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THANKSGIVING Serves Up a Bloody Good Time for the Holidays
THANKSGIVING: A Gory, Gnarly, Grisly Slasher for the Holidays
Criterion Review: NANNY (2022)
IT! THE TERROR FROM BEYOND SPACE Blu-Ray Review: Sci-Fi/Horror Cult Flick Gets an A+ Upgrade
CUJO: 40TH ANNIVERSARY Blu-Ray Review: 1983’s Third-Best King Adaptation Gets a High-Def Polish
Looking Back at DON’T LOOK NOW
MEG 2: THE TRENCH 4K/Blu-Ray Review: Giant Shark Enthusiasts Will Be Disappointed
Fantastic Fest 2023: Best of the Fest!
THE EXORCIST: BELIEVER Will Make an Unbeliever Out Of Anyone
THE EXORCIST: BELIEVER Leaves One Questioning their Faith in Green, Blumhouse
NIGHT OF THE DEMONS 2 – Collector’s Edition Blu-Ray Review
NIGHT OF THE DEMONS – Collector’s Edition 4K Review
THE EXORCIST: BELIEVER is a Loving But Hollow Cover of a Classic
THE EXORCIST: BELIEVER Needs to Believe In Itself
SAW X Brings Back Everyone’s Favorite Puzzle King To Nightmare Inducing Results
Spinema Issue 71: SF Incorporated Penetrates the Film and TV World
Fantastic Fest 2023: RAGE Evolves our Expectations of Werewolf Films
FANTASTIC FEST 2023: WHEN EVIL LURKS is a Gleefully Grotesque Possession Flick
FANTASTIC FEST 2023: THE FALL OF THE HOUSE OF USHER is Flanagan’s Fiendish Farewell to Netflix
Screen Comparisons: THE EXORCIST 4K UHD vs 2010 Blu-ray
A HAUNTING IN VENICE Shows Third Crime’s a Charm
A HAUNTING IN VENICE Beautifully Blends Horror Mystery and Humor
TALK TO ME is Full of Nerve-Shredding Terror
A Farewell to SERVANT, A Titan of Tension and Terror
The Texas Chain Saw Massacre is a Horrific Visual Feast on 4K UHD
POLTERGEIST Packs a Paranormal Punch on 4K UHD
Criterion Review: CURE (1997)
Fantastic Fest 2022: ATTACHMENT is an Insightful Blend of Queer and Religious Horror
Fantastic Fest 2022: BONES AND ALL is a Lush Romantic Epic About the Hunger to Belong
Fantastic Fest 2022: VENUS Executes Multiple Genres Deftly
Fantastic Fest 2022: KIDS VS.
Believe the Kids: This GOODNIGHT MOMMY is an Imposter
DASHCAM is a Divisive Endurance Test Like Nothing You’ve Ever Seen
WE’RE ALL GOING TO THE WORLD’S FAIR… or Are We?
SHAWSCOPE VOL. 1: THE MIGHTY PEKING MAN Cinapse Roundtable Reviews
SXSW 2022: Ti West’s X: Horror, Executed
Arrow Heads #93: There’s Always Room for Giallo — Unboxing and Reviewing GIALLO ESSENTIALS
RESURRECTION is Sundance 2022’s Biggest Jaw-Dropper
Arrow Heads #91: Argento’s DEEP RED 4K (Limited Edition)
ANTLERS is a Faltering, Frustrating Folk Horror Tale
THE AWAKENING is a Suspenseful, Somber Supernatural Mystery
Fantastic Fest 2021: SALOUM is a Slice of Genre-Bending Senegalese Mayhem
Fantastic Fest 2021: THE BLACK PHONE is Creepy, Claustrophobic, and Wickedly Cool
Fantastic Fest 2021: LAMB is a Patient and Primal Exploration of Parenthood
Fantastic Fest 2021: THE FOUND FOOTAGE PHENOMENON is a Love Letter to Decades of Creepy Cinema
The Archivist #136: GUYVER: DARK HERO & the Brilliance of Filmmaker Steve Wang
Arrow Heads #87: THE CAT O’ NINE TAILS 4K
MY HEART CAN’T BEAT UNLESS YOU TELL IT TO is an Understated Exploration of Modern-Day Vampirism
SXSW 2021: JAKOB’S WIFE Explores Gender Dynamics and Vampirism… In a Fun Way
SAINT MAUD is an Incendiary Awakening of a Would-Be Savior
THE WOLF OF SNOW HOLLOW is a Howler
PENINSULA, Or: How I Learned To Stop Worrying & Embrace Zombie Action
TRIBAL: GET OUT ALIVE: Action-Horror Hybrid With a Leading Lady to Keep an Eye On
SPUTNIK: A Striking Morality Play Lurks Within This Fun Soviet Creature Feature
THE RENTAL: Fun Summer Suspense that Never Outstays its Welcome
GRETEL & HANSEL: A Gripping Grimm Adaptation Hits Home Video
BLOOD QUANTUM: An Indigenous Take on Zombie Films
THE GOLEM: Kino Restores a Silent Horror Classic
Arrow Heads Vol. 77: THE ONE MISSED CALL TRILOGY
There’s Still Enchantment in THE LIGHTHOUSE on Blu-ray
THE DRIVER (2019): A Mark Dacascos Family Affair + Zombies
THE THING (2011): It’s Probably Better Than You Remember
DOCTOR SLEEP Isn’t Quite Kubrick or King, But Still Shines On Its Own
Arrow Heads Vol. 70: THE DEAD CENTER (2019)
Fantastic Fest: THE LODGE is a Beautifully Bleak Horror Film
Fantastic Fest 2019: VFW: Silver Screen Legends Assemble, Battle Mutant Punks in John Carpenter…
Fantastic Fest 2019: Claustrophobic Creepiness Abounds IN THE TALL GRASS
Fantastic Fest 2019: SWEETHEART: Kiersey Clemons Versus Creature
Fantastic Fest 2019: THE LONG WALK is a Time-Travel Film that Reaps Rewards for a Patient Audience
READY OR NOT is a Blood-Soaked Blast
SCARY STORIES TO TELL IN THE DARK is Full of Fun if Predictable Late-Summer Frights
THE HEAD HUNTER: Micro Budget Meets Medieval Horror Fantasy
SILENT HILL: Shout Factory Resurrects the Best Video Game Adaptation [Blu Review]
ABDUCTION: In Which Scott Adkins Fights Kung Fu Aliens
MIDSOMMAR is a Terrifying Dose of Sun-Dappled Dread
The Archivist #102: THE THING FROM ANOTHER WORLD (1951)
SCREAMERS: Sci-Fi Royalty Dan O’Bannon Adapts Philip K. Dick For a Mid-90s Blast [Blu Review]
SILENT RAGE (1982): Chuck Norris Dips A Toe Into Terror [Blu Review]
Fantastic Fest 2018: ONE CUT OF THE DEAD: World’s Longest Set Up To Surprisingly Great Meta Pay Off
Shane Black’s THE PREDATOR: Irreverent, Problematic, Refreshing
In 4K, PREDATOR is Definitely Not an “Ugly Motherfu**er”
SOMEONE’S WATCHING ME!: Lost John Carpenter Film Is Progressive & Frightening
ABOMINABLE: REAR WINDOW Meets Man In Suit Monster Movie
SXSW 2018: John Krasinski’s A QUIET PLACE is Barn-Burning High Concept Horror
IT COMES AT NIGHT: The Disease Is At Our Core
ALIEN: COVENANT: Lackluster PROMETHEUS Sequel & ALIEN Prequel All In One
The Asia Beat: NOROI: THE CURSE (2005) May Be The Greatest Found Footage Horror Film Ever Made
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