Features
▼
Editorial
Interview
Make It a Double
Roundtable Reviews
Spinema
In Theaters
At Home
▼
The Archivist
Arrow Heads
Criterion Collection
Streaming
▼
Field of Streams
Film Festivals
▼
Austin Film Festival
Chattanooga Film Festival
Fantasia
Fantastic Fest
New York Asian Film Festival
Old School Kung Fu Fest
SXSW
On TV
About Cinapse
Tees
Skip to the content
Cinapse
Cinapse
Features
Editorial
Interview
Make It a Double
Roundtable Reviews
Spinema
In Theaters
At Home
The Archivist
Arrow Heads
Criterion Collection
Streaming
Field of Streams
Film Festivals
Austin Film Festival
Chattanooga Film Festival
Fantasia
Fantastic Fest
New York Asian Film Festival
Old School Kung Fu Fest
SXSW
On TV
About Cinapse
Tees
SXSW 2023: ART FOR EVERYBODY Explores Artist Beyond His Art
SXSW 2023: AMERICANA is Western Crime Poetry
SXSW 2023: MONOLITH Revels in Isolation and Intrigue
SXSW 2023: MOLLI AND MAX IN THE FUTURE Exudes Charm and Creativity
SXSW 2023: THE STARLING GIRL, on Religion, Suppression, and Desire
SXSW 2023: PURE O Displays Raw Emotion and Vulnerability
SXSW 2023: RAGING GRACE—A Haunting Damnation of Diaspora
SXSW 2023: PROBLEMISTA is a Hilarious Skewering of Society’s Injustices
SXSW 2023: UNTIL BRANCHES BEND
SXSW 2023: JOHN WICK: CHAPTER 4 is an Action Masterwork
SXSW 2023: Love is Hard in PARACHUTE
SXSW 2023: TALK TO ME
SXSW 2023: Veronica Ngo’s FURIES Is a Must See Action Epic
SXSW 2023: Addiction and Family Collide in YOU SING LOUD, I SING LOUDER
SXSW 2023: WITH LOVE AND A MAJOR ORGAN
SXSW 2023: THE HERRICANES
SXSW 2023: Travel Back to the Satanic Seventies in LATE NIGHT WITH THE DEVIL
SXSW 2023: FLAMIN’ HOT’s Got Heart
SXSW 2023: WRATH OF BECKY — This Girl Kills Fascists!
SXSW 2023: SATAN WANTS YOU is Shocking and Terrifyingly Relevant Exposé
SXSW 2023: THE ANGRY BLACK GIRL AND HER MONSTER Delivers a Monster of a Metaphor
SXSW 2023: SISTER & SISTER
SXSW 2023: The Cinapse Team’s ‘Most Anticipated’ Films
SXSW 2022: THE UNKNOWN COUNTRY
SXSW 2022: MICKEY: THE STORY OF A MOUSE is Not a Film
SXSW 2022: PRETTY PROBLEMS
SXSW 2022: MILLIE LIES LOW Reaches Comedy Heights
SXSW 2022: RAQUEL 1:1
SXSW 2022: CLEAN: Finding Dignity Amidst Humanity’s Shit, Piss, & Viscera
SXSW 2022: STAY THE NIGHT
SXSW 2022: LINOLEUM
SXSW 2022: Winona Ryder Makes THE COW Stand out from the Herd
SXSW 2022: TO LESLIE is a Tour de Force for Andrea Riseborough
SXSW 2022: EVERYTHING EVERYWHERE ALL AT ONCE, a Manic and Magnificent Marvel
SXSW 2022: SISSY
SXSW 2022: BODIES BODIES BODIES, a Gen-Z Fueled Murderous Meltdown
SXSW 2022: MAMA BEARS
SXSW 2022: Nic Cage is Nic Cage in THE UNBEARABLE WEIGHT OF MASSIVE TALENT
SXSW 2022: Darkness Beckons in MASTER OF LIGHT
SXSW 2022: WHAT WE LEAVE BEHIND
SXSW 2022: I LOVE MY DAD
SXSW 2022: Ti West’s X: Horror, Executed
SXSW 2022: THE LOST CITY
SXSW 2022: JETHICA
SXSW 2022: THE BLIND MAN WHO DID NOT WANT TO SEE TITANIC
SXSW 2022: SOFT & QUIET is a Showcase of Technique and Terror
SXSW 2022: EMERGENCY Entertains and Engages
SXSW 2022: I GET KNOCKED DOWN
SXSW 2022: EVERYTHING EVERYWHERE ALL AT ONCE: An Absurd, Assured Masterpiece
SXSW Returns to the Streets and Screens of Austin for 2022 — Film Preview
No More Posts
Search for:
Close
Features
Show sub menu
Editorial
Interview
Make It a Double
Roundtable Reviews
Spinema
In Theaters
At Home
Show sub menu
The Archivist
Arrow Heads
Criterion Collection
Streaming
Show sub menu
Field of Streams
Film Festivals
Show sub menu
Austin Film Festival
Chattanooga Film Festival
Fantasia
Fantastic Fest
New York Asian Film Festival
Old School Kung Fu Fest
SXSW
On TV
About Cinapse
Tees