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  • Features
    • Editorial
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    • Roundtable Reviews
    • Spinema
  • In Theaters
  • At Home
    • The Archivist
    • Arrow Heads
    • Criterion Collection
  • Streaming
    • Field of Streams
  • Film Festivals
    • Austin Film Festival
    • Chattanooga Film Festival
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    • Old School Kung Fu Fest
    • SXSW
  • On TV
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Spotlight

FAST X Finds the Fast Franchise Spinning Its Wheels

Jay Tyler
May 22, 2023May 22, 2023

Editor's Picks

88 Films: In The Line of Duty I-IV is a Fully Loaded Girls and Guns Extravaganza! [Unboxing Video + Review]

Dan Tabor
May 19, 2023May 22, 2023

WHAT’S LOVE GOT TO DO WITH IT? is the Question that Eventually Gets Answered

Frank Cavillo
May 7, 2023May 9, 2023

Family Clashes with Mythology in Superpowered Sequel SHAZAM! FURY OF THE GODS

Austin Vashaw
May 26, 2023May 26, 2023

INFLUENCER Deals Out an Intoxicating Gen-X Hitchcockian Thriller

Dan Tabor
May 26, 2023May 26, 2023

Criterion Review: PETITE MAMAN

elizabeth stoddard
May 26, 2023May 25, 2023

KANDAHAR: Gerard Butler & Ric Roman Waugh Remain A Formidable Star/Director Duo

Ed Travis
May 24, 2023May 15, 2023

FAST X: Let the Naysayers Have Their Opinions, We Still Have “Family”

Justin Harlan
May 23, 2023May 23, 2023

THE LITTLE MERMAID: A More Nuanced Romance and a Breakout Performance by Halle Bailey

Austin Vashaw
May 23, 2023May 26, 2023

Yuen Woo Ping’s TIGER CAGE Trilogy on Blu-ray from Shout! Factory

Austin Vashaw
May 18, 2023May 23, 2023

RETURN TO THE 36th CHAMBER: Shawscope Vol. 2 – Roundtable Reviews

Ed Travis
May 15, 2023May 23, 2023

Happy Mother’s Day, MILDRED PIERCE

Frank Cavillo
May 14, 2023May 15, 2023

Criterion Review: THE FISHER KING [4K-UHD]

Jon Partridge
May 12, 2023May 9, 2023

ASSASSIN CLUB is a Hitman Battle Royale!

Dan Tabor
May 10, 2023May 9, 2023

The JLA Goes Anime in Crossover Event JUSTICE LEAGUE X RWBY

Austin Vashaw
May 10, 2023May 12, 2023

Living With Miyazaki, Part 8 — SPIRITED AWAY

Brendan Foley
May 10, 2023May 9, 2023

CHEVALIER is an Exquisite Reclamation of a Revolutionary Artist

Julian Singleton
May 10, 2023May 9, 2023

Cinapse Top Ten: Jay Tyler

Jay Tyler
May 9, 2023May 9, 2023

GUARDIANS VOL. 3 – A Darker but No Less Welcome Closing Chapter

Austin Vashaw
May 8, 2023May 22, 2023

36th CHAMBER OF SHAOLIN: Shawscope Vol. 2 – Roundtable Reviews

Ed Travis
May 8, 2023May 16, 2023

GUARDIANS OF THE GALAXY VOL. 3. is a Muddled Misfire

Jon Partridge
May 3, 2023May 9, 2023

GUARDIANS OF THE GALAXY VOL. 3 Review: A Worth-the-Wait Trilogy Capper

Mel Valentin
May 3, 2023May 9, 2023

Criterion Review: TRIANGLE OF SADNESS (2023) 4K UHD

Julian Singleton
April 30, 2023May 2, 2023

Here’s to You, Michelle Pfeiffer

Frank Cavillo
April 29, 2023May 15, 2023

Eurocrime Actioner THE NEW GODFATHERS (1979) Arrives on Blu-ray from Raro

Austin Vashaw
April 28, 2023May 7, 2023

ARE YOU THERE GOD? IT’S ME, MARGARET

elizabeth stoddard
April 28, 2023May 8, 2023

DEAD SILENCE Seeks Vengeance From Beyond the Grave in 4K UHD

Eddie Strait
April 28, 2023May 3, 2023

THE BIG EASY is a Breezy Crime Thriller

Eddie Strait
April 28, 2023May 3, 2023

New on Blu: BACKTRACK (aka CATCHFIRE) is an Exercise in Idiosyncrasy

Eddie Strait
April 28, 2023May 3, 2023

NEW GODS: YANG JIAN — Blu-ray Review

Brendan Agnew
April 26, 2023May 2, 2023

Living With Miyazaki, Part 7 — PRINCESS MONONOKE

Brendan Agnew
April 26, 2023May 2, 2023

2023 Old School Kung Fu Fest: VENGEANCE OF THE PHOENIX SISTERS (1968)

Dan Tabor
April 26, 2023May 3, 2023

2023 Old School Kung Fu Fest: THE SWORDSMAN OF ALL SWORDSMEN (1968)

Dan Tabor
April 26, 2023May 3, 2023

Arrow Heads #105: THE ASSASSINATION BUREAU

Mel Valentin
April 26, 2023May 3, 2023

2023 Old School Kung Fu Fest: KING OF WUXIA is a Masterclass on King Hu

Dan Tabor
April 24, 2023May 3, 2023

SISU Kills ’Em All

Ed Travis
April 24, 2023May 3, 2023

BEAU IS AFRAID Puts the Odd in Odyssey

Jay Tyler
April 19, 2023April 30, 2023

THE SEVENTH SEAL: A N00b’s Take on Ingmar Bergman’s Classic [Criterion 4K UHD Review]

Ed Travis
April 18, 2023May 3, 2023

STAR TREK The Next Generation Movies are Energized by 4K-UHD

Jon Partridge
April 14, 2023April 28, 2023

The Chattanooga Film Festival Unleashes Their First Wave of Programming for 2023!

Dan Tabor
April 14, 2023April 28, 2023

Living With Miyazaki, Part 6— PORCO ROSSO

Brendan Foley
April 14, 2023May 8, 2023

SHOWING UP and Being Stuck

elizabeth stoddard
April 14, 2023April 28, 2023

RENFIELD Review: Horror-Action-Comedy Undone By Tonal Incongruities

Mel Valentin
April 13, 2023April 28, 2023

HOW TO BLOW UP A PIPELINE is a Provocative Eco-Thriller

Eddie Strait
April 13, 2023April 28, 2023

RENFIELD is a Vampire Comedy Sucked Dry of Effective Humor

Julian Singleton
April 12, 2023April 28, 2023

Yasuhiko Shimizu’s Japanese CUBE Remake is a Worthy Addition to the Franchise

Dan Tabor
April 11, 2023April 28, 2023

The 10th Annual Old School Kung Fu Fest: Swordfighting Heroes Edition Takes NY!

Dan Tabor
April 11, 2023April 28, 2023

65 Review: Prehistoric in More Ways Than One

Mel Valentin
April 10, 2023April 28, 2023

Tokusatsu Talk: KAMEN RIDER BLACK SUN is a “Woke” Rubber Suited Masterwork

Dan Tabor
April 10, 2023April 28, 2023

THE MALTESE FALCON [4K UHD Review]

Julian Singleton
April 10, 2023April 30, 2023

Jackie Chan Documentary THE GOLDEN BOY Explores His Rise to International Fame

Austin Vashaw
April 7, 2023May 7, 2023

Damien Chazelle’s BABYLON Stuns on 4K-UHD

Jon Partridge
April 7, 2023April 25, 2023

Criterion Review: INLAND EMPIRE

Jon Partridge
April 7, 2023April 25, 2023

SUPER MARIO BROS: Nintendo’s Flagship Series Gets an Underwhelming Big-Screen Adaptation

Mel Valentin
April 6, 2023April 28, 2023

Nicholas Ray’s REBEL WITHOUT A CAUSE [4K/Blu-Ray Review]

Mel Valentin
April 6, 2023April 28, 2023

On the Origin of the Sneakies: AIR and the Disruptive Evolution of Nike

Austin Vashaw
April 6, 2023May 2, 2023

THE SUPER MARIO BROS. is a Hollow Feast of Fan Service

Jay Tyler
April 4, 2023April 30, 2023

STAR TREK: STRANGE NEW WORLDS Season One [Home Video Review]

Jon Partridge
April 4, 2023April 25, 2023

New on 4K Blu — BATMAN: THE DOOM THAT CAME TO GOTHAM

Austin Vashaw
April 4, 2023May 26, 2023

ENYS MEN Review: An Island, Isolation, and Mind Tricks Everywhere

Mel Valentin
March 31, 2023April 28, 2023

Top 5 2022 Films to Make You More Empathetic

Ed Travis
March 31, 2023April 28, 2023

Review: RYE LANE

Brendan Foley
March 31, 2023May 2, 2023

ALL QUIET ON THE WESTERN FRONT [4K UHD Review]

Julian Singleton
March 29, 2023April 28, 2023

Chatting with April Wright of BACK TO THE DRIVE-IN

Dan Tabor
March 29, 2023May 8, 2023

ROCKY The Knockout Collection [4K-Review]

Jon Partridge
March 24, 2023April 25, 2023

Dario Argento’s PHENOMENA (aka CREEPERS) [4K-Review]

Jon Partridge
March 24, 2023April 28, 2023

JOHN WICK CHAPTER 4: Rather Impossibly, the Best Entry in a Series with No Bad Ones

Austin Vashaw
March 23, 2023May 26, 2023

Living With Miyazaki, Part 5— KIKI’S DELIVERY SERVICE

Brendan Foley
March 23, 2023May 8, 2023

PUSS IN BOOTS: THE LAST WISH Buckles and Swashes on Blu-ray

Brendan Foley
March 22, 2023May 2, 2023

Let’s Talk About MOVING ON

Frank Cavillo
March 21, 2023April 30, 2023

A Farewell to SERVANT, A Titan of Tension and Terror

Julian Singleton
March 21, 2023April 30, 2023

SXSW 2023: ART FOR EVERYBODY Explores Artist Beyond His Art

Jay Tyler
March 18, 2023April 30, 2023

SXSW 2023: AMERICANA is Western Crime Poetry

Jay Tyler
March 18, 2023April 30, 2023

SXSW 2023: MONOLITH Revels in Isolation and Intrigue

Jon Partridge
March 18, 2023April 25, 2023

SXSW 2023: MOLLI AND MAX IN THE FUTURE Exudes Charm and Creativity

Jon Partridge
March 18, 2023April 25, 2023

SXSW 2023: THE STARLING GIRL, on Religion, Suppression, and Desire

Ed Travis
March 16, 2023April 28, 2023

SXSW 2023: PURE O Displays Raw Emotion and Vulnerability

Ed Travis
March 16, 2023April 28, 2023

Living With Miyazaki, Part 4 — MY NEIGHBOR TOTORO

Brendan Agnew
March 16, 2023May 2, 2023

SXSW 2023: RAGING GRACE—A Haunting Damnation of Diaspora

Jon Partridge
March 15, 2023April 25, 2023

SXSW 2023: PROBLEMISTA is a Hilarious Skewering of Society’s Injustices

Jay Tyler
March 15, 2023April 30, 2023

SXSW 2023: UNTIL BRANCHES BEND

Jon Partridge
March 15, 2023April 25, 2023

SXSW 2023: JOHN WICK: CHAPTER 4 is an Action Masterwork

Ed Travis
March 14, 2023April 28, 2023

SXSW 2023: Love is Hard in PARACHUTE

Jay Tyler
March 14, 2023April 30, 2023

SXSW 2023: TALK TO ME

Jon Partridge
March 13, 2023April 25, 2023

King Kong Ain’t Got Nothing on the TRAINING DAY 4K UHD

Eddie Strait
March 13, 2023April 28, 2023

SXSW 2023: Veronica Ngo’s FURIES Is a Must See Action Epic

Ed Travis
March 13, 2023April 28, 2023

SXSW 2023: Addiction and Family Collide in YOU SING LOUD, I SING LOUDER

Jay Tyler
March 13, 2023April 30, 2023

The Tenth Annual Cinapse Awards

Dan Tabor
March 12, 2023April 28, 2023

SXSW 2023: WITH LOVE AND A MAJOR ORGAN

elizabeth stoddard
March 12, 2023April 28, 2023

SXSW 2023: THE HERRICANES

Jay Tyler
March 12, 2023April 30, 2023

SXSW 2023: Travel Back to the Satanic Seventies in LATE NIGHT WITH THE DEVIL

Jay Tyler
March 12, 2023April 30, 2023

SXSW 2023: FLAMIN’ HOT’s Got Heart

Ed Travis
March 12, 2023April 28, 2023

SXSW 2023: WRATH OF BECKY — This Girl Kills Fascists!

Dan Tabor
March 11, 2023April 28, 2023

SXSW 2023: SATAN WANTS YOU is Shocking and Terrifyingly Relevant Exposé

Dan Tabor
March 11, 2023April 28, 2023

SXSW 2023: THE ANGRY BLACK GIRL AND HER MONSTER Delivers a Monster of a Metaphor

Dan Tabor
March 11, 2023April 24, 2023

SXSW 2023: SISTER & SISTER

elizabeth stoddard
March 11, 2023April 28, 2023

Ghostface takes Manhattan in SCREAM VI

Jon Partridge
March 9, 2023April 25, 2023

KUBO AND THE TWO STRINGS. Shout! Factory 4K-Steelbook Review

Jon Partridge
March 8, 2023April 28, 2023

SXSW 2023: The Cinapse Team’s ‘Most Anticipated’ Films

Jon Partridge
March 8, 2023April 28, 2023

The Tender Story of ONE FINE MORNING

elizabeth stoddard
March 6, 2023April 28, 2023

Exclusive: A Chat with Thomas Negovan About CALIGULA MMXX

Dan Tabor
March 3, 2023April 30, 2023

The Texas Chain Saw Massacre is a Horrific Visual Feast on 4K UHD

Julian Singleton
March 3, 2023April 25, 2023

4K/Blu-Ray Review: THE BOXTROLLS Delivers Stellar Stop-Motion Animation and Layered Storytelling

Mel Valentin
March 3, 2023April 19, 2023

Michael B. Jordan Ably Takes the Reins on CREED III

Austin Vashaw
March 2, 2023April 28, 2023

OPERATION FORTUNE: RUSE DE GUERRE, A Time-Waster By Any Other Name

Mel Valentin
March 2, 2023April 28, 2023

FP 4EVZ Returns Us to the Weird Wonderful World of The FP

Dan Tabor
March 2, 2023April 30, 2023

Idris Elba Takes a Bite Out of Crime in LUTHER: THE FALLEN SUN

Eddie Strait
March 2, 2023April 30, 2023

Living With Miyazaki, Part 3— CASTLE IN THE SKY

Brendan Foley
February 28, 2023May 8, 2023

It’s Always Noirvember with Kino Lorber

Frank Cavillo
February 25, 2023April 30, 2023

Criterion Review: LARS VON TRIER’S EUROPE TRILOGY (1984/1987/1991)

Julian Singleton
February 24, 2023April 28, 2023

COCAINE BEAR Fully Delivers on its Comically Absurd Premise

Mel Valentin
February 24, 2023April 28, 2023

ALL THAT BREATHES Is One of 2022’s Best Documentaries

Eddie Strait
February 22, 2023April 28, 2023

SOMEBODY I USED TO KNOW Looks for Love in a Hopeless Place

Eddie Strait
February 22, 2023April 30, 2023

Spinema Issue 68: Talking Film and TV with Composer and Cinephile Yoav Goren

Justin Harlan
February 21, 2023April 28, 2023

4K/Blu-Ray Review: THE FABELMANS Shine on Physical Media

Mel Valentin
February 19, 2023April 19, 2023

THE INTEGRITY OF JOSEPH CHAMBERS is a Gripping Thriller

Eddie Strait
February 19, 2023April 30, 2023

Frank’s Top 5 Kino Releases of 2022

Frank Cavillo
February 17, 2023April 30, 2023

Neeson, Jordan Bring a Classic Detective Back to Life with MARLOWE

Frank Cavillo
February 17, 2023April 30, 2023

SHARPER is a Promising Thriller That Ends Up Dull

Frank Cavillo
February 17, 2023April 30, 2023

Ushering in Phase 5 with the Hugely Tiny QUANTUMANIA

Austin Vashaw
February 17, 2023April 28, 2023

ANT-MAN AND THE WASP: QUANTUMANIA: Justice for Kang

Dan Tabor
February 17, 2023April 28, 2023

QUANTUMANIA Shows How Lost the MCU has Become

Jay Tyler
February 17, 2023April 30, 2023

BUBBA-HO-TEP. Hail to the [4K] King

Jon Partridge
February 17, 2023April 25, 2023

Venturing into the THE OUTWATERS with Star/Director Robbie Banfitch

Dan Tabor
February 17, 2023April 28, 2023

PROJECT WOLF HUNTING: Blu-ray Review

Brendan Agnew
February 16, 2023April 28, 2023

Living With Miyazaki, Part 2 — NAUSICAÄ OF THE VALLEY OF THE WIND

Brendan Agnew
February 16, 2023May 2, 2023

The Psychedelic Intimacy of ANT-MAN AND THE WASP: QUANTUMANIA

Frank Cavillo
February 15, 2023April 30, 2023

Discussing Faith, Film, and CONSECRATION with Writer/Director Christopher Smith and Star Jena Malone

Dan Tabor
February 14, 2023April 30, 2023

Blue Underground Debuts a Marquis de Sade/Jess Franco Double Bill of JUSTINE and EUGENIE on 4K UHD

Dan Tabor
February 14, 2023April 30, 2023

MAGIC MIKE’S LAST DANCE, Truth in Advertising (Hopefully)

Mel Valentin
February 11, 2023April 30, 2023

In CONSECRATION, Sympathy For the Devil

Mel Valentin
February 10, 2023May 6, 2023

CRITERION REVIEW: Michael Haneke — Trilogy (1989/1992/1994)

Julian Singleton
February 10, 2023April 28, 2023

Leave DC Animation Alone — LEGION OF SUPER-HEROES (A Review and a Plea)

Austin Vashaw
February 7, 2023April 30, 2023

Dan Tabor’s Sundance 2023 Wrap Up and Favorites

Dan Tabor
February 7, 2023April 28, 2023

Criterion Review: THE ADVENTURES OF BARON MUNCHAUSEN [4K-UHD]

Jon Partridge
February 3, 2023April 25, 2023

Spinema Issue 67: Paul Lewis Talks His Favorite Movies, Romeo Rage, and Composing Music for Film

Justin Harlan
February 2, 2023April 28, 2023

KNOCK AT THE CABIN —  M. Night gives Us a Delightfully Atmospheric Fun House Mirror

Dan Tabor
February 2, 2023May 2, 2023

2022: 25 Films

Julian Singleton
February 2, 2023April 27, 2023

Sundance 2023: MAGAZINE DREAMS is a Daring Tour de Force for Majors

Dan Tabor
February 2, 2023April 28, 2023

In KNOCK AT THE CABIN, M. Night Shyamalan Delivers a Master Class in Suspense

Mel Valentin
February 2, 2023May 2, 2023

Sundance 2023: VICTIM/SUSPECT

elizabeth stoddard
February 1, 2023April 28, 2023

INFINITY POOL Takes an Unflinching Look at Humanity’s Ugliness

Jay Tyler
January 31, 2023April 30, 2023

Unboxing Shout Factory’s JACKIE CHAN COLLECTION VOL. 1 Blu-ray Box Set

Austin Vashaw
January 27, 2023April 30, 2023

Sundance 2023: GOING VARSITY IN MARIACHI

elizabeth stoddard
January 26, 2023April 28, 2023

Sundance 2023: NAM JUNE PAIK: MOON IS THE OLDEST TV

elizabeth stoddard
January 25, 2023April 28, 2023

Sundance 2023: KIM’S VIDEO Documents The Hunt for the Lost Collection

Dan Tabor
January 24, 2023April 28, 2023

Sundance 2023: SOMETIMES I THINK ABOUT DYING is a Melancholic, Moving Character Piece for Ridley

Dan Tabor
January 24, 2023April 28, 2023

EVERYTHING EVERYWHERE Dominates KC Film Critics Awards

Austin Vashaw
January 24, 2023April 28, 2023

Sundance 2023: JUDY BLUME FOREVER

elizabeth stoddard
January 24, 2023April 28, 2023

Sundance 2023: BIRTH/REBIRTH is a Feminist Horror Masterwork

Dan Tabor
January 24, 2023April 28, 2023

Sundance 2023: Brandon Cronenberg’s INFINITY POOL is a Phantasmagorical Descent into Madness

Dan Tabor
January 24, 2023April 28, 2023

That’s SAUL, Folks!

Eddie Strait
January 24, 2023May 2, 2023

Living With Miyazaki — THE CASTLE OF CAGLIOSTRO

Brendan Foley
January 24, 2023May 2, 2023

WHEN YOU FINISH SAVING THE WORLD Misses the Mark

Eddie Strait
January 23, 2023

Sundance 2023: FANCY DANCE

elizabeth stoddard
January 23, 2023April 28, 2023

Sundance 2023: THE DISAPPEARANCE OF SHERE HITE

elizabeth stoddard
January 23, 2023April 28, 2023

Sundance 2023: MY ANIMAL Offers up a Queer Sexual Awakening through the Prism of Lycanthropy

Dan Tabor
January 23, 2023April 28, 2023

Sundance 2023: ONYX THE FORTUITOUS AND THE TALISMAN OF SOULS is a Hell of a good time!

Dan Tabor
January 22, 2023April 28, 2023

Sundance 2023: IT’S ONLY LIFE AFTER ALL

elizabeth stoddard
January 22, 2023April 28, 2023

Sundance 2023: SLOW

elizabeth stoddard
January 21, 2023April 28, 2023

Sundance 2023: ALIENS ABDUCTED BY PARENTS AND NOW I FEEL KINDA LEFT OUT —  Come for the Title, Stay…

Dan Tabor
January 20, 2023April 28, 2023

ALICE, DARLING, No Adventures in Wonderland

Mel Valentin
January 20, 2023

Worry, DARLING

Eddie Strait
January 19, 2023

Radiance Brings Toei’s Soulful Yakuza Tale BIG TIME GAMBLING BOSS to Blu-ray

Austin Vashaw
January 18, 2023April 30, 2023

MISSING Sets Up The Clues, But Can’t Quite Crack the Case

Jay Tyler
January 17, 2023April 30, 2023

An Ode to the Insane Brawls in THALLUMAALA

Brendan Foley
January 17, 2023May 2, 2023

THE PEOPLE’S JOKER is the Future of Comic Book Cinema

Dan Tabor
January 14, 2023

THE DEVIL CONSPIRACY: A Transcendent Elevator Pitch that Dishevels in the Details

Austin Vashaw
January 13, 2023April 30, 2023

SKINAMARINK Delivers Unforgettable Experiential Horror

Mel Valentin
January 13, 2023

Delving into SKINAMARINK with Director Kyle Edward Ball

Dan Tabor
January 12, 2023May 8, 2023

The Greatest Trick THE DEVIL CONSPIRACY’s Trailer Pulled Was Convincing the World the Movie Was…

Dan Tabor
January 12, 2023

The Austin Film Critics Association Announce their 2022 Award Winners

Jon Partridge
January 10, 2023April 25, 2023

Cinapse @ Sundance 2023: The Cinapse Crew’s Picks

Dan Tabor
January 10, 2023April 28, 2023

Westworld Season 4: The Final Season Hits 4K UHD

Dan Tabor
January 9, 2023

2022 in Review: Animation Domination

Brendan Agnew
January 9, 2023April 28, 2023

OUT OF SIGHT But Never Out of Mind

Eddie Strait
January 9, 2023

Top 10 Action Films of 2022

Ed Travis
January 8, 2023

AHED’S KNEE is a Fiery Affair

Eddie Strait
January 6, 2023

M3GAN, Multi-Layered Family Drama Wrapped Around A Cautionary Sci-Fi/Horror Tale

Mel Valentin
January 6, 2023May 6, 2023

PUSS IN BOOTS: THE LAST WISH Sheds the Cynicism of Shrek

Jay Tyler
January 4, 2023April 30, 2023

Dan Tabor’s Top 10% of 2022

Dan Tabor
January 3, 2023

Field of Streams: RATCATCHER is a Haunting, Lyrical Ode to Youth Lost and Found

Eddie Strait
December 30, 2022

CHAINSAW MAN Recap — Episode 12: Season Finale — Requiem For Dream

Dan Tabor
December 30, 2022

PUSS IN BOOTS: THE LAST WISH Delivers High Style, Verve, and Vibes to Spare

Mel Valentin
December 27, 2022

CHAINSAW MAN Recap — Episode 11: Threats on Both Sides

Dan Tabor
December 21, 2022

Chatting with the Artisans Behind RRR

Dan Tabor
December 21, 2022May 8, 2023

GHOSTWATCH: The British Godfather of Found Footage Horror Finally Comes to America

Julian Singleton
December 20, 2022April 27, 2023

STAR TREK DISCOVERY Season 4 [Blu-review]

Jon Partridge
December 20, 2022April 25, 2023

ELVIS: Baz Luhrmann’s Rhinestone-Studded Remix of Americana on Show-Stopping 4K UHD

Julian Singleton
December 20, 2022April 27, 2023

What Guillermo del Toro’s PINOCCHIO Has To Do With Kubrick, Scorsese, and Death

Brendan Foley
December 19, 2022May 2, 2023

THE WOMAN KING Reigns on Blu-ray

Brendan Agnew
December 19, 2022

CHAINSAW MAN Recap — Episode 10: Lost in Translation

Dan Tabor
December 19, 2022

Screen Comparisons: Criterion’s New COOLEY HIGH Restoration vs 2015 Blu-ray

Austin Vashaw
December 19, 2022April 30, 2023

EVERYTHING EVERYWHERE ALL AT ONCE: A Q&A with “The Daniels”, Jamie Lee Curtis and Ke Huy Quan

Dan Tabor
December 19, 2022May 8, 2023

It Doesn’t Take Long for BABYLON to Fall

Frank Cavillo
December 16, 2022April 30, 2023

SPOILER ALERT: This is One of the Year’s Best

Frank Cavillo
December 16, 2022April 30, 2023

Criterion Review: IN THE MOOD FOR LOVE [4K-UHD]

Jon Partridge
December 15, 2022April 25, 2023

THE ROUNDUP Blu-Ray Review

Brendan Agnew
December 15, 2022

AVATAR: THE WAY OF WATER is a Lush Action Spectacle that only James Cameron Can Deliver

Dan Tabor
December 13, 2022

Sheldon Lettich: Talking Tough Guy Movies with the Man Behind Van Damme

Matthew Essary
December 11, 2022May 8, 2023

PULP FICTION — Quentin’s Unconventional Exploration of Second Chances Comes to 4K UHD

Austin Vashaw
December 9, 2022

EMANCIPATION, Will Smith Delivers a Powerful, Moving Performance in Civil War Drama

Mel Valentin
December 9, 2022

CHAINSAW MAN Recap — Episode 9: Battle On!

Dan Tabor
December 9, 2022

CHRISTMAS BLOODY CHRISTMAS is a Bloody Good Time!

Dan Tabor
December 8, 2022

WOMEN TALKING: Sarah Polley Delivers One of This Year’s Best

Mel Valentin
December 4, 2022

VIOLENT NIGHT is the Greatest Christmas Action Movie of All Time!

Dan Tabor
December 1, 2022

The Legend of Benoit Blanc Grows in GLASS ONION: A KNIVES OUT MYSTERY

Eddie Strait
December 1, 2022April 28, 2023

NR. 10 is High Melodrama with an Extremely Satisfying Absurdist Twist

Dan Tabor
November 30, 2022

CHAINSAW MAN Recap — Episode 8: Seriously, WTF?

Dan Tabor
November 30, 2022

CHAINSAW MAN Recap — Episode 7: Do these episodes keep getting shorter or is it me?

Dan Tabor
November 30, 2022

POLTERGEIST Packs a Paranormal Punch on 4K UHD

Julian Singleton
November 29, 2022April 28, 2023

THE FABELMANS or Portrait of a Filmmaker as a Young Man

Mel Valentin
November 27, 2022

HALO Shows Promise with Season One

Jon Partridge
November 23, 2022April 25, 2023

Editorial: Don’t Forget About ARMAGEDDON TIME

Frank Cavillo
November 22, 2022April 30, 2023

Kino Lorber’s Slate of Docs is Some of the Year’s Best

Frank Cavillo
November 22, 2022April 30, 2023

Blu-ray Screen Comparisons: INFERNAL AFFAIRS II and III

Austin Vashaw
November 22, 2022

Screen Comparisons: Criterion’s INFERNAL AFFAIRS

Austin Vashaw
November 19, 2022

CHAINSAW MAN Recap — Episode 6: The Heart of CHAINSAW MAN

Dan Tabor
November 18, 2022April 12, 2023

THE MENU Delivers Epicurean Delights and Horrors in Equal Measure

Mel Valentin
November 18, 2022

Criterion Review: THE POWER OF THE DOG (2021) 4K UHD

Julian Singleton
November 18, 2022April 23, 2023

THE MENU is a Feast of Dark Comedy and Thrills

Frank Cavillo
November 17, 2022April 30, 2023

UK’s 101 Films Serves up an AGFA Double Bill of “Smut Without Smut” on Blu-ray

Dan Tabor
November 15, 2022February 27, 2023

UK’s 101 Films Serves up an AGFA Double Bill of “Smut Without Smut” on Blu-ray

Dan Tabor
November 15, 2022

Criterion Review: Czech Masterpiece DAISIES

Dan Tabor
November 14, 2022February 27, 2023

Criterion Review: Czech Masterpiece DAISIES

Dan Tabor
November 14, 2022

TWO WITCHES is an Engaging Exploration of Witchcraft and Power

Dan Tabor
November 11, 2022February 27, 2023

Grief and War Set a More Somber Tone for BLACK PANTHER: WAKANDA FOREVER

Austin Vashaw
November 11, 2022

Austin Film Festival 2022: THE WHALE Marks the Revelatory Return of Brendan Fraser

Julian Singleton
November 11, 2022April 24, 2023

BLACK PANTHER: WAKANDA FOREVER is a Soulful Blockbuster Burdened by Loss and a Burgeoning MCU

Jon Partridge
November 10, 2022April 27, 2023

CHAINSAW MAN Recap — Episode 5: It’s a Trap!

Dan Tabor
November 9, 2022February 27, 2023

CHAINSAW MAN Recap — Episode 5: It’s a Trap!

Dan Tabor
November 9, 2022

BATMAN AND SUPERMAN: BATTLE OF THE SUPER SONS

Austin Vashaw
November 8, 2022

Tokusatsu Talk: KAMEN RIDER BLACK SUN

Dan Tabor
November 3, 2022January 3, 2023

CHAINSAW MAN Recap — Episode 4: Kinda a Bridge

Dan Tabor
November 3, 2022January 3, 2023

DRIVE (not that one!) is a Blast on 4K UHD!

Dan Tabor
November 3, 2022January 3, 2023

Tokusatsu Talk: KAMEN RIDER BLACK SUN

Dan Tabor
November 3, 2022May 2, 2023

CHAINSAW MAN Recap — Episode 4: Kinda a Bridge

Dan Tabor
November 3, 2022

DRIVE (not that one!) is a Blast on 4K UHD!

Dan Tabor
November 3, 2022May 2, 2023

REAL GENIUS: The iconic ‘80s Comedy Hits 4K UHD!

Dan Tabor
November 1, 2022January 3, 2023

REAL GENIUS: The iconic ‘80s Comedy Hits 4K UHD!

Dan Tabor
November 1, 2022May 2, 2023

The Gleeful Nihilism of THE RETURN OF THE LIVING DEAD Hits 4K UHD

Dan Tabor
October 31, 2022January 3, 2023

Jordan Peele’s NOPE Still Astounds on 4K UHD

Dan Tabor
October 31, 2022January 3, 2023

ORPHAN FIRST KILL is an Unhinged Horror Sequel Masterwork

Dan Tabor
October 31, 2022January 3, 2023

HALLOWEEN H20 and HALLOWEEN RESURRECTION the Rebirth and Death of a Franchise

Dan Tabor
October 31, 2022January 3, 2023

SCREAM 2 is Back, in 4K UHD Form

Eddie Strait
October 28, 2022

Hail to the King. ARMY OF DARKNESS Marches onto 4K UHD

Jon Partridge
October 28, 2022April 25, 2023

CAUSEWAY Examines the Raw Wounds of Recovery

Julian Singleton
October 28, 2022April 28, 2023

CHAINSAW MAN Recap — Episode 3: Denji did it all for the Meowy

Dan Tabor
October 27, 2022January 3, 2023

Rediscover ISLAND OF THE BLUE DOLPHINS (1964): The Forgotten Film Adaptation

Austin Vashaw
October 25, 2022

The Two Faces of HALLOWEEN 6: THE CURSE OF MICHAEL MYERS

Dan Tabor
October 22, 2022January 3, 2023

Criterion Review: CURE (1997)

Julian Singleton
October 22, 2022April 27, 2023

Catching Up with the Class of V/H/S/99 —  Hitting Shudder TODAY!

Dan Tabor
October 21, 2022January 3, 2023

MORTAL KOMBAT LEGENDS: SNOW BLIND — Animated Movie Hits 4K UHD & Blu-ray

Austin Vashaw
October 21, 2022May 2, 2023

BLACK ADAM is Weighed Down By Its Star

Jay Tyler
October 21, 2022April 21, 2023

The Gothic Grandeur of Bram Stoker’s DRACULA in 4K-UHD

Jon Partridge
October 21, 2022April 25, 2023

THE STRANGE LOVE OF MARTHA IVERS

elizabeth stoddard
October 20, 2022April 28, 2023

CHAINSAW MAN Recap — Episode 2: Let’s go to Work

Dan Tabor
October 20, 2022January 3, 2023

MASSACRE AT CENTRAL HIGH is the Proto-HEATHERS You Didn’t Know You Needed to See

Dan Tabor
October 19, 2022January 3, 2023

Criterion Review: NIGHT OF THE LIVING DEAD [4K-UHD]

Jon Partridge
October 19, 2022April 25, 2023

Criterion Review: SOUND OF METAL

Eddie Strait
October 18, 2022

TÁR: Cate Blanchett Conducts a Sinister Symphony

Jay Tyler
October 18, 2022April 12, 2023

Vinegar Syndrome Unleashes THE BIRDS 2: LAND’S END on Blu-ray

Dan Tabor
October 17, 2022January 3, 2023

NO ESCAPE (1994): A Classic Ray Liotta Action Film B-Side is Resurrected

Ed Travis
October 15, 2022April 21, 2023

The Original STAR TREK Movies Complete their 4K-UHD Series

Jon Partridge
October 14, 2022April 25, 2023

HALLOWEEN ENDS the Deconstruction of Evil

Dan Tabor
October 13, 2022January 3, 2023

Fantastic Fest 2022: Digging into VESPER with Co-Director/Co-Writer Bruno Samper

Dan Tabor
October 13, 2022January 3, 2023

CHAINSAW MAN Recap— Episode 1: Worth the Wait

Dan Tabor
October 13, 2022January 3, 2023

ACCIDENT MAN: HITMAN’S HOLIDAY is an Action-Packed Sequel Done Right!

Matthew Essary
October 12, 2022May 8, 2023

Tripping on David O. Russell’s AMSTERDAM

Frank Cavillo
October 7, 2022

Criterion Review: BLOW OUT on 4K UHD

Jon Partridge
October 6, 2022April 25, 2023

Fantastic Fest 2022: Never Give Up, Never Surrender — Chatting with the Director and Cast of…

Dan Tabor
October 5, 2022January 3, 2023

Fantastic Fest 2022: Talking Kaiju and Ultraman with Director Shinji Higuchi

Dan Tabor
October 5, 2022January 3, 2023

SPIRIT HALLOWEEN is Hauntingly Wholesome Good Time!

Dan Tabor
October 4, 2022January 3, 2023

I KNOW WHAT YOU DID LAST SUMMER Hits 25, Gets a 4K Facelift

Eddie Strait
October 4, 2022

Blu-Ray/4K Double Pack: WHEN WORLDS COLLIDE and THE WAR OF THE WORLDS

Mel Valentin
October 4, 2022

Fantastic Fest 2022 Ranked! Cinapse’s Top 5 Films

David Delgado
October 4, 2022May 3, 2023

BROS is the Rom-Com We Never Thought We’d See

Frank Cavillo
October 4, 2022

Fantastic Fest 2022: ATTACHMENT is an Insightful Blend of Queer and Religious Horror

Julian Singleton
October 3, 2022April 27, 2023

MONA LISA AND THE BLOOD MOON and the Underbelly of New Orleans

Frank Cavillo
October 3, 2022

Fantastic Fest 2022: H4Z4RD is a Fast and Frenetic Thrill-Ride

Jon Partridge
October 3, 2022April 25, 2023

Criterion Review: EXOTICA

Mel Valentin
September 30, 2022

Supernatural Horror SMILE Shocks, Scares, and Disturbs

Mel Valentin
September 30, 2022May 6, 2023

Any Time is a Great Time to Watch EVERYTHING EVERYWHERE ALL AT ONCE Again

Eddie Strait
September 30, 2022

Fantastic Fest 2022: HELLRAISER Has Such Sights to Show You!

Dan Tabor
September 29, 2022January 3, 2023

Fantastic Fest 2022: BONES AND ALL is a Lush Romantic Epic About the Hunger to Belong

Julian Singleton
September 29, 2022April 27, 2023

Fantastic Fest 2022: LYNCH/OZ Goes Down the Rabbit Hole of Lynchian Inspiration

Jon Partridge
September 29, 2022April 25, 2023

Fantastic Fest 2022: THE FIVE DEVILS is a Sensuous Time-Travel Fable

Julian Singleton
September 29, 2022April 27, 2023

Fantastic Fest 2022: Shark Movie Sidebar Extravaganza!

Ed Travis
September 29, 2022April 21, 2023

Fantastic Fest 2022: PROJECT WOLF HUNTING Teases a Return to Bruckheimer-Era Action But Takes a Hard Left

David Delgado
September 28, 2022May 3, 2023

Fantastic Fest 2022: VENUS Executes Multiple Genres Deftly

Ed Travis
September 28, 2022April 21, 2023

Fantastic Fest 2022: PROJECT WOLF HUNTING is a Disturbingly Fun Genre Supernova

Julian Singleton
September 28, 2022April 27, 2023

Fantastic Fest 2022: ALL JACKED UP AND FULL OF WORMS is an Uneasy Surreal Snapshot of Addiction

Dan Tabor
September 27, 2022January 3, 2023

Fantastic Fest 2022: HUESERA Delivers the Haunting Specter of Motherhood

Jon Partridge
September 27, 2022April 25, 2023

Fantastic Fest 2022: THE ANTARES PARADOX Looks to the Stars and Into Our Souls

Jon Partridge
September 27, 2022April 25, 2023

Fantastic Fest 2022: UNICORN WARS Embraces Cuddly Carnage

Julian Singleton
September 27, 2022April 27, 2023

Fantastic Fest 2022: VESPER: Seeds of Hope in a Poisoned Planet

Ed Travis
September 27, 2022April 21, 2023

Fantastic Fest 2022: V/H/S/99 — It’s a Shower, Not a Grower!

Dan Tabor
September 26, 2022January 3, 2023

Fantastic Fest 2022: BIRDEMIC 3: SEA EAGLE the Birds are BACK!

Dan Tabor
September 26, 2022January 3, 2023

PRIMAL Beauty

Brendan Agnew
September 26, 2022

Fantastic Fest 2022: SOLOMON KING Rediscovered, Restored, Righteous

Ed Travis
September 26, 2022April 21, 2023

Fantastic Fest 2022: LIVING WITH CHUCKY is Heartwarming Look at the Slasher Franchise

Dan Tabor
September 25, 2022January 3, 2023

Fantastic Fest 2022: A WOUNDED FAWN is an Enthralling Descent into Mysticism and Madness

Jon Partridge
September 25, 2022April 25, 2023

Fantastic Fest 2022: BAD CITY, a Yakuza Street Brawling Extravaganza

Ed Travis
September 25, 2022April 21, 2023

Fantastic Fest 2022: A Chat with Kyra Elise Gardner, Director of LIVING WITH CHUCKY

Dan Tabor
September 25, 2022January 3, 2023

Fantastic Fest 2022: SMOKING CAUSES COUGHING is Quentin Dupieux’s Funniest Since RUBBER

David Delgado
September 24, 2022May 3, 2023

Fantastic Fest 2022: HUNT is an Explosive Korean Action Thriller

Julian Singleton
September 24, 2022April 27, 2023

Fantastic Fest 2022: KIDS VS.

Ed Travis
September 24, 2022April 21, 2023

4K/Blu-Ray Review: THE LOST BOYS Has Never Looked Better

Mel Valentin
September 23, 2022

Believe the Kids: This GOODNIGHT MOMMY is an Imposter

Julian Singleton
September 21, 2022April 27, 2023

Fantastic Fest Returns for 2022 — The Cinapse Team’s ‘Most Anticipated’

Jon Partridge
September 21, 2022April 25, 2023

BLONDE tears Marilyn Monroe Apart

Julian Singleton
September 19, 2022April 28, 2023

THE WOMAN KING: Oscar-Winner Viola Davis’s Powerful Performance Elevates Historical Epic

Mel Valentin
September 16, 2022

PEARL: Ti West, Mia Goth, and a Slasher Origin Story for the Ages

Mel Valentin
September 16, 2022

DOG SOLDIERS Gets a 4K-UHD Promotion from Shout! Factory

Jon Partridge
September 16, 2022April 25, 2023

Arrowheads #104: FLATLINERS [4K-UHD]

Jon Partridge
September 16, 2022April 25, 2023

SEE HOW THEY RUN…and Stumble Over and Over Again

Frank Cavillo
September 15, 2022

THE WOMAN KING is Anti-Colonialist BRAVEHEART

Jay Tyler
September 15, 2022April 12, 2023

PEARL delivers an Audacious and Unflinching Character Study

Dan Tabor
September 14, 2022January 3, 2023

A Chat with Jeremy Richey, Author of ‘Sylvia Kristel: From Emmanuelle to Chabrol’

Dan Tabor
September 14, 2022May 8, 2023

Criterion Review: LE CORBEAU (1943)

Julian Singleton
September 13, 2022April 27, 2023

PINOCCHIO Longs To Be A Real Movie

Jay Tyler
September 12, 2022April 12, 2023

Chucky’s Back! CHILD’S PLAY 1, 2 & 3 Come to 4K-UHD

Jon Partridge
September 9, 2022May 2, 2023

Criterion Review: RAGING BULL [4K-UHD]

Jon Partridge
September 6, 2022April 25, 2023

What American Blockbusters Can Learn From RRR

Brendan Foley
September 6, 2022April 30, 2023

The Undeniable Energy of Ralph Bakshi’s COOL WORLD

Austin Vashaw
September 2, 2022

BELLE Gets a Beast of a 4K Collector’s Edition

Julian Singleton
August 30, 2022April 27, 2023

Spinema Order 66: Mondo’s STAR WARS ROGUE ONE Expanded Edition

Jon Partridge
August 30, 2022April 25, 2023

Criterion Review: BUCK AND THE PREACHER Brought a New Perspective to the Old West

Austin Vashaw
August 29, 2022

Criterion Review: HÔTEL DU NORD

elizabeth stoddard
August 29, 2022April 28, 2023

NY’s Metrograph Announces Sylvia Kristel Retrospective in September

Dan Tabor
August 24, 2022January 3, 2023

Teenage Mutant Ninja Turtles Rise (and Rise, and Rise Again)

Brendan Agnew
August 24, 2022

ELECTRA GLIDE IN BLUE (1973) Glides Back onto Blu-ray

Austin Vashaw
August 23, 2022

John Boyega Shines as a Man on the Edge in BREAKING

Eddie Strait
August 22, 2022

Sylvia Kristel: From Emmanuelle to Chabrol – The Rosetta Stone for Sylvia’s Career (Review/Unboxing…

Dan Tabor
August 19, 2022May 2, 2023

MACK & RITA Makes a Millennial Out of Diane Keaton

Frank Cavillo
August 19, 2022May 2, 2023

EMERGENCY DECLARATION, South Korean Disaster-In-The-Sky Delivers the Genre Goods

Mel Valentin
August 19, 2022

NAKED OVER THE FENCE is a Charming Comedic Noir that Deserves to Be Seen

Dan Tabor
August 19, 2022January 3, 2023

SPIN ME ROUND Fails to Disarm its Thorny Premise

Dan Tabor
August 19, 2022January 3, 2023

The Sandman: What Got Changed, and What Comes Next — Part 3

Brendan Foley
August 18, 2022April 30, 2023

Review + Unboxing: FLYING GUILLOTINE II from 88 Films

Austin Vashaw
August 17, 2022

FALL is a Schlocky Bit of Late Summer Fun

Eddie Strait
August 17, 2022

The Sandman: What Got Changed, and What Comes Next — Part 2

Brendan Foley
August 17, 2022April 30, 2023

The Sandman: What Got Changed, and What Comes Next — Part 1

Brendan Foley
August 16, 2022April 30, 2023

Aubrey Plaza Goes in Deep in EMILY THE CRIMINAL

Eddie Strait
August 15, 2022

Quadranscentennial: EVENT HORIZON Celebrates 25 with a Gorgeous 4K UHD Steelbook

Austin Vashaw
August 12, 2022

BATTLE OF THE WORLDS: A Cranky Claude Rain Saves the World From Idiocy, Ignorance, and Aliens

Mel Valentin
August 12, 2022

Skate or Die Film Fest Announcement

Rod Machen
August 12, 2022April 28, 2023

NYAFF 2022: BIG NIGHT!

VN Pryor
August 10, 2022April 19, 2023

Fantasia 2022: SPACE MONSTER WANGMAGWI

Austin Vashaw
August 7, 2022

BODIES BODIES BODIES, Savage Gen Z Satire Hits Far More Than It Misses

Mel Valentin
August 5, 2022May 6, 2023

NYAFF 2022: IMAGINUR

VN Pryor
August 5, 2022April 19, 2023

A Riotous Ride with BULLET TRAIN

Austin Vashaw
August 5, 2022

PREY, A Return to Form for the Once Floundering PREDATOR Franchise

Mel Valentin
August 5, 2022

Criterion Review: THE WORST PERSON IN THE WORLD

Jon Partridge
August 5, 2022April 25, 2023

NYAFF 2022: THE THIEVES

VN Pryor
August 5, 2022April 19, 2023

Fantasia 2022: WHAT TO DO WITH THE DEAD KAIJU?

Austin Vashaw
August 5, 2022April 28, 2023

NYAFF 2022: CONFESSION

VN Pryor
August 4, 2022April 19, 2023

NYAFF 2022: NOTHING SERIOUS

VN Pryor
August 4, 2022April 19, 2023

BULLET TRAIN. A Rickety Ride, Eased by the Charms of Brad Pitt

Jon Partridge
August 4, 2022April 25, 2023

NYAFF 2022: VIRGIN BLUE

VN Pryor
August 3, 2022April 19, 2023

NYAFF 2022: HANSAN: RISING DRAGON

VN Pryor
August 3, 2022April 19, 2023

STOWAWAY Is a Thriller Gone Adrift

Jay Tyler
August 3, 2022April 12, 2023

Fantasia 2022: IDENTIKIT Shows Liz on a Journey of International Surrealism

Frank Cavillo
August 3, 2022

Criterion Review: DEVIL IN A BLUE DRESS (4K)

Eddie Strait
August 1, 2022

Criterion Review: SUMMERTIME

elizabeth stoddard
August 1, 2022April 28, 2023

Kino Unleashes ANTS! on Blu-ray

Dan Tabor
July 31, 2022January 3, 2023

Fantasia 2022: POPRAN is a Heartfelt, Bizarrely Satirical Look at Toxic Masculinity

Dan Tabor
July 31, 2022January 3, 2023

Fantasia 2022: LEGIONS is Bloody Wholesome Folk Horror

Dan Tabor
July 31, 2022January 3, 2023

Fantasia 2022: Chatting with Writer/Director Carter Smith about SWALLOWED

Dan Tabor
July 31, 2022January 3, 2023

RESURRECTION Doesn’t Shy Away from the Horrors of Abuse

Frank Cavillo
July 30, 2022

DC LEAGUE OF SUPER-PETS Gives the Spotlight to Man’s Best Friends

Eddie Strait
July 30, 2022

Arrow Heads #103: TRUE ROMANCE [4K-UHD]

Jon Partridge
July 30, 2022April 25, 2023

Fantasia 2022: MEGALOMANIAC Making a Monster

Dan Tabor
July 29, 2022January 3, 2023

Fantasia 2022: THE ARTIFICE GIRL — a Very Human Story of Artificial Intelligence

Dan Tabor
July 29, 2022January 3, 2023

Fantasia 2022: SPECIAL DELIVERY

Austin Vashaw
July 29, 2022

NYAFF 2022: LIFE FOR SALE

VN Pryor
July 29, 2022April 19, 2023

NYAFF 2022: TERRORIZERS

VN Pryor
July 29, 2022April 19, 2023

NYAFF 2022: SHIN ULTRAMAN

VN Pryor
July 29, 2022April 19, 2023

NYAFF 2022: PREMAN: SILENT FURY

VN Pryor
July 29, 2022April 19, 2023

NYAFF 2022: OFFBEAT COPS

VN Pryor
July 29, 2022April 19, 2023

STEELE JUSTICE (1987): Martin Kove Strikes Hard With This Post-Vietnam Super Soldier Fantasy

Ed Travis
July 24, 2022April 21, 2023

Fantasia 2022: DEADSTREAM — the EVIL DEAD 2 of Found Footage Movies

Dan Tabor
July 24, 2022January 3, 2023

NYAFF 2022: MY BEST FRIEND’S BREAKFAST

VN Pryor
July 24, 2022April 19, 2023

Fantasia 2022: SHIN ULTRAMAN is a Faithful and Fantastic Update on the Japanese Icon

Dan Tabor
July 22, 2022January 3, 2023

Fantasia 2022: SHIN ULTRAMAN’s Director Shinji Higuchi talks Kaiju, Bureaucracy and Updating an…

Dan Tabor
July 22, 2022January 3, 2023

NOPE, Jordan Peele Delivers the Blockbuster Entertainment We Didn’t Know We Needed

Mel Valentin
July 22, 2022

Arrow Heads #102: ONE ARMED BOXER Unboxing & Review

Ed Travis
July 22, 2022April 21, 2023

NYAFF 2022: LESSON IN MURDER

VN Pryor
July 21, 2022April 19, 2023

NYAFF 2022: INTIMATE STRANGER

VN Pryor
July 21, 2022April 19, 2023

NYAFF 2022: THE SWORDSMAN

VN Pryor
July 21, 2022April 19, 2023

NYAFF 2022: LEGENDARY IN ACTION!

VN Pryor
July 21, 2022April 19, 2023

NYAFF 2022: ONE AND FOUR

VN Pryor
July 20, 2022April 19, 2023

NOPE Invites You to Believe the Impossible

Jay Tyler
July 20, 2022April 12, 2023

NYAFF 2022: MANCHURIAN TIGER

VN Pryor
July 19, 2022April 19, 2023

Criterion Review: Double Indemnity (1944)

Julian Singleton
July 19, 2022April 28, 2023

Gnarly Outback Thriller FAIR GAME (1986) is Back Out, Now on VOD

Austin Vashaw
July 18, 2022

NYAFF 2022: MAMA BOY

VN Pryor
July 18, 2022April 19, 2023

Fantasia 2022: SWALLOWED – EASY RIDER through a Cronenbergian Lens

Dan Tabor
July 16, 2022January 3, 2023

GOOD MADAM, Provocative Slow-Burn Horror

Mel Valentin
July 15, 2022

Winona is the Sole Reason to Watch the Aptly Titled GONE IN THE NIGHT

Frank Cavillo
July 15, 2022

THE GRAY MAN, Netflix’s $200M Gamble, Fails to Pay Off

Mel Valentin
July 15, 2022

NEON LIGHTS: Losing the Plot, Descending into Madness and/or Tedium

Mel Valentin
July 14, 2022

The Side Players of LICORICE PIZZA

Frank Cavillo
July 14, 2022

The Director and Star of THE SWORDSMAN Return with THE KILLER

Austin Vashaw
July 13, 2022May 26, 2023

Criterion Review: OKJA 4K (2017)

Julian Singleton
July 13, 2022April 28, 2023

CHERNOBYL: THE LOST TAPES Provides a Critical Window into the Past

Austin Vashaw
July 9, 2022

PINK FLAMINGOS Triumphantly Returns to the Criterion Collection

Dan Tabor
July 8, 2022January 3, 2023

Fantasia 2022 Hits Next Week and Here’s Our Most Anticipated!

Dan Tabor
July 7, 2022January 3, 2023

A Hem’s Worth — THOR: LOVE AND THUNDER Stitches Down the MCU’s Biggest Loose Thread

Austin Vashaw
July 7, 2022

Going Back to School Again with GREASE 2

Frank Cavillo
July 6, 2022

THOR: LOVE AND THUNDER is All Filling, No Donut

Dan Tabor
July 5, 2022January 3, 2023

Arrow Heads #101: WILD THINGS [4K-UHD]

Jon Partridge
July 5, 2022April 25, 2023

THE ROUNDUP is Must-See Action-Comedy for Fans of LETHAL WEAPON

Austin Vashaw
July 4, 2022

THE FORGIVEN, Morocco-Set Anti-Colonialist Satire Soars Then Stumbles

Mel Valentin
July 4, 2022

RUBIKON, Where Everyone Has Gone Before and Will Again

Mel Valentin
July 1, 2022

The Archivist #143: Two Musicals for Judy Garland’s Centennial [ZIEGFELD GIRL & FOR ME AND MY GAL]

elizabeth stoddard
June 28, 2022April 28, 2023

CFF 2022: THE ATTACHMENT DIARIES — A Relevant and Subversive Take on the Right to Choice

Dan Tabor
June 27, 2022January 3, 2023

CFF 2022: THE ONES YOU DIDN’T BURN is an Atmospheric Slice of Folk Horror

Dan Tabor
June 27, 2022January 3, 2023

CFF 2022: THE THIRD SATURDAY IN OCTOBER PART 5&1 is an Impressive Love Letter to the Slasher Genre

Dan Tabor
June 27, 2022May 2, 2023

CFF 2022: CRYO is a Razor Sharp Sci-fi Whodunnit

Dan Tabor
June 27, 2022January 3, 2023

EVERY TIME WE MEET FOR ICE CREAM YOUR WHOLE FUCKING FACE EXPLODES

Dan Tabor
June 27, 2022January 3, 2023

ELVIS Is a Hyper-Kinetic American Tragedy

Jay Tyler
June 27, 2022April 12, 2023

Screen Comparisons: Synapse’s new THE LIVING DEAD AT MANCHESTER MORGUE Disc vs 2009 Blu-ray

Dan Tabor
June 24, 2022January 3, 2023

STUNT ROCK — Rocks Out on Blu-ray!

Dan Tabor
June 24, 2022January 3, 2023

THE BLACK PHONE, Nightmare Fuel From Two of the Best Horror Filmmakers Working Today

Mel Valentin
June 24, 2022

Michael Bay Takes Us on a Thrill-Ride in AMBULANCE [Blu-Review]

Jon Partridge
June 24, 2022April 25, 2023

Screen Comparisons: THRILLER on New Vinegar Syndrome Disc vs. Earlier Synapse Films Blu-ray

Dan Tabor
June 23, 2022January 3, 2023

THE BLACK PHONE is a Haunted Prison Escape

Jay Tyler
June 23, 2022April 12, 2023

Arrow Heads #100: ROBOCOP 4K UHD [Review/Unboxing]

Dan Tabor
June 22, 2022January 3, 2023

ELVIS Review: More Montage than Movie

Frank Cavillo
June 21, 2022

THE NORTHMAN is a Valhöll-Worthy 4K UHD

Julian Singleton
June 21, 2022April 28, 2023

NEPTUNE FROST: Music as Protest

elizabeth stoddard
June 20, 2022April 28, 2023

Dougray Scott Thriller LAST PASSENGER is Back on Blu-ray

Austin Vashaw
June 17, 2022

Revisit RAIDERS OF THE LOST ARK on 4K-UHD Steelbook

Jon Partridge
June 17, 2022April 25, 2023

Kino’s DR. FU MANCHU Double Feature Offers a Look Back into a Far Less Enlightened Past

Mel Valentin
June 15, 2022

Criterion Review: THE TALES OF HOFFMAN (1951)

Julian Singleton
June 15, 2022April 28, 2023

Tribeca 2022: NEXT EXIT is a Deftly Executed Debut

Dan Tabor
June 14, 2022January 3, 2023

CHA CHA REAL SMOOTH Finds Empathy in Growing Up

Eddie Strait
June 14, 2022

LIGHTYEAR: Pixar’s Latest Explores a Beloved Character in a New Context

Austin Vashaw
June 13, 2022

THE MAN WHO SHOT LIBERTY VALANCE Blasts its Way onto 4K UHD

Julian Singleton
June 13, 2022April 28, 2023

LIGHTYEAR Charts the Beginning of ‘To Infinity and Beyond’

Eddie Strait
June 13, 2022

The Archivist #142: Spencer Tracy Shines in a Dual, Dueling Role: DR. JEKYLL AND MR. HYDE

Mel Valentin
June 11, 2022

The Gang’s All Here for JURASSIC WORLD: DOMINION

Austin Vashaw
June 10, 2022

THE BATMAN on 4K UHD Showcases the Details in the Darkness

Jon Partridge
June 10, 2022April 25, 2023

The Atypical-for-its-Genre SAVAGE SISTERS Breaks Out onto Blu-ray

Austin Vashaw
June 10, 2022

JURASSIC WORLD DOMINION Delivers More of the Same, Just Slightly Different

Mel Valentin
June 9, 2022

Criterion Review: THE FUNERAL

Jon Partridge
June 9, 2022April 25, 2023

Taking a Walk Down the BACK STREET

Frank Cavillo
June 9, 2022

The Tragedy of THE GREAT MOMENT

Frank Cavillo
June 8, 2022

THE CONTRACTOR: Top Notch Thriller Exposes Stark Reality for Former Soldiers

Ed Travis
June 5, 2022

THE UNTOUCHABLES Go Toe-To-Toe With Al Capone in 4K UHD

Ed Travis
June 4, 2022

CRIMES OF THE FUTURE Delivers Classic Cronenberg

Jon Partridge
June 4, 2022April 25, 2023

Please Refuse this BENEDICTION

Frank Cavillo
June 3, 2022

The Archivist #141: Escaping Reality Through THE WONDERFUL WORLD OF THE BROTHERS GRIMM

Frank Cavillo
June 3, 2022

CRIMES OF THE FUTURE, Meet the New Flesh, Same as the Old (New) Flesh

Mel Valentin
June 2, 2022May 6, 2023

Criterion Review: CHAN IS MISSING Is Ready To Be Found

Brendan Foley
June 2, 2022April 30, 2023

OBI-WAN KENOBI, Chilling With Everybody’s Favorite Jedi Master

Mel Valentin
May 31, 2022

Spinema Issue 65: Unboxing Mondo’s MISSION IMPOSSIBLE Volume 1 Slipcase and GHOST PROTOCOL

Austin Vashaw
May 31, 2022

Carol Kane Shines in HESTER STREET

elizabeth stoddard
May 31, 2022April 28, 2023

Spinema Issue 64: TV and Movie Composer Frank Cogliano Talks Collaboration and Love of Film

Justin Harlan
May 31, 2022April 28, 2023

TOP GUN: MAVERICK soars by owning the original’s mistakes

Brendan Agnew
May 30, 2022

Criterion Collection Review: MR. KLEIN, a Brilliant Kafkaesque Character Study

Mel Valentin
May 27, 2022

GIVEAWAY: Win a 4K Digital Copy of Michael Bay’s AMBULANCE

Jon Partridge
May 27, 2022April 26, 2023

Arrow Heads #99: MARY SHELLEY’S FRANKENSTEIN Lives Again on 4K

Jon Partridge
May 27, 2022April 27, 2023

DASHCAM is a Divisive Endurance Test Like Nothing You’ve Ever Seen

Julian Singleton
May 26, 2022April 28, 2023

TOP GUN: MAVERICK Still Feels the Need for Speed

Frank Cavillo
May 26, 2022

TOP GUN MAVERICK is Equally Shallow and Exhilarating

Jay Tyler
May 25, 2022April 12, 2023

Hope Comes in Hippie Form in DEAR MR. BRODY

Frank Cavillo
May 24, 2022

HOLD YOUR FIRE Revisits a Dark Event in NYC History

Frank Cavillo
May 20, 2022

MEN Delivers Deliriously Grotesque Body Horror Mixed with Metaphysical, Metaphorical Themes

Mel Valentin
May 20, 2022

VIOLENT CITY (1970) Blu Review: A Grimy Charles Bronson Eurocrime Hitman Tale

Ed Travis
May 19, 2022

MULTIVERSE OF MADNESS’s Most Violent Scene is Bloody Brilliant

Brendan Agnew
May 19, 2022

Alex Garland’s MEN is a Gnarly but Nebulous Folk Horror

Jon Partridge
May 19, 2022April 27, 2023

WE NEED TO TALK is a Surprisingly Charming Indie Romcom

Dan Tabor
May 18, 2022January 3, 2023

CHIP ‘N DALE: RESCUE RANGERS is an Entertaining, IP filled take on Nostalgia and Friendship

Dan Tabor
May 17, 2022January 3, 2023

Blu-ray Review: Mamoru Hosoda’s BELLE

Brendan Foley
May 17, 2022April 30, 2023

HAPPENING: A Timely, Urgent Call to Political Activism

Mel Valentin
May 17, 2022

OPERATION MINCEMEAT, An Old-School, World War II Drama

Mel Valentin
May 16, 2022

Criterion Review: WALKER

Jon Partridge
May 16, 2022April 27, 2023

Arrow Heads #98: THE 8 DIAGRAM POLE FIGHTER: A Kung-Fu Masterwork Hits Blu-ray [Review/Unboxing]

Dan Tabor
May 15, 2022January 3, 2023

SHAWSCOPE VOL. 1: DIRTY HO Cinapse Roundtable Reviews

Ed Travis
May 14, 2022

The Archivist #140: Hollywood Helps Society Deal [GOLD DIGGERS OF 1933 & EDGE OF DARKNESS]

Frank Cavillo
May 14, 2022May 2, 2023

TREASURE OF THE FOUR CROWNS is a 3D Funhouse (Review/Unboxing)

Dan Tabor
May 13, 2022January 3, 2023

A Look at Hitchcock‘s England with NUMBER 17 & STAGE FRIGHT

Frank Cavillo
May 12, 2022May 2, 2023

The Chattanooga Film Festival Unleashes the First Wave for 2022!

Dan Tabor
May 11, 2022January 3, 2023

HATCHING, A Bizarrely Mesmerizing Coming-of-Age Tale

Mel Valentin
May 10, 2022

Criterion Review: FOR ALL MANKIND (1989)

Julian Singleton
May 9, 2022April 28, 2023

SHAWSCOPE VOL. 1: HEROES OF THE EAST Cinapse Roundtable Reviews

Ed Travis
May 8, 2022

Scream Factory Unleashes ALLIGATOR in 4K UHD(Review/Unboxing)

Dan Tabor
May 5, 2022January 3, 2023

STAR TREK: STRANGE NEW WORLDS Goes Boldly Back to the Future

Mel Valentin
May 5, 2022

HEAVY METAL: Louder and Nastier Than Ever on 4K UHD! (Review/Unboxing)

Dan Tabor
May 4, 2022January 3, 2023

DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS Gives the Master of the Mystical Arts the Film He’s…

Mel Valentin
May 4, 2022

DR. STRANGE IN THE MULTIVERSE OF MADNESS Is Another MCU Entry, With Flashes of Raimi Magic

Jay Tyler
May 3, 2022April 12, 2023

Criterion Review: love jones (1997)

elizabeth stoddard
May 2, 2022April 28, 2023

New on Blu, a Third Volume of DC Showcase Animated Shorts Featuring CONSTANTINE: HOUSE OF MYSTERY

Austin Vashaw
May 1, 2022

Giving THE DUKE a Well-Deserved Bow

Frank Cavillo
April 30, 2022

Criterion Review: LE CERCLE ROUGE [4K-UHD]

Jon Partridge
April 29, 2022April 27, 2023

Liam Neeson Can’t Trust Anyone in MEMORY

Eddie Strait
April 27, 2022April 28, 2023

Spinema Issue 63: Heavenly Trip to Hell Open Up About ROAD DOGS Doc, Horror Film, and More

Justin Harlan
April 27, 2022April 28, 2023

SINGIN’ IN THE RAIN Celebrates Its 70th Anniversary in Spectacular Fashion (4K/Blu-Ray)

Mel Valentin
April 27, 2022

SHAWSCOPE VOL. 1: CRIPPLED AVENGERS Cinapse Roundtable Reviews

Ed Travis
April 26, 2022

VIRUS-32 Delivers Over Familiar Horror Thrills, Chills, and Spills

Mel Valentin
April 26, 2022May 2, 2023

WE’RE ALL GOING TO THE WORLD’S FAIR… or Are We?

Justin Harlan
April 24, 2022April 28, 2023

THE PIZZAGATE MASSACRE Embeds You in an American Horror Show

Ed Travis
April 22, 2022

Screen Comparisons: Scream Factory’s New NIGHT CREATURES Scan vs Universal’s 2016 Blu-ray

Austin Vashaw
April 20, 2022

SHAWSCOPE VOL. 1: THE FIVE VENOMS Cinapse Roundtable Reviews

Ed Travis
April 20, 2022

Criterion Review: THE GIRL CAN’T HELP IT

Brendan Foley
April 20, 2022April 30, 2023

THE FLAG OF IRON: Unboxing & Review of the 88 Films Blu-ray

Ed Travis
April 17, 2022May 2, 2023

THE CELLAR Offers Familiar Sights But Few Delights

Mel Valentin
April 15, 2022

Talking Fame, Faith and FATHER STU with Mark Wahlberg

Dan Tabor
April 12, 2022January 3, 2023

SHAWSCOPE VOL. 1: CHINATOWN KID Cinapse Roundtable Reviews

Ed Travis
April 12, 2022

THE NORTHMAN is Cinematic Death Metal

Dan Tabor
April 11, 2022January 3, 2023

3 Wizards and a Muggle on a Zoom: Talking FANTASTIC BEASTS: THE SECRETS OF DUMBLEDORE with Eddie…

Dan Tabor
April 11, 2022January 3, 2023

Settling into a Lazy MOTHERING SUNDAY

Frank Cavillo
April 9, 2022

SHAWSCOPE VOL. 1: EXECUTIONERS FROM SHAOLIN Cinapse Roundtable Reviews

Ed Travis
April 7, 2022

The Wizarding World Heats Up with FANTASTIC BEASTS 3

Austin Vashaw
April 7, 2022

THE BUBBLE Traps You In a Bloated, Mean-Spirited Mess

Jay Tyler
April 6, 2022April 12, 2023

AMBULANCE Does Not Stop

Jay Tyler
April 6, 2022April 12, 2023

MIDNIGHT is a Subversive Sensory Thriller

Julian Singleton
April 6, 2022April 28, 2023

YOU WON’T BE ALONE is a Nuanced Exploration of Humanity Through the Lens of Folk Horror

Dan Tabor
April 1, 2022January 3, 2023

Arrow Heads #97: COME DRINK WITH ME (1966)

Jon Partridge
April 1, 2022April 27, 2023

Top 9 Now Streaming: Remembering Ivan Reitman

Justin Harlan
March 31, 2022April 28, 2023

SHAWSCOPE VOL. 1: CHALLENGE OF THE MASTERS Cinapse Roundtable Reviews

Ed Travis
March 31, 2022

YOU WON’T BE ALONE: A Chat with Director Goran Stolevski

Dan Tabor
March 30, 2022January 3, 2023

MOON KNIGHT Delivers Another Streaming Triumph (Mostly) for Marvel & Disney+

Mel Valentin
March 29, 2022May 2, 2023

THRILLER : A CRUEL PICTURE — Synapse Brings the Infamous Grindhouse Revenge Film to Blu-ray

Dan Tabor
March 28, 2022January 3, 2023

Unnamed Footage Fest Continues to Impress with the Success of UFF5

Justin Harlan
March 28, 2022April 28, 2023

The Ninth Annual Cinapse Awards

Dan Tabor
March 27, 2022January 3, 2023

My Alternative Oscars

Frank Cavillo
March 27, 2022

Top 10 2021 Films to Make You More Empathetic

Ed Travis
March 26, 2022

ALICE: A Free Woman

Austin Vashaw
March 25, 2022

The Archivist #139: Gene Kelly Delivers a Swashbuckling Performance [THE THREE MUSKETEERS]

Mel Valentin
March 25, 2022

Top 9 First Time Films from 2021 to Watch and Love

Frank Cavillo
March 25, 2022

Criterion Review: THE FLIGHT OF THE PHOENIX

Mel Valentin
March 25, 2022

Top 9 Now Streaming: Chilling Movies Now Available on MUBI

Jay Tyler
March 24, 2022April 12, 2023

THE GODFATHER TRILOGY 4K UHD Delivers A Release You Can’t Refuse — WIN a Digital Copy of the Set!

Dan Tabor
March 23, 2022January 3, 2023

Top 9 99-Minute Films

Julian Singleton
March 23, 2022April 28, 2023

SXSW 2022: THE UNKNOWN COUNTRY

elizabeth stoddard
March 22, 2022April 28, 2023

Revenge and Redemption Reign in Film Noir Vol. V: The Dark Side of Cinema

Frank Cavillo
March 22, 2022

SXSW 2022: MICKEY: THE STORY OF A MOUSE is Not a Film

Amelia Merrill
March 22, 2022May 3, 2023

SXSW 2022: PRETTY PROBLEMS

elizabeth stoddard
March 21, 2022April 28, 2023

SHAWSCOPE VOL. 1: THE MIGHTY PEKING MAN Cinapse Roundtable Reviews

Ed Travis
March 21, 2022

SXSW 2022: MILLIE LIES LOW Reaches Comedy Heights

Amelia Merrill
March 19, 2022May 3, 2023

Top 9 Now Streaming: Under the Radar Awards Movies

Frank Cavillo
March 19, 2022

SXSW 2022: RAQUEL 1:1

Jay Tyler
March 18, 2022April 12, 2023

SXSW 2022: CLEAN: Finding Dignity Amidst Humanity’s Shit, Piss, & Viscera

Ed Travis
March 18, 2022May 2, 2023

WINDFALL Fails to Hit the Mark and Then Some

Mel Valentin
March 18, 2022

DEEP WATER Takes A Deliriously Deep Dive Into Mind- and Reality-Bending Absurdity

Mel Valentin
March 18, 2022

SXSW 2022: STAY THE NIGHT

Eddie Strait
March 18, 2022

SXSW 2022: LINOLEUM

Eddie Strait
March 18, 2022

SXSW 2022: Winona Ryder Makes THE COW Stand out from the Herd

Jon Partridge
March 18, 2022April 27, 2023

SXSW 2022: TO LESLIE is a Tour de Force for Andrea Riseborough

Jon Partridge
March 18, 2022April 27, 2023

X is a New Horror Cult Classic

Dan Tabor
March 17, 2022January 3, 2023

THE OUTFIT is Such a Perfect Fit

Frank Cavillo
March 17, 2022

SXSW 2022: EVERYTHING EVERYWHERE ALL AT ONCE, a Manic and Magnificent Marvel

Jon Partridge