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SXSW 2025: SXSW Jury Award Winning Doc Short WELCOME HOME FRECKLES Hits Deep

March 15, 2025March 15, 2025

SXSW 2025: UVALDE MOM

elizabeth stoddard

March 13, 2025March 13, 2025

SXSW 2025: ZODIAC KILLER PROJECT Turns a Failed Film Into a True Crime Examination

March 10, 2025March 10, 2025

Slamdance 2025: TWIN FENCES

elizabeth stoddard

February 25, 2025February 25, 2025

Slamdance 2025: MEMORIES OF LOVE RETURNED

elizabeth stoddard

February 24, 2025February 24, 2025

Slamdance 2025: CORONER TO THE STARS

elizabeth stoddard

February 23, 2025February 23, 2025

SUNDANCE 2025: DEAF PRESIDENT NOW! is a Courageous and Compelling Civil Rights Chronicle

Julian Singleton

February 4, 2025February 4, 2025

LIZA: A TRULY TERRIFIC ABSOLUTELY TRUE STORY is a Truly Terrific Absolutely Great Documentary

January 23, 2025January 23, 2025

ERNEST COLE: LOST AND FOUND: Portrait of an Artist

elizabeth stoddard

December 7, 2024December 7, 2024

October’s Two Cents Found Footage Month Reaches a Fiery Finish with NOROI: THE CURSE

Julian Singleton

October 29, 2024February 19, 2025

October’s Two Cents Found Footage HORROR Journey Continues into THE HIGH DESERT

October 23, 2024February 19, 2025

Fantastic Fest 2024: THE REMARKABLE LIFE OF IBELIN: A Powerful Doc Reveals a Meaningful Life

September 25, 2024September 24, 2024

Don’t Let This One Fly Under Your Radar. FOR LOVE & LIFE: NO ORDINARY CAMPAIGN

May 28, 2024June 1, 2024

Criterion Review: ALL THE BEAUTY AND THE BLOODSHED

elizabeth stoddard

April 8, 2024April 8, 2024

SXSW 2024: SECRET MALL APARTMENT

March 15, 2024March 15, 2024

SXSW 2024: GRAND THEFT HAMLET Shows That Art Beckons, By Any Means Necessary

March 11, 2024March 11, 2024

SXSW 2024: WE CAN BE HEROES Shows Where Play Collides With Reality

March 9, 2024March 9, 2024

SXSW 2024: MY SEXTORTION DIARY

March 9, 2024March 12, 2024

Sundance 2024: EVERY LITTLE THING

elizabeth stoddard

January 31, 2024January 31, 2024

Sundance 2024: THE MOTHER OF ALL LIES

elizabeth stoddard

January 29, 2024January 29, 2024

Sundance 2024: IGUALADA

elizabeth stoddard

January 28, 2024January 28, 2024

Sundance 2024: SUGARCANE

elizabeth stoddard

January 26, 2024January 26, 2024

Sundance 2024: BLACK BOX DIARIES

elizabeth stoddard

January 25, 2024January 25, 2024

A STILL SMALL VOICE Reveals Life in the Shadow of Death

November 15, 2023December 8, 2023

FOUR DAUGHTERS Is One of 2023’s Best Documentaries

elizabeth stoddard

November 10, 2023November 10, 2023

Sam Pollard’s Documentary THE LEAGUE is a Wonderful Primer on the History of Baseball’s Negro Leagues

November 6, 2023June 5, 2024

Criterion Review: MOONAGE DAYDREAM [4K-UHD]

Julian Singleton

October 23, 2023October 22, 2023

FANTASIA 2023: A DISTURBANCE IN THE FORCE Bestows Context and Clarity onto the STAR WARS HOLIDAY SPECIAL

July 27, 2023October 6, 2023

ALL THAT BREATHES Is One of 2022’s Best Documentaries

February 22, 2023

Sundance 2023: VICTIM/SUSPECT

elizabeth stoddard

February 1, 2023April 28, 2023

Sundance 2023: GOING VARSITY IN MARIACHI

elizabeth stoddard

January 26, 2023April 28, 2023

Sundance 2023: NAM JUNE PAIK: MOON IS THE OLDEST TV

elizabeth stoddard

January 25, 2023April 28, 2023

Sundance 2023: JUDY BLUME FOREVER

elizabeth stoddard

January 24, 2023April 28, 2023

Sundance 2023: THE DISAPPEARANCE OF SHERE HITE

elizabeth stoddard

January 23, 2023April 28, 2023

Sundance 2023: IT’S ONLY LIFE AFTER ALL

elizabeth stoddard

January 22, 2023April 28, 2023

Criterion Review: FOR ALL MANKIND (1989)

Julian Singleton

May 9, 2022August 29, 2023

Spinema Issue 63: Heavenly Trip to Hell Open Up About ROAD DOGS Doc, Horror Film, and More

April 27, 2022April 28, 2023

SXSW 2022: CLEAN: Finding Dignity Amidst Humanity’s Shit, Piss, & Viscera

March 18, 2022September 2, 2023

SXSW 2022: WHAT WE LEAVE BEHIND

elizabeth stoddard

March 14, 2022April 28, 2023

Sundance 2022: THE EXILES

elizabeth stoddard

February 1, 2022April 28, 2023

Sundance 2022: THE JANES

elizabeth stoddard

January 26, 2022April 28, 2023

Sundance 2022: DESCENDANT

elizabeth stoddard

January 23, 2022April 28, 2023

Criterion Review: TIME

January 21, 2022

Sundance 2022: FIRE OF LOVE

elizabeth stoddard

January 21, 2022April 28, 2023

Fantastic Fest 2021: THE FOUND FOOTAGE PHENOMENON is a Love Letter to Decades of Creepy Cinema

Julian Singleton

September 24, 2021September 4, 2023

Fantastic Fest 2021: An Interview with THE FOUND FOOTAGE PHENOMENON Co-Director Sarah Appleton

Julian Singleton

September 23, 2021September 4, 2023

AILEY: Portrait of an Artist

elizabeth stoddard

August 9, 2021August 27, 2023

RITA MORENO: JUST A GIRL WHO DECIDED TO GO FOR IT: Spotlight on a Legend

elizabeth stoddard

June 16, 2021September 11, 2023

SXSW 2021: WEWORK: OR THE MAKING AND BREAKING OF A $47 BILLION UNICORN

elizabeth stoddard

March 18, 2021September 11, 2023

Criterion Review: SYMBIOPSYCHOTAXIPLASM–TWO TAKES

Julian Singleton

December 17, 2020September 4, 2023

THE DONUT KING Shows One Man’s Delicious Search for “The American Dream”

elizabeth stoddard

November 17, 2020September 11, 2023

ALL IN: THE FIGHT FOR DEMOCRACY

elizabeth stoddard

September 21, 2020September 11, 2023

Catching Up with the Classics: CLOSE-UP (1990)

Julian Singleton

June 18, 2019August 26, 2023

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