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It’s Time to Embrace YOUR MONSTER
GOODRICH Review: Father Doesn’t Know Squat
Fantastic Fest 2024: SISTER MIDNIGHT is a Blood-Draining and Delightful New Take on Vampire Lore
Fantastic Fest 2024: DEAD TALENTS SOCIETY is Spooky, Silly, and So Damn Fun
BEETLEJUICE BEETLEJUICE Shows Burton is Still the Host with the Most
HUNDREDS OF BEAVERS Is A Movie To Restore Your Faith In Movies
Two Cents Back to the Beach Month Wraps Up with CLUB DREAD
FANTASIA 2024: A SAMURAI IN TIME is a Lengthy Love Letter to Samurai Filmmaking
CORMANIA!!! Two Cents Film Club Gets a Taste for Blood at THE LITTLE SHOP OF HORRORS (1960)
THE FALL GUY Takes Its Punches and Earns Its Laughs
GHOSTBUSTERS: FROZEN EMPIRE is Something Weird and it Don’t Look Good
SXSW 2024: BEN AND SUZANNE, A REUNION IN 4 PARTS
SXSW 2024: Y2K Provides Goofy Millennial Comfort Food for the End Times That Never Were
Dinklage and MacLaine Make Audiences Believe in the AMERICAN DREAMER
LISA FRANKENSTEIN: A Sweetly Sinister Romance from Beyond the Grave
ARGYLLE and the Return of Matthew Vaughn
MEAN GIRLS Drags the Movie Musical Into the Viral Age
MEAN GIRLS is a Rote Remix of the Original
SHOWGIRLS: Paul Verhoeven Retrospective [Two Cents]
Cozying Up with Some AMERICAN FICTION
Getting Lost in SALTBURN
SCRAPPER – A Low-Key Love Letter to Messy Families
THE HOLDOVERS Settles in for a Long Winter’s Emotional Journey
JOY RIDE is a Cute, Crude, and Chaotic Comedy
RENFIELD is a Vampire Comedy Sucked Dry of Effective Humor
SXSW 2023: DUNGEONS & DRAGONS: HONOR AMONG THIEVES — Sword and Sorcery Gets the Marvel Treatment
SHAWSCOPE VOL. 1: DIRTY HO Cinapse Roundtable Reviews
SHAWSCOPE VOL. 1: HEROES OF THE EAST Cinapse Roundtable Reviews
THE PIZZAGATE MASSACRE Embeds You in an American Horror Show
SXSW 2022: Nic Cage is Nic Cage in THE UNBEARABLE WEIGHT OF MASSIVE TALENT
SXSW 2022: EMERGENCY Entertains and Engages
SXSW 2022: EVERYTHING EVERYWHERE ALL AT ONCE: An Absurd, Assured Masterpiece
Celebrate America’s Dad with These 6 Streaming Titles
Fantastic Fest 2021: Jim Cummings & PJ McCabe’s THE BETA TEST: You Must Spring This Thirst Trap
Fantastic Fest 2021: BABY ASSASSINS: Hard Hitting Action, One Note Comedy
A CODA’s Take on CODA
Criterion Review: FAST TIMES AT RIDGEMONT HIGH (1982)
SXSW 2021: THE FABULOUS FILIPINO BROTHERS Proves Rufio Has Grown Up
STOP! OR MY MOM WILL SHOOT: Sylvester Stallone & Estelle Getty Deliver Comedic Chemistry
MAX CLOUD Bursts Its Own Bubble
THE WOLF OF SNOW HOLLOW is a Howler
4 Reasons Why BILL & TED FACE THE MUSIC is Most Excellent
The FOCUS FEATURES SPOTLIGHT COLLECTION Showcases 16 Years of Prestige Drama
Michael J. Fox & James Woods in THE HARD WAY [Blu-ray Review]
LUCKY GRANDMA Is a Big Winner
DEBT COLLECTORS: Scott Adkins & Louis Mandylor Reteam To Collect
THE GENTLEMEN: Nobody Does It Like Guy Ritchie
THE MERCENARY: A Solid Slice of Redemptive Violence From Action Filmmaker Jesse V. Johnson
The Archivist #113: MR. NICE GUY Extended Cut is a Treat For Jackie Chan Fans
RED HEAT: 4K UHD Discs Were Invented For Peak Arnold Schwarzenegger
Fantastic Fest 2019: TAMMY AND THE T-REX GORE CUT: What We Have Here is a Testicular Standoff
READY OR NOT is a Blood-Soaked Blast
THE FAREWELL: Awkwafina Shines in Lulu Wang’s Sundance Hit
STUBER: Uproarious Laughter in Old School Action-Comedy Package
THE SILENT PARTNER: An Unparalleled Thriller Classic [Blu Review]
POLICE STORY 1 & 2: Criterion Collection Welcomes Jackie Chan Into The Fold
MALIBU EXPRESS & HARD TICKET TO HAWAII: An Andy Sidaris Double Bill in High Definition
THE KID BROTHER (1927): Pure Cinema At Its Most Joyful [Criterion Blu Review]
SXSW 2019: BOOKSMART — This Generation’s Greatest Raunchy High School Comedy is Female
SXSW 2019: COBRA KAI Season 2 Remains Impossibly Good [Spoiler Free]
SXSW 2019: THE ART OF SELF DEFENSE’s Unique Black Comedy Vibe is Remarkable
Fantastic Fest 2018: ONE CUT OF THE DEAD: World’s Longest Set Up To Surprisingly Great Meta Pay Off
LOWLIFE: The Voices Of The Voiceless, Genre-Style
MEMOIRS OF AN INVISIBLE MAN Thrives Under John Carpenter, Stumbles Under Chevy Chase [Blu Review]
THE RETURN OF SWAMP THING: Self-Aware Swamp Romp
THE DEBT COLLECTOR: Two Bit Hoods, Top Notch Crime Film
RiverRun 2018: YOUTHMIN
SXSW 2018: BLINDSPOTTING Delivers An Energetic and Urgent Ride
V.I. WARSHAWSKI’s Got Legs [Blu Review]
KILLING GUNTHER Is The Worst Kind Of Bad Movie
THOR: RAGNAROK: Taika Waititi Makes This Look Easy
Fantastic Fest 2017: BODIED Will Merc You
Fantastic Fest 2017: JAILBREAK: Cambodian Fight Film Focuses On Fun
New On Blu: Dustin Hoffman Is Brilliant in LENNY
DUMB AND DUMBER TO: Across Two Decades in the Wrong Direction
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