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Features
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FAST X Finds the Fast Franchise Spinning Its Wheels
Cinapse Top Ten: Jay Tyler
BEAU IS AFRAID Puts the Odd in Odyssey
THE SUPER MARIO BROS. is a Hollow Feast of Fan Service
SXSW 2023: ART FOR EVERYBODY Explores Artist Beyond His Art
SXSW 2023: AMERICANA is Western Crime Poetry
SXSW 2023: PROBLEMISTA is a Hilarious Skewering of Society’s Injustices
SXSW 2023: Love is Hard in PARACHUTE
SXSW 2023: Addiction and Family Collide in YOU SING LOUD, I SING LOUDER
SXSW 2023: THE HERRICANES
SXSW 2023: Travel Back to the Satanic Seventies in LATE NIGHT WITH THE DEVIL
QUANTUMANIA Shows How Lost the MCU has Become
INFINITY POOL Takes an Unflinching Look at Humanity’s Ugliness
MISSING Sets Up The Clues, But Can’t Quite Crack the Case
PUSS IN BOOTS: THE LAST WISH Sheds the Cynicism of Shrek
BLACK ADAM is Weighed Down By Its Star
TÁR: Cate Blanchett Conducts a Sinister Symphony
THE WOMAN KING is Anti-Colonialist BRAVEHEART
PINOCCHIO Longs To Be A Real Movie
STOWAWAY Is a Thriller Gone Adrift
NOPE Invites You to Believe the Impossible
ELVIS Is a Hyper-Kinetic American Tragedy
THE BLACK PHONE is a Haunted Prison Escape
TOP GUN MAVERICK is Equally Shallow and Exhilarating
DR. STRANGE IN THE MULTIVERSE OF MADNESS Is Another MCU Entry, With Flashes of Raimi Magic
THE BUBBLE Traps You In a Bloated, Mean-Spirited Mess
AMBULANCE Does Not Stop
Top 9 Now Streaming: Chilling Movies Now Available on MUBI
SXSW 2022: RAQUEL 1:1
SXSW 2022: MAMA BEARS
6:45 Explores The Dread of the Time Loops of Our Lives
SXSW 2022: I LOVE MY DAD
SXSW 2022: THE LOST CITY
SXSW 2022: I GET KNOCKED DOWN
HARD HIT Traps You And Won’t Let Go
UNCHARTED is a Greatest Hits of Adventure Filmmaking But Lacks Heart
Let’s Talk About Those Oscar Nominations
CONFESSION Falls Short of its Promising Structural Challenges
Mark Rylance in DON’T LOOK UP is the Perfect Villain for Our Current Doom
The New SCREAM Is Bloody Fun About What Makes Good Bloody Fun
SING 2 Celebrates the Art of the Spectacle…Eventually
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