN FOUR CHAPTERS: Paul Schrader’s Mid-Century Red Pill Masterwork makes its way to 4K UHD Thanks to Criterion
Tribeca 2025: THE DEGENERATE: THE LIFE & FILMS OF ANDY MILLIGAN Finally Gives one of the most Underrated Genre Directors his Flowers
The Archivist: Warner Archive Deals out a Blaxploitation double dose of HIT MAN and THREE THE HARD WAY
Digging into V-CINEMA ESSENTIALS Part 1: CRIME HUNTER: BULLETS OF RAGE & NEO CHINPIRA: ZOOM GOES THE BULLET
Three Exceptional Films from CIFF to Look Out for in 2025: VULCANIZADORA, TRANSPLANT, & ON BECOMING A GUINEA FOWL
THE SCIENCE OF VIOLENCE: Interview with Combat Expert Eric Jacobus About New Book IF THESE FISTS COULD TALK
Review: All The Haunts Be Ours: A Compendium Of Folk Horror Vol. 2 – An Academic Exploration of the Subgenre
CHERRY 2000 Screen Comparisons – Checking KLSC’s New 4K-Scanned Restoration Against Their Earlier 2015 Disc
Sammo Hung’s Men On A Mission Magnum Opus EASTERN CONDORS Comes To Criterion Collection [Blu-ray Review]
GHOST STORIES: The VERY Inappropriate Dub on a Dated Yokai Anime that might fill that DANDADAN sized hole in your Heart
Digging into ALL THE HAUNTS BE OURS VOL. 2 with Boxset Producer, Author, and Director Kier-La Janisse
Fantastic Fest: THE SPIRIT OF HALLOWEENTOWN is a Surprisingly Charming New Addition to Your Holiday Doc Rotation
Spinema Issue 74: Unboxing and Review of Mastodon’s CRACK THE SKYE (15th Anniversary LE Vinyl + Blu-ray)
Fantastic Fest 2024: GHOST KILLER Brings Unique Spin to Kensuke Sonomura’s Legendary Fight Choreography
Scuzzy 1960s Thrillers DOOR TO DOOR MANIAC (feat. Johnny Cash!) and RIGHT HAND OF THE DEVIL Arrive on Blu-ray as a Double Feature
NOW ON VOD! – #AMFAD: ALL MY FRIENDS ARE DEAD – A Chat with Star Jade Pettyjohn and Director Marcus Dunstan
FANTASIA 2024: An Interview with the Director of BLACK EYED SUSAN Scooter McCrae and Stars Yvonne Emilie Thälker and Damian Maffei
Fantasia 2024: A Pair of Female Filmmakers Explore Haunting Poignancy with DARKEST MIRIAM and HOLLYWOOD 90028
Celluloid Dreams’ Unearth a Lost Feminist Giallo with Their 4K UHD Release of THE CASE OF THE BLOODY IRIS
Tribeca 2024: #AMFAD: ALL MY FRIENDS ARE DEAD – A Chat with Star Jade Pettyjohn and Director Marcus Dunstan
CONQUEST OF THE PLANET OF THE APES (1972): The Revolt of the Cin-APES – Roundtable Reviews [Two Cents]
THE FALL GUY, Genre Mash-Up Delivers Sloppy Love Letter to Stunt Performers and the People Who Dig Them
Review: DUNE PART TWO Continues Denis Villeneuve’s Run of Sci-fi Masterworks (Plus a Quick Recap of PART ONE)
HAPPY BIRTHDAY TO ME: Lesser Known Holiday Slashers [Two Cents] – With Guest Programmer Robb Antequera
Death and Other Details, Another Murder-Mystery, This Time With Mandy Patinkin as the “World’s Greatest Detective”
A DISTURBANCE IN THE FORCE is an Entertaining and Insightful Documentary about a STAR WARS TV Special That’s Neither
SHREDDER ORPHEUS (1989) on Blu-ray: A Gutterpunk Retelling of the Greek Tragedy – Review and Screen Comparisons
BARBARELLA Screen Comparisons: How Arrow’s New Restoration Stacks Up Against Paramount’s 2012 Release
The Archivist #144: A Warner Archive Double-Header with ANGELS IN THE OUTFIELD (1951) and DEATH ON THE DIAMOND (1934)
Sam Pollard’s Documentary THE LEAGUE is a Wonderful Primer on the History of Baseball’s Negro Leagues
EVANGELION:3.0+1.11 THRICE UPON A TIME Delivers a Satisfying Conclusion Gorgeously Rendered in 4K Thanks to GKIDS
FANTASTIC FEST 2023: CALIGULA: THE ULTIMATE CUT – A RED Carpet Q&A with Malcolm McDowell and Producer Thomas Negovan
New Label ‘Film Masters’ Launches with Definitive Release of THE GIANT GILA MONSTER and THE KILLER SHREWS
FANTASTIC FEST 2023: CONANN is a Queer Fantasy Epic through Bertrand Mandico’s Phantasmagorical Glitter Covered Lens
[Q&A] REBEL Directors Adil El Arbi and Bilall Fallah Discuss the Real Life Inspirations Behind their Exploration of ISIS and the Radicalization of Muslim Youth
