In Defense Of TEXAS CHAINSAW MASSACRE: THE NEXT GENERATION Spencer BrickeyOctober 31, 2025November 7, 2025
Revenge of the Remakes Wraps with the Most Interesting HALLOWEEN Sequel Ever Put to Film Justin HarlanOctober 31, 2025October 31, 2025
Kino Lorber Brings a Pair of Dan Curtis Classics to Blu-Ray with DEAD OF NIGHT & DAN CURTIS’ MONSTERS
PFF 2025: THE TESTAMENT OF ANN LEE – Presents a Daring and Empathetic History of the Shaker Faith
CHAINSAW MAN – THE MOVIE: REZE ARC – Chainsaw Man Returns Bigger and Badder than Ever! (Movie + 3D/4DX Review)
The Archivist: Warner Archive’s 50s Sci-Fi Collection Brings Together Four Highly Influential Classics on Blu-ray
Fantastic Fest 2025: Paul Thomas Anderson’s ONE BATTLE AFTER ANOTHER: An Incendiary, Urgent Work For Our Times
Fantastic Fest 2025: V/H/S/HALLOWEEN Not Only Keeps The Annual Tradition Alive, But Might Be The Best Entry Yet.
Fantastic Fest 2025: APPOFENIACS Captures the Casual Cruelty of Weaponizing Deepfakes and Social Media
Fantastic Fest 2025: FORBIDDEN CITY: An Operatic Italian Kung Fu Epic That Must Be Seen To Be Believed
Fantastic Fest 2025: Chris Colfer and Alice Krige are a Fabulous Scream in THE RESTORATION AT GRAYSON MANOR
JURASSIC WORLD: REBIRTH: An Overstuffed Script + Shot Immaculately = Mixed Bag Summer Tent Pole (4K Review)
Digging into V-CINEMA ESSENTIALS Part 4: THE HITMAN: BLOOD SMELLS LIKE ROSES & DANGER POINT: THE ROAD TO HELL
[Spoiler Free] WEAPONS Tackles School Violence though the Guise of One of the Best Horror Films of the Year
Fantasia 2025: DÉSOLÉ, PARDON, JE M’EXCUSE OR EXCUSE ME, SORRY, PLEASE FORGIVE offers up a Charming Dark Comedy about Dark Web Torture Videos
Fantasia 2025: HAUNTED MOUNTAINS: THE YELLOW TABOO is a Time Loop Horror Flick You Wish You Could Escape
CFF 2025: EXORCISMO: THE TRANSGRESSIVE LEGACY OF CLASIFICADA ‘S’ offers up a Dense Deep Dive into Spanish Cinema
SORCERER (1977): A Thief, a Hitman, a Fraud, and a Terrorist Drive Into the Jungle [Criterion 4K UHD Review]
MISHIMA: A LIFE IN FOUR CHAPTERS: Paul Schrader’s Mid-Century Red Pill Masterwork makes its way to 4K UHD Thanks to Criterion
Tribeca 2025: THE DEGENERATE: THE LIFE & FILMS OF ANDY MILLIGAN Finally Gives one of the most Underrated Genre Directors his Flowers
The Archivist: Warner Archive Deals out a Blaxploitation double dose of HIT MAN and THREE THE HARD WAY
Digging into V-CINEMA ESSENTIALS Part 1: CRIME HUNTER: BULLETS OF RAGE & NEO CHINPIRA: ZOOM GOES THE BULLET
Three Exceptional Films from CIFF to Look Out for in 2025: VULCANIZADORA, TRANSPLANT, & ON BECOMING A GUINEA FOWL
THE SCIENCE OF VIOLENCE: Interview with Combat Expert Eric Jacobus About New Book IF THESE FISTS COULD TALK
Review: All The Haunts Be Ours: A Compendium Of Folk Horror Vol. 2 – An Academic Exploration of the Subgenre
CHERRY 2000 Screen Comparisons – Checking KLSC’s New 4K-Scanned Restoration Against Their Earlier 2015 Disc
Sammo Hung’s Men On A Mission Magnum Opus EASTERN CONDORS Comes To Criterion Collection [Blu-ray Review]
GHOST STORIES: The VERY Inappropriate Dub on a Dated Yokai Anime that might fill that DANDADAN sized hole in your Heart
Digging into ALL THE HAUNTS BE OURS VOL. 2 with Boxset Producer, Author, and Director Kier-La Janisse
Fantastic Fest: THE SPIRIT OF HALLOWEENTOWN is a Surprisingly Charming New Addition to Your Holiday Doc Rotation
Spinema Issue 74: Unboxing and Review of Mastodon’s CRACK THE SKYE (15th Anniversary LE Vinyl + Blu-ray)
Fantastic Fest 2024: GHOST KILLER Brings Unique Spin to Kensuke Sonomura’s Legendary Fight Choreography
Scuzzy 1960s Thrillers DOOR TO DOOR MANIAC (feat. Johnny Cash!) and RIGHT HAND OF THE DEVIL Arrive on Blu-ray as a Double Feature
NOW ON VOD! – #AMFAD: ALL MY FRIENDS ARE DEAD – A Chat with Star Jade Pettyjohn and Director Marcus Dunstan
FANTASIA 2024: An Interview with the Director of BLACK EYED SUSAN Scooter McCrae and Stars Yvonne Emilie Thälker and Damian Maffei
Fantasia 2024: A Pair of Female Filmmakers Explore Haunting Poignancy with DARKEST MIRIAM and HOLLYWOOD 90028
Celluloid Dreams’ Unearth a Lost Feminist Giallo with Their 4K UHD Release of THE CASE OF THE BLOODY IRIS
Tribeca 2024: #AMFAD: ALL MY FRIENDS ARE DEAD – A Chat with Star Jade Pettyjohn and Director Marcus Dunstan
CONQUEST OF THE PLANET OF THE APES (1972): The Revolt of the Cin-APES – Roundtable Reviews [Two Cents]
THE FALL GUY, Genre Mash-Up Delivers Sloppy Love Letter to Stunt Performers and the People Who Dig Them
Review: DUNE PART TWO Continues Denis Villeneuve’s Run of Sci-fi Masterworks (Plus a Quick Recap of PART ONE)
HAPPY BIRTHDAY TO ME: Lesser Known Holiday Slashers [Two Cents] – With Guest Programmer Robb Antequera
Death and Other Details, Another Murder-Mystery, This Time With Mandy Patinkin as the “World’s Greatest Detective”
A DISTURBANCE IN THE FORCE is an Entertaining and Insightful Documentary about a STAR WARS TV Special That’s Neither
SHREDDER ORPHEUS (1989) on Blu-ray: A Gutterpunk Retelling of the Greek Tragedy – Review and Screen Comparisons
BARBARELLA Screen Comparisons: How Arrow’s New Restoration Stacks Up Against Paramount’s 2012 Release
The Archivist #144: A Warner Archive Double-Header with ANGELS IN THE OUTFIELD (1951) and DEATH ON THE DIAMOND (1934)
Sam Pollard’s Documentary THE LEAGUE is a Wonderful Primer on the History of Baseball’s Negro Leagues
EVANGELION:3.0+1.11 THRICE UPON A TIME Delivers a Satisfying Conclusion Gorgeously Rendered in 4K Thanks to GKIDS
FANTASTIC FEST 2023: CALIGULA: THE ULTIMATE CUT – A RED Carpet Q&A with Malcolm McDowell and Producer Thomas Negovan
New Label ‘Film Masters’ Launches with Definitive Release of THE GIANT GILA MONSTER and THE KILLER SHREWS
FANTASTIC FEST 2023: CONANN is a Queer Fantasy Epic through Bertrand Mandico’s Phantasmagorical Glitter Covered Lens
[Q&A] REBEL Directors Adil El Arbi and Bilall Fallah Discuss the Real Life Inspirations Behind their Exploration of ISIS and the Radicalization of Muslim Youth
