Cinapse

Kino Lorber Brings a Pair of Dan Curtis Classics to Blu-Ray with DEAD OF NIGHT & DAN CURTIS’ MONSTERS

Frank Calvillo

October 30, 2025November 1, 2025

DUST DEVIL Makes Its Devilish Debut On 4K From Kino Lorber!

Spencer Brickey

October 30, 2025November 24, 2025

In Defense of THE HAPPENING

Spencer Brickey

October 30, 2025November 24, 2025

Criterion Celebrates the Revisionist Musical with THE UMBRELLAS OF CHERBOURG & THE WIZ

Frank Calvillo

October 28, 2025October 28, 2025

QUEENS OF THE DEAD is a Wickedly Fabulous Debut by Tina Romero

Julian Singleton

October 26, 2025October 26, 2025

RAMPAGE – The Criminally Under Seen Friedkin Courtroom Drama Out On 4K From Kino Lorber!

Spencer Brickey

October 23, 2025November 24, 2025

Criterion Review: A HISTORY OF VIOLENCE [4K UHD]

Spencer Brickey

October 21, 2025November 24, 2025

Criterion’s Release of IN THE HEAT OF THE NIGHT Honors a Filmmaking Master

Frank Calvillo

October 20, 2025October 20, 2025

FRANKENSTEIN: Del Toro’s Reverent Adaptation is Monstrously Romantic

Julian Singleton

October 19, 2025October 20, 2025

Revenge of the Remakes Turns Up the Blood and Gore for THE TEXAS CHAINSAW MASSACRE

Julian Singleton

October 17, 2025October 17, 2025

Three Films Where I Found Myself Sobbing, Unexpectedly

Michael Lovaglio

October 17, 2025October 17, 2025

Roberts, Guadagnino Take on the Times in AFTER THE HUNT

Frank Calvillo

October 14, 2025October 14, 2025

NIGHT OF THE LIVING DEAD: UNCENSORED CUT Makes Its Head-Blasting Way To 4K!

Spencer Brickey

October 14, 2025November 24, 2025

THE BONE COLLECTOR – Kino Lorber Brings The Gritty Serial Killer Thriller To 4K!

Spencer Brickey

October 14, 2025November 24, 2025

Criterion Review: NIGHTMARE ALLEY (2021) [4K UHD]

Julian Singleton

October 14, 2025October 13, 2025

Reb00t: DEATH RACE – A Remake in Name Only, But Still a Lot of Dumb Fun

Spencer Brickey

October 7, 2025October 7, 2025

Fantastic Fest 2025: The Cinapse Team’s Favorite Films!

Julian Singleton

October 5, 2025October 10, 2025

Fantastic Fest 2025: OBSESSION Is One Of The Best Horror Debuts Of The Last Decade

Spencer Brickey

September 29, 2025September 28, 2025

Fantastic Fest 2025: THE HOLY BOY Exposes the Horror of Escaping Pain

Julian Singleton

September 28, 2025October 1, 2025

Emma Thompson Warms Us Through the DEAD OF WINTER

Frank Calvillo

September 26, 2025September 26, 2025

ELEANOR THE GREAT is Actually Pretty Wonderful

Frank Calvillo

September 26, 2025September 26, 2025

Fantastic Fest 2025: BODY BLOW is a Dreamy, Queer-as-Hell Neon-Noir

Julian Singleton

September 19, 2025September 13, 2025

A BIG BOLD BEAUTIFUL JOURNEY is a Shallow, Bland, Mediocre Mess

Frank Calvillo

September 19, 2025September 19, 2025

Fantastic Fest 2025: THE CURSE, or DM Me to Hell

Julian Singleton

September 19, 2025October 1, 2025

Criterion Review: CAIRO STATION (Blu-ray)

Julian Singleton

September 13, 2025September 13, 2025

How A Kurosawa Classic Became A Spike Lee Joint

Brendan Foley

September 8, 2025November 20, 2025

CAUGHT STEALING Confirms Austin Butler’s Star Power, But Leaves Him Adrift in Genre Cliches

Mel Valentin

August 29, 2025September 12, 2025

SPLITSVILLE Delivers Sharp-Elbowed Comedy and Insightful Drama in Equal Measure

Mel Valentin

August 29, 2025September 2, 2025

Criterion Review: YOU CAN COUNT ON ME [4K UHD]

Julian Singleton

August 23, 2025August 23, 2025

NOBODY 2 Brings Bob Odenkirk’s Death-Dealing Assassin Back for Another Satisfying Go-Round

Mel Valentin

August 13, 2025August 13, 2025

FREAKIER FRIDAY Reunites Jamie Lee Curtis and Lindsay Lohan in Middling Body-Swap Comedy

Mel Valentin

August 11, 2025August 11, 2025

On WEAPONS and Horrors Hiding in Plain Sight [Spoiler Free]

Julian Singleton

August 10, 2025August 10, 2025

WEAPONS Brings Cultural Fears — and Nightmares — To Sinister Life

Mel Valentin

August 8, 2025August 16, 2025

FREAKIER FRIDAY Deserves to Be Forgotten by Monday

Frank Calvillo

August 8, 2025August 8, 2025

Fantasia 2025: THE UNDERTONE is a Nightmarish Sound-Driven Scarefest

Julian Singleton

August 2, 2025August 2, 2025

DRIVE: Albert Brooks 101 [Two Cents]

Julian Singleton

July 31, 2025July 31, 2025

Fantasia 2025: HAUNTED MOUNTAINS: THE YELLOW TABOO is a Time Loop Horror Flick You Wish You Could Escape

Julian Singleton

July 28, 2025July 28, 2025

Criterion Review: CARNAL KNOWLEDGE [Blu-ray and 4K UHD]

Matthew Jackson

July 28, 2025July 28, 2025

Fantasia 2025: MOTHER OF FLIES Brims with Raw, Elemental Horror

Julian Singleton

July 27, 2025July 28, 2025

Fantasia 2025: REWRITE Beautifully Breaks Time-Loop Tropes

Julian Singleton

July 21, 2025July 21, 2025

SUPERMAN Features the Bleakest Moment in Superhero Cinema (And Is Better For It)

Brendan Foley

July 21, 2025July 20, 2025

Fantasia 2025: NOISE Amplifies Familiar Korean Terrors

Julian Singleton

July 19, 2025July 19, 2025

DEFENDING YOUR LIFE: Albert Brooks 101 [Two Cents]

Frank Calvillo

July 19, 2025July 19, 2025

Not Even the Man of Steel Can Save James Gunn’s SUPERMAN

Frank Calvillo

July 11, 2025July 11, 2025

WHAT LIES BENEATH Remains the Ultimate Hitchcock Love Letter

Frank Calvillo

June 23, 2025June 23, 2025

Criterion Review: KILLER OF SHEEP [4K-UHD]

Julian Singleton

June 21, 2025June 21, 2025

28 YEARS LATER is a Compelling, Gory Feast That Leaves Us Hungry For More

Julian Singleton

June 18, 2025June 18, 2025

TRIBECA 2025: MAN FINDS TAPE is a Frighteningly Inventive Twist on Found Footage Horror

Julian Singleton

June 13, 2025June 13, 2025

THE PHOENICIAN SCHEME, Wes Anderson Returns With Another Pitch-Perfect Period Comedy

Mel Valentin

June 6, 2025June 9, 2025

BALLERINA, John Wick Spinoff Delivers an Impressive Star Vehicle for Ana de Armas

Mel Valentin

June 6, 2025June 6, 2025

Two Cents Opens Up THE BIRDCAGE

Frank Calvillo

June 6, 2025June 21, 2025

THE PHOENICIAN SCHEME: Wes Anderson Lets It All Burn

Julian Singleton

June 6, 2025June 6, 2025

Reb00t: THE CRAZIES Drops The Political Satire, But Revs The Horror [4K Review]

Spencer Brickey

May 23, 2025November 24, 2025

BRING HER BACK is Viscerally Uncomfortable and Unforgettable

Julian Singleton

May 16, 2025May 16, 2025

Me and My Interview: Billy Pedlow and Maurane’s VICTIM Narrative

Emma James

May 9, 2025May 9, 2025

In MISSION: IMPOSSIBLE The Enemy Is Always Us

Brendan Foley

May 7, 2025June 1, 2025

Reb00t: THIRTEEN GHOSTS Is A Lot Of Great Makeup Effects, And Not Much Else.

Spencer Brickey

May 5, 2025May 5, 2025

The Accountant 2: Cuter Than You’d Expect!

Spencer Brickey

May 4, 2025May 3, 2025

THE SHROUDS: We Control The Dead, and the Dead Control Us

Julian Singleton

May 3, 2025May 2, 2025

UNTIL DAWN Feels Like A Long Lost Dark Castle Film, And I’m Here For It!

Spencer Brickey

May 2, 2025May 2, 2025

THE SURFER Gives Audiences One of Nicolas Cage’s Best Performance in Years

Mel Valentin

May 2, 2025May 2, 2025

Garland & Mendoza Craft A Harrowing Anti-War Film In WARFARE

Spencer Brickey

April 30, 2025April 29, 2025

HAVOC: Too Many Tired Dirty Cop Cliches, Too Little Ass Kicking

Spencer Brickey

April 28, 2025April 28, 2025

“We’ve All Got it Coming:” Two Cents Reflects on UNFORGIVEN

Julian Singleton

April 23, 2025May 29, 2025

Two Cents Goes Upside Down to Honor Gene Hackman in THE POSEIDON ADVENTURE

Frank Calvillo

April 19, 2025July 19, 2025

Reb00t: PIRANHA 3D

Spencer Brickey

April 10, 2025November 24, 2025

Blue Sunshine: The Ultimate Drug Freakout Film, Now On 4K From Synapse Films!

Spencer Brickey

April 8, 2025November 24, 2025

Hitting Repeat on THE BALLAD OF WALLIS ISLAND

Frank Calvillo

April 4, 2025June 23, 2025

AMADEUS 4K Restores a Long-Lost Theatrical Version

Julian Singleton

March 30, 2025March 30, 2025

THE FRIEND Review: A Career-Best Watts Anchors an Early Year Gem

Frank Calvillo

March 28, 2025June 23, 2025

A WORKING MAN, Jason Statham Doing Jason Statham Things in an Otherwise Routine Actioner

Mel Valentin

March 28, 2025March 28, 2025

Criterion Review: Gene Hackman Shines in NIGHT MOVES

Matthew Jackson

March 25, 2025April 19, 2025

Disney’s New Version of SNOW WHITE is One Bad Apple

Frank Calvillo

March 21, 2025June 23, 2025

Reb00t: ASSAULT ON PRECINCT 13 (2005) Drops the Political Message, Keeps the Mean-Spiritedness!

Spencer Brickey

March 19, 2025April 13, 2025

TRICK OR TREAT: Synapse Films & Red Shirt Home Video Bring A Holy Grail of Near Lost Cinema to 4K!

Spencer Brickey

March 19, 2025March 19, 2025

SXSW 2025: 40 ACRES Has a Fresh Take on the Post-Apocalypse

David Delgado

March 18, 2025March 18, 2025

SXSW 2025: Tim Robinson and Paul Rudd are a Match Made in Hell in FRIENDSHIP

Julian Singleton

March 15, 2025March 15, 2025

What’s this Movie About? BLACK BAG

Frank Calvillo

March 14, 2025June 23, 2025

SXSW 2025: TOGETHER Gets Under Your Skin to Pull at Your Heart

Julian Singleton

March 14, 2025March 14, 2025

SXSW 2025: THE SURRENDER is a Terrifying and Tactful Take on the Horrors of Loss

Julian Singleton

March 14, 2025March 14, 2025

SXSW 2025: THE RIVALS OF AMZIAH KING is the Kind of Film that Sets Your Heart on Fire

Julian Singleton

March 13, 2025March 13, 2025

SXSW 2025: NIRVANNA THE BAND THE SHOW THE MOVIE the Renegade Comedy the Masterpiece?

David Delgado

March 13, 2025March 13, 2025

SXSW 2025: Nyle DiMarco and Davis Guggenheim on DEAF PRESIDENT NOW!

Julian Singleton

March 11, 2025March 24, 2025

SEVEN VEILS is a Haunting Examination of Trauma

Frank Calvillo

March 8, 2025June 23, 2025

Pattinson, Pattinson, and Ho Prove a Memorable Trio with MICKEY 17

Frank Calvillo

March 7, 2025June 23, 2025

In Honor of Demi Moore

Frank Calvillo

March 4, 2025March 4, 2025

A Tribute to the Films Oscar Overlooked

Frank Calvillo

March 1, 2025March 5, 2025

Criterion Revists Oscar’s Past with New Releases of PAPER MOON and THE GRIFTERS

Frank Calvillo

February 27, 2025February 27, 2025

CLEANER: Daisy Ridley Navigates a Sleek DIE HARD Riff

Brendan Foley

February 19, 2025February 18, 2025

PADDINGTON IN PERU, Everybody’s Favorite Bear Returns, Unfortunately to Diminishing Results

Mel Valentin

February 14, 2025February 24, 2025

SUNDANCE 2025: DEAF PRESIDENT NOW! is a Courageous and Compelling Civil Rights Chronicle

Julian Singleton

February 4, 2025February 4, 2025

Tarantino’s Ass Kicking Double Feature KILL BILL VOL. 1 & KILL BILL VOL. 2 Land On 4K!

Spencer Brickey

January 27, 2025November 24, 2025

LIZA: A TRULY TERRIFIC ABSOLUTELY TRUE STORY is a Truly Terrific Absolutely Great Documentary

Frank Calvillo

January 23, 2025January 23, 2025

PRESENCE Puts a Haunting Spin on Supernatural Thrillers

Julian Singleton

January 22, 2025January 22, 2025

Two Cents Takes on Shakespeare and Hitler with TO BE OR NOT TO BE

Frank Calvillo

January 20, 2025February 19, 2025

I Hated DEN OF THIEVES. Why Did I Love DEN OF THIEVES: PANTERA?

Brendan Foley

January 12, 2025January 27, 2025

Field of Streams Presents: A Tribute to Jimmy Carter- President, Humanitarian, Cinephile

Frank Calvillo

January 10, 2025June 7, 2025

An Albert Brooks Fan’s Best Friend is his Copy of MOTHER

Frank Calvillo

January 1, 2025January 1, 2025

Ending 2024 with the Best of Kino Lorber

Frank Calvillo

January 1, 2025January 1, 2025

There’s One Reason to Get Caught in Shyamalan’s TRAP

Frank Calvillo

December 31, 2024December 31, 2024

Venturing Into THE ROOM NEXT DOOR

Frank Calvillo

December 31, 2024December 31, 2024

Robert Eggers’s Provocative, Subversive NOSFERATU Will Enthrall Most, Perplex Others

Mel Valentin

December 27, 2024December 31, 2024

BETTER MAN Gives a Global Superstar a Proper Tribute

Frank Calvillo

December 24, 2024January 14, 2025

BABYGIRL Shows the Dangerous Thrills of Desire

Frank Calvillo

December 24, 2024December 24, 2024

NOSFERATU is a Spellbinding Re-Evaluation and Reclamation of a Horror Classic

Julian Singleton

December 24, 2024December 23, 2024

Two Cents Celebrates Christmas Miracles with TOKYO GODFATHERS

Julian Singleton

December 17, 2024February 19, 2025

AFFLICTION and BRINGING OUT THE DEAD Remain Paul Schrader’s Most Haunting Efforts

Frank Calvillo

December 14, 2024December 14, 2024

No One Will Ever Forget SEPTEMBER 5

Frank Calvillo

December 13, 2024December 13, 2024

Two Cents Goes Medieval for Christmas with THE GREEN KNIGHT

Jay Tyler

December 13, 2024February 19, 2025

Two Cents Secretly Celebrates the Holidays with COBRA

Justin Harlan

December 11, 2024February 19, 2025

OH, CANADA Provides Gere and Schrader with a Thoughtful Reunion

Frank Calvillo

December 5, 2024December 5, 2024

Kino Lorber Ventures into the Past for Film Noir: The Dark Side of Cinema, Volume XX

Frank Calvillo

November 30, 2024November 30, 2024

Pablo Larrain’s Trilogy is Complete with the Mesmerizing MARIA

Frank Calvillo

November 30, 2024November 30, 2024

Traveling Abroad this Noirvember with VICTIMS OF SIN and THE APARTMENT

Frank Calvillo

November 30, 2024November 30, 2024

It’s Time Once Again for LATE NIGHT WITH THE DEVIL

Frank Calvillo

November 29, 2024November 29, 2024

Giving Thanks for Eli Roth’s THANKSGIVING

Frank Calvillo

November 27, 2024November 27, 2024

From SCARLET STREET to SECRET BEYOND THE DOOR, Kino Lorber Delivered this Noirvember

Frank Calvillo

November 27, 2024November 27, 2024

Criterion Review: THE SHAPE OF WATER [4K UHD]

Julian Singleton

November 25, 2024November 24, 2024

Movie Review: THE PIANO LESSON

Brendan Foley

November 25, 2024November 24, 2024

WICKED is the Perfect Rest Cure for an Exhausted Society

Frank Calvillo

November 22, 2024November 22, 2024

GLADIATOR II: Strength and Honor…and Not Much Else

Julian Singleton

November 11, 2024November 11, 2024

Criterion Review: DEMON POND [4K UHD]

Julian Singleton

November 5, 2024November 21, 2024

October’s Two Cents Found Footage Month Reaches a Fiery Finish with NOROI: THE CURSE

Julian Singleton

October 29, 2024February 19, 2025

It’s Time to Embrace YOUR MONSTER

Frank Calvillo

October 25, 2024October 25, 2024

October’s Two Cents Found Footage HORROR Journey Continues into THE HIGH DESERT

Justin Harlan

October 23, 2024February 19, 2025

Movie Review: THE SHADOW STRAYS

Brendan Foley

October 23, 2024October 22, 2024

GOODRICH Review: Father Doesn’t Know Squat

Frank Calvillo

October 18, 2024October 18, 2024

Two Cents Continues Its Celebration of Found Footage Horror with INCANTATION

Justin Harlan

October 16, 2024February 19, 2025

Gettin’ Down on SATURDAY NIGHT

Frank Calvillo

October 11, 2024October 11, 2024

Two Cents Dives into Found Footage Horror Month with LAKE MUNGO

Julian Singleton

October 8, 2024February 19, 2025

Fantastic Fest 2024: The Cinapse Team’s Top 5 Lists

Ed Travis

October 1, 2024November 6, 2024

Fantastic Fest 2024: Nothing is What It Seems in BONE LAKE and GAZER

Matthew Jackson

September 30, 2024June 20, 2025

KINGDOM OF HEAVEN: The Ridley Scott Director’s Cut is the Definitive Crusades Epic [Two Cents]

Brendan Agnew

September 30, 2024February 19, 2025

Fantastic Fest 2024: SISTER MIDNIGHT is a Blood-Draining and Delightful New Take on Vampire Lore

Julian Singleton

September 30, 2024September 29, 2024

Fantastic Fest Folk-Horror: THE SEVERED SUN and WITTE WIEVEN

Matthew Jackson

September 27, 2024September 27, 2024

Fantastic Fest 2024: DEAD TALENTS SOCIETY is Spooky, Silly, and So Damn Fun

Julian Singleton

September 25, 2024September 25, 2024

Fantastic Fest 2024: CLOUD Exposes the Artifice of Ambition

Julian Singleton

September 24, 2024September 24, 2024

Fantastic Fest 2024: WHAT HAPPENED TO DOROTHY BELL Finds Rich Potential in Found-Footage Horror

Julian Singleton

September 22, 2024September 22, 2024

Fantastic Fest 2024: MADS is a One-Take Roller-Coaster Ride into Hell

Julian Singleton

September 22, 2024September 22, 2024

ALL THAT MONEY CAN BUY Remains a Dazzling, Surreal Concoction

Frank Calvillo

September 20, 2024September 20, 2024

Checking Back Into THE SHINING

Frank Calvillo

September 20, 2024September 20, 2024

THE ABYSS: James Cameron’s Stunning Director’s Cut Restored & Explored [Two Cents]

Ed Travis

September 17, 2024February 19, 2025

THE BOY AND THE HERON: Miyazaki’s Final Dreamscape Stuns on 4K UHD

Julian Singleton

September 13, 2024September 13, 2024

KINGDOM OF THE PLANET OF THE APES is Everything I Want From Franchises and 4K Home Video Releases

Ed Travis

September 7, 2024September 7, 2024

BEETLEJUICE BEETLEJUICE Shows Burton is Still the Host with the Most

Frank Calvillo

September 6, 2024September 6, 2024

FURIOSA 4K Brings the Best of Mad Max to Home Video

Julian Singleton

September 5, 2024September 5, 2024

Two Cents Heads into the Unknown with MEEK’S CUTOFF

Julian Singleton

August 27, 2024February 19, 2025

LONGLEGS Short on Scares, Long on Nic Cage-Inspired Freakiness

Mel Valentin

August 26, 2024August 28, 2024

Two Cents: JOHNNY GUITAR Turns 70

Frank Calvillo

August 21, 2024February 19, 2025

HUNDREDS OF BEAVERS Is A Movie To Restore Your Faith In Movies

Brendan Foley

August 20, 2024August 20, 2024

HELL HOLE is a Clever, Carnage-Filled Creature Feature

Julian Singleton

August 19, 2024August 8, 2024

SKINCARE Somewhat Manages to Conceal its Blemishes

Frank Calvillo

August 16, 2024August 16, 2024

Fantasia 2024: STEPPENWOLF is an Earth-Shaking Apocalyptic Quest for Empathy

Julian Singleton

August 16, 2024August 16, 2024

Fantasia 2024: SHELBY OAKS is a Flawed Yet Fascinating Horror Debut

Julian Singleton

August 11, 2024August 1, 2025

Two Cents Kicks Off a Month of Women in Westerns with CAT BALLOU

elizabeth stoddard

August 6, 2024February 19, 2025

Fantasia 2024: You Can’t Get Off the PENALTY LOOP

Frank Calvillo

August 4, 2024August 8, 2024

FANTASIA 2024: HOUSE OF SAYURI is a Frightfully Fun Evolution of Japanese Horror

Julian Singleton

August 2, 2024August 2, 2024

Fantasia 2024: A Pair of Female Filmmakers Explore Haunting Poignancy with DARKEST MIRIAM and HOLLYWOOD 90028

Frank Calvillo

August 1, 2024November 23, 2024

Criterion Review: PAT GARRETT AND BILLY THE KID (1973/2024)

Julian Singleton

August 1, 2024August 2, 2024

FANTASIA 2024: CUCKOO is an Unpredictable Nest of Horror Possibility

Julian Singleton

July 30, 2024July 30, 2024

Finding a Cozy, Therapeutic Spot on the MOTHER COUCH

Frank Calvillo

July 30, 2024July 30, 2024

FANTASIA 2024: A SAMURAI IN TIME is a Lengthy Love Letter to Samurai Filmmaking

Julian Singleton

July 28, 2024July 21, 2024

Two Cents Basks in the EVIL UNDER THE SUN

Frank Calvillo

July 24, 2024February 19, 2025

ODDITY is a Creepy, Claustrophobic Chamber Play

Julian Singleton

July 21, 2024July 20, 2024

LONGLEGS is a Diabolical Detective Story

Julian Singleton

July 11, 2024July 11, 2024

Two Cents Crashes Tom Hanks’ Island Paradise in CAST AWAY

Julian Singleton

July 9, 2024February 19, 2025

Criterion Review: THE UNDERGROUND RAILROAD (2021)

Julian Singleton

July 7, 2024July 7, 2024

Kino Lorber Curls Up with the Literary Noir

Frank Calvillo

July 2, 2024July 2, 2024

DADDIO Gives Us Another Quintessential New York Story

Frank Calvillo

June 28, 2024June 28, 2024

THE VOURDALAK is a Vibrant, Strange Nightmare

Matthew Jackson

June 28, 2024July 17, 2024

A QUIET PLACE: DAY ONE is a Sincere Near-Silent Stunner

Julian Singleton

June 27, 2024June 27, 2024

THELMA Gives 94-Year-Old June Squibb the Role of a Lifetime

Mel Valentin

June 21, 2024June 21, 2024

THE EXORCISM Has a Soul Worth Saving

Frank Calvillo

June 21, 2024June 21, 2024

THE BIKERIDERS Makes One Want to Root for the Other Gang

Frank Calvillo

June 21, 2024June 21, 2024

INSIDE OUT 2 is Pixar’s Rewarding Return to Form

Julian Singleton

June 12, 2024June 25, 2024

How IN A VIOLENT NATURE Reshapes Slasher Point-of-View

Matthew Jackson

June 12, 2024June 12, 2024

HANDLING THE UNDEAD is a Messy and Mesmerizing Portrait of Grief

Julian Singleton

June 11, 2024June 11, 2024

THE WATCHERS is a Half-Baked Debut from Ishana Night Shyamalan

Jon Partridge

June 7, 2024June 7, 2024

Criterion Review: ANATOMY OF A FALL (2024)

Julian Singleton

June 6, 2024June 5, 2024

The Most Heroic Moment in GODZILLA MINUS ONE Doesn’t Involve Godzilla

Brendan Foley

June 3, 2024June 13, 2024

HANDLING THE UNDEAD: Devastating Slow-Burn Dread

Matthew Jackson

June 3, 2024June 1, 2024

IN A VIOLENT NATURE Brutally Upends Slasher Expectations

Julian Singleton

May 29, 2024June 6, 2024

THE STRANGERS: CHAPTER ONE – Middling Horror in Search of a Point

Matthew Jackson

May 17, 2024May 16, 2024

EVIL DOES NOT EXIST: Silence Speaks Volumes in a Chilling Reflection on Human Nature

Julian Singleton

May 7, 2024May 6, 2024

THE FALL GUY, Genre Mash-Up Delivers Sloppy Love Letter to Stunt Performers and the People Who Dig Them

Mel Valentin

May 3, 2024May 10, 2024

THE FALL GUY Takes Its Punches and Earns Its Laughs

Julian Singleton

May 2, 2024May 10, 2024

Review: BOY KILLS WORLD, Truth (Mostly) In Advertising

Mel Valentin

April 26, 2024April 26, 2024

Criterion Review: WERCKMEISTER HARMONIES (2000) [4K UHD]

Julian Singleton

April 24, 2024April 24, 2024

APE-RIL Hails the Eighth Wonder of the World as Two Cents Revisits KING KONG (2005)

Julian Singleton

April 23, 2024February 19, 2025

ABIGAIL Arrives as an All-Time Vampire Classic

Jay Tyler

April 19, 2024May 6, 2024

Review: HOUSEKEEPING FOR BEGINNERS, A Community Unlike Any Other (Except For All the Rest)

Mel Valentin

April 5, 2024April 26, 2024

Destiny and Passion Guide the Intriguing COUP DE CHANCE

Frank Calvillo

April 5, 2024April 5, 2024

Review: THE FIRST OMEN, A Prequel to a Horror Classic That Fails More Often Than It Succeeds

Mel Valentin

April 5, 2024April 26, 2024

“Make Me Famous:” The Vision of ACTORS Auteur Betsey Brown

Emma James

March 25, 2024March 25, 2024

GHOSTBUSTERS: FROZEN EMPIRE is Something Weird and it Don’t Look Good

Frank Calvillo

March 22, 2024March 27, 2024

LATE NIGHT WITH THE DEVIL: Real-Time, Really Funny, and Truly Terrifying

Julian Singleton

March 21, 2024April 16, 2024

REMEMBERING GENE WILDER Honors a Movie Great

Frank Calvillo

March 20, 2024March 20, 2024

THE RING COLLECTION is Well Worth the Wait [4K REVIEW]

Julian Singleton

March 17, 2024March 17, 2024

SXSW 2024: Alex Garland’s CIVIL WAR Embeds Us In A Future We Don’t Want

Ed Travis

March 15, 2024March 15, 2024

Dinklage and MacLaine Make Audiences Believe in the AMERICAN DREAMER

Frank Calvillo

March 8, 2024March 8, 2024

When the Authors Went to Hollywood [THE CARPETBAGGERS & THE LAST TYCOON]

Frank Calvillo

March 1, 2024March 1, 2024

DUNE: PART TWO Review: A Triumph of Spectacle, Character, and Theme

Mel Valentin

March 1, 2024March 14, 2024

DRIVE-AWAY DOLLS: A Mostly Fun Road Trip with a Few Speedbumps

Frank Calvillo

February 23, 2024March 7, 2024

A Mother Finds Her Daughter and a Daughter Finds Herself at SUNCOAST

Frank Calvillo

February 7, 2024February 7, 2024

LISA FRANKENSTEIN: A Sweetly Sinister Romance from Beyond the Grave

Julian Singleton

February 7, 2024April 21, 2024

ARGYLLE and the Return of Matthew Vaughn

Frank Calvillo

February 1, 2024February 1, 2024

JFK: A Masterpiece of American Myth-Making Hits 4K

Julian Singleton

January 20, 2024January 22, 2024

Criterion Review: DAYS OF HEAVEN [4K-UHD]

Julian Singleton

January 14, 2024January 13, 2024

THE BEEKEEPER Gives Jason Statham One of His Best Action Roles in Years

Mel Valentin

January 11, 2024January 26, 2024

HE WENT THAT WAY Quickly Loses Direction

Frank Calvillo

January 5, 2024February 1, 2024

NIGHT SWIM Brings Aquatic Horror To Your Friendly Neighborhood Swimming Pool

Mel Valentin

January 4, 2024January 4, 2024

NIGHT SWIM Aims Deep, Hits Shallow

Julian Singleton

January 4, 2024January 3, 2024

Actresses Abroad [THE HAUNTING OF JULIA & HUSTLE]

Frank Calvillo

December 31, 2023December 31, 2023

Looking Back at Some of the Top Kino Lorber Releases of 2023

Frank Calvillo

December 31, 2023December 31, 2023

Savoring the Flavor of THE TASTE OF THINGS

Frank Calvillo

December 31, 2023December 31, 2023

It’s Time to Bury the Ending of ALL OF US STRANGERS

Julian Singleton

December 27, 2023January 11, 2024

Clooney Misses THE BOYS IN THE BOAT

Frank Calvillo

December 24, 2023December 24, 2023

Chastain, Sarsgaard Unlock the Past in MEMORY

Frank Calvillo

December 22, 2023December 22, 2023

Criterion Review: PINOCCHIO [4K-UHD]

Julian Singleton

December 20, 2023December 19, 2023

A Mother and Child Escape Reality in the Wondrous L’IMMENSITA

Frank Calvillo

December 19, 2023December 28, 2023

Criterion Puts a Legend Back in the Spotlight with LA BAMBA

Frank Calvillo

December 19, 2023December 19, 2023

Lost Souls Are Found in ALL OF US STRANGERS

Frank Calvillo

December 18, 2023December 18, 2023

Getting Caught in the Grasp of THE IRON CLAW

Frank Calvillo

December 16, 2023December 16, 2023

THE ZONE OF INTEREST: Jonathan Glazer Once Again Delivers Masterpiece-Level Filmmaking

Mel Valentin

December 15, 2023December 16, 2023

Cozying Up with Some AMERICAN FICTION

Frank Calvillo

December 15, 2023December 19, 2023

Hopkins, Goode Both Show Up for FREUD’S LAST SESSION

Frank Calvillo

December 15, 2023December 15, 2023

The Zone of Interest and the Comfortability of Evil

Julian Singleton

December 15, 2023January 3, 2024

WONKA Prequel Delivers a Passably Entertaining, Lightweight Confection For the Masses

Mel Valentin

December 13, 2023December 23, 2023

Discovering the Secret, Stylish World of EILEEN

Frank Calvillo

December 11, 2023December 11, 2023

POOR THINGS is an Indulgent and Beautiful Odyssey

Julian Singleton

December 10, 2023December 10, 2023

It’s still Noirvember with Kino Lorber [JOY HOUSE & 2 DAYS IN THE VALLEY]

Frank Calvillo

November 29, 2023April 21, 2024

Getting Lost in SALTBURN

Frank Calvillo

November 27, 2023December 13, 2023

Ridley Scott’s NAPOLEON Prints the Legend

Julian Singleton

November 22, 2023November 27, 2023

THANKSGIVING: A Gory, Gnarly, Grisly Slasher for the Holidays

Mel Valentin

November 16, 2023December 2, 2023

MAY DECEMBER Blurs Lines of Cruelty and Complicity to Disturbingly Effective Ends

Julian Singleton

November 15, 2023November 9, 2023

Criterion Review: NANNY (2022)

Julian Singleton

November 14, 2023November 13, 2023

THE MARVELS Refreshingly Brings Marvel Back to Basics

Julian Singleton

November 8, 2023November 14, 2023

IT! THE TERROR FROM BEYOND SPACE Blu-Ray Review: Sci-Fi/Horror Cult Flick Gets an A+ Upgrade

Mel Valentin

November 8, 2023November 8, 2023

CUJO: 40TH ANNIVERSARY Blu-Ray Review: 1983’s Third-Best King Adaptation Gets a High-Def Polish

Mel Valentin

November 7, 2023November 8, 2023

Audiences Prefer Blondes? Hayley, Jean Enchant in THE TRUTH ABOUT SPRING & MOMENT TO MOMENT

Frank Calvillo

November 4, 2023November 4, 2023

THE HOLDOVERS Settles in for a Long Winter’s Emotional Journey

Frank Calvillo

November 3, 2023January 12, 2024

MEG 2: THE TRENCH 4K/Blu-Ray Review: Giant Shark Enthusiasts Will Be Disappointed

Mel Valentin

October 31, 2023November 2, 2023

Criterion Review: MOONAGE DAYDREAM [4K-UHD]

Julian Singleton

October 23, 2023October 22, 2023

FOE: Sci-Fi Dystopian Tale Wastes Talent On Both Sides of the Camera

Mel Valentin

October 11, 2023October 11, 2023

Fantastic Fest 2023: Best of the Fest!

David Delgado

October 9, 2023October 9, 2023

Finding Inspiration in SHE CAME TO ME

Frank Calvillo

October 6, 2023October 6, 2023

THE EXORCIST: BELIEVER Leaves One Questioning their Faith in Green, Blumhouse

Frank Calvillo

October 6, 2023October 6, 2023

THE EXORCIST: BELIEVER Needs to Believe In Itself

Julian Singleton

October 4, 2023October 25, 2023

SAW X Brings Back Everyone’s Favorite Puzzle King To Nightmare Inducing Results

Mel Valentin

September 30, 2023October 6, 2023

Fantastic Fest 2023: YOUR LUCKY DAY Places Us in the Thick of a Harrowing Crime Thriller

Julian Singleton

September 28, 2023October 6, 2023

Fantastic Fest 2023: RAGE Evolves our Expectations of Werewolf Films

Julian Singleton

September 26, 2023October 6, 2023

FANTASTIC FEST 2023: THE DEEP DARK is Claustrophobic Cosmic Horror

Julian Singleton

September 25, 2023October 6, 2023

FANTASTIC FEST 2023: UFO SWEDEN is a Soaring Scandinavian Sci-Fi Wonder

Julian Singleton

September 25, 2023October 6, 2023

FANTASTIC FEST 2023: WHEN EVIL LURKS is a Gleefully Grotesque Possession Flick

Julian Singleton

September 23, 2023October 6, 2023

Screen Comparisons: THE EXORCIST 4K UHD vs 2010 Blu-ray

Julian Singleton

September 20, 2023October 6, 2023

THE GOOD MOTHER is a Bad Movie

Frank Calvillo

September 1, 2023October 6, 2023

GOLDA Aims to Humanize One of the World’s Most Controversial Leaders

Frank Calvillo

August 28, 2023October 6, 2023

Criterion Looks at How the 60s Told the Future with TARGETS and THE SERVANT

Frank Calvillo

August 28, 2023March 12, 2024

TWO FILMS BY PETER GREENAWAY Crave Your Curiosity and Attention

Julian Singleton

August 25, 2023October 6, 2023

The Hunt for a Worthwhile Sequel is on in INDIANA JONES AND THE DIAL OF DESTINY

Frank Calvillo

June 30, 2023June 30, 2023

THE DRAUGHTSMAN’S CONTRACT is a Lush and Lurid Debut from Peter Greenaway

Julian Singleton

June 28, 2023August 27, 2023

Take Me Down to the ASTEROID CITY

Frank Calvillo

June 23, 2023January 10, 2024

THEY CAME TO CORDURA Spotlights Tab Hunter’s Finest Moment

Frank Calvillo

June 23, 2023June 23, 2023

Glorious Animation and a Relevant Story Make ELEMENTAL Essential

Frank Calvillo

June 16, 2023July 10, 2023

Happy Mother’s Day, MILDRED PIERCE

Frank Calvillo

May 14, 2023May 15, 2023

CHEVALIER is an Exquisite Reclamation of a Revolutionary Artist

Julian Singleton

May 10, 2023August 27, 2023

RENFIELD is a Vampire Comedy Sucked Dry of Effective Humor

Julian Singleton

April 12, 2023August 27, 2023

THE MALTESE FALCON [4K UHD Review]

Julian Singleton

April 10, 2023August 27, 2023

ALL QUIET ON THE WESTERN FRONT [4K UHD Review]

Julian Singleton

March 29, 2023August 27, 2023

The Texas Chain Saw Massacre is a Horrific Visual Feast on 4K UHD

Julian Singleton

March 3, 2023August 27, 2023

Criterion Review: LARS VON TRIER’S EUROPE TRILOGY (1984/1987/1991)

Julian Singleton

February 24, 2023August 27, 2023

CRITERION REVIEW: Michael Haneke — Trilogy (1989/1992/1994)

Julian Singleton

February 10, 2023August 27, 2023

2022: 25 Films

Julian Singleton

February 2, 2023August 27, 2023

Worry, DARLING

Eddie Strait

January 19, 2023

GHOSTWATCH: The British Godfather of Found Footage Horror Finally Comes to America

Julian Singleton

December 20, 2022August 27, 2023

ELVIS: Baz Luhrmann’s Rhinestone-Studded Remix of Americana on Show-Stopping 4K UHD

Julian Singleton

December 20, 2022August 27, 2023

POLTERGEIST Packs a Paranormal Punch on 4K UHD

Julian Singleton

November 29, 2022August 27, 2023

Criterion Review: THE POWER OF THE DOG (2021) 4K UHD

Julian Singleton

November 18, 2022August 27, 2023

Austin Film Festival 2022: THE WHALE Marks the Revelatory Return of Brendan Fraser

Julian Singleton

November 11, 2022August 27, 2023

CAUSEWAY Examines the Raw Wounds of Recovery

Julian Singleton

October 28, 2022August 27, 2023

Criterion Review: CURE (1997)

Julian Singleton

October 22, 2022August 27, 2023

Fantastic Fest 2022: ATTACHMENT is an Insightful Blend of Queer and Religious Horror

Julian Singleton

October 3, 2022August 27, 2023

Fantastic Fest 2022: BONES AND ALL is a Lush Romantic Epic About the Hunger to Belong

Julian Singleton

September 29, 2022August 28, 2023

Fantastic Fest 2022: THE FIVE DEVILS is a Sensuous Time-Travel Fable

Julian Singleton

September 29, 2022August 28, 2023

Fantastic Fest 2022: PROJECT WOLF HUNTING is a Disturbingly Fun Genre Supernova

Julian Singleton

September 28, 2022August 28, 2023

Fantastic Fest 2022: UNICORN WARS Embraces Cuddly Carnage

Julian Singleton

September 27, 2022August 28, 2023

Fantastic Fest 2022: HUNT is an Explosive Korean Action Thriller

Julian Singleton

September 24, 2022August 28, 2023

Believe the Kids: This GOODNIGHT MOMMY is an Imposter

Julian Singleton

September 21, 2022August 28, 2023

BLONDE tears Marilyn Monroe Apart

Julian Singleton

September 19, 2022August 28, 2023

Criterion Review: LE CORBEAU (1943)

Julian Singleton

September 13, 2022August 28, 2023

BELLE Gets a Beast of a 4K Collector’s Edition

Julian Singleton

August 30, 2022August 28, 2023

Criterion Review: Double Indemnity (1944)

Julian Singleton

July 19, 2022August 28, 2023

Criterion Review: OKJA 4K (2017)

Julian Singleton

July 13, 2022August 28, 2023

THE NORTHMAN is a Valhöll-Worthy 4K UHD

Julian Singleton

June 21, 2022August 28, 2023

Criterion Review: THE TALES OF HOFFMAN (1951)

Julian Singleton

June 15, 2022August 28, 2023

THE MAN WHO SHOT LIBERTY VALANCE Blasts its Way onto 4K UHD

Julian Singleton

June 13, 2022August 28, 2023

DASHCAM is a Divisive Endurance Test Like Nothing You’ve Ever Seen

Julian Singleton

May 26, 2022August 28, 2023

Criterion Review: FOR ALL MANKIND (1989)

Julian Singleton

May 9, 2022August 29, 2023

MIDNIGHT is a Subversive Sensory Thriller

Julian Singleton

April 6, 2022August 29, 2023

Top 9 99-Minute Films

Julian Singleton

March 23, 2022August 29, 2023

Down the Rabbit Hole with THE MATRIX RESURRECTIONS 4K

Julian Singleton

March 16, 2022August 29, 2023

Embrace the Dark Sincerity of THE BATMAN

Julian Singleton

March 1, 2022August 29, 2023

Criterion Review: THE CELEBRATION (1996)

Julian Singleton

February 28, 2022August 29, 2023

Criterion Review: THE PIANO (1994)

Julian Singleton

February 8, 2022August 29, 2023

RESURRECTION is Sundance 2022’s Biggest Jaw-Dropper

Julian Singleton

January 29, 2022August 29, 2023

Sundance 2022: WATCHER

Julian Singleton

January 22, 2022August 29, 2023

DUNE 4K UHD is Worth its Weight in Spice

Julian Singleton

January 19, 2022August 29, 2023

2021: 25 Films

Julian Singleton

January 17, 2022August 29, 2023

Criterion Review: ONE NIGHT IN MIAMI and the Powerful Weight of Legacy

Julian Singleton

January 10, 2022August 29, 2023

WIFE OF A SPY: All’s Fair in Love and War

Julian Singleton

November 22, 2021August 29, 2023

THE POWER OF THE DOG is a Commanding Deconstruction of Cruelty and Compassion

Julian Singleton

November 18, 2021August 29, 2023

Arrow Heads #91: Argento’s DEEP RED 4K (Limited Edition)

Julian Singleton

November 7, 2021August 29, 2023

ANTLERS is a Faltering, Frustrating Folk Horror Tale

Julian Singleton

October 28, 2021August 29, 2023

Criterion Review: ONIBABA (1964)

Julian Singleton

October 25, 2021August 29, 2023

Arrow Heads #90: CHILDREN OF THE CORN 4K

Julian Singleton

October 19, 2021August 29, 2023

THE AWAKENING is a Suspenseful, Somber Supernatural Mystery

Julian Singleton

October 15, 2021August 29, 2023

MASS Channels Unspeakable Tragedy into Cathartic Confrontations

Julian Singleton

October 7, 2021August 29, 2023

Fantastic Fest 2021: The Passion Play of BENEDETTA

Julian Singleton

October 1, 2021September 4, 2023

Fantastic Fest 2021: SALOUM is a Slice of Genre-Bending Senegalese Mayhem

Julian Singleton

September 30, 2021September 4, 2023

Fantastic Fest 2021: BELLE is an Ambitious Social Media Spectacle

Julian Singleton

September 29, 2021September 4, 2023

Fantastic Fest 2021: THE BLACK PHONE is Creepy, Claustrophobic, and Wickedly Cool

Julian Singleton

September 29, 2021September 4, 2023

Fantastic Fest 2021: LAMB is a Patient and Primal Exploration of Parenthood

Julian Singleton

September 26, 2021September 4, 2023

Fantastic Fest 2021: THE FOUND FOOTAGE PHENOMENON is a Love Letter to Decades of Creepy Cinema

Julian Singleton

September 24, 2021September 4, 2023

Fantastic Fest 2021: An Interview with THE FOUND FOOTAGE PHENOMENON Co-Director Sarah Appleton

Julian Singleton

September 23, 2021September 4, 2023

Criterion Review: BEASTS OF NO NATION (2015)

Julian Singleton

September 9, 2021September 4, 2023

Arrow Heads #87: THE CAT O’ NINE TAILS 4K

Julian Singleton

August 29, 2021September 4, 2023

MY HEART CAN’T BEAT UNLESS YOU TELL IT TO is an Understated Exploration of Modern-Day Vampirism

Julian Singleton

August 26, 2021September 4, 2023

A CODA’s Take on CODA

Julian Singleton

August 13, 2021September 4, 2023

Criterion Review: MIRROR (1975)

Julian Singleton

August 12, 2021September 4, 2023

HOWLING VILLAGE is a Satisfying Slice of Japanese Horror

Julian Singleton

August 12, 2021September 4, 2023

Interview: Takashi Shimizu Tackles Tales, Time, and Terror in HOWLING VILLAGE

Julian Singleton

August 10, 2021September 4, 2023

ANNETTE is a Dazzling and Disorienting Musical Experience

Julian Singleton

August 5, 2021September 4, 2023

ALMOST FAMOUS Turns 21 On 4K

Julian Singleton

July 29, 2021September 4, 2023

Arrow Heads #84: DJANGO & TEXAS ADIOS (1966)

Julian Singleton

July 19, 2021September 4, 2023

Criterion Review: THE HUMAN CONDITION

Julian Singleton

July 6, 2021September 4, 2023

UNDINE Explores the Depths of Love and Longing

Julian Singleton

June 9, 2021September 4, 2023

EXPLORERS Soars on Blu-ray

Julian Singleton

June 8, 2021September 4, 2023

Criterion Review: FAST TIMES AT RIDGEMONT HIGH (1982)

Julian Singleton

May 18, 2021September 4, 2023

BIG FISH Beautifully Blends Fact and Fiction on 4K

Julian Singleton

May 10, 2021September 4, 2023

Criterion Review: Assayas’ Kaleidoscope of Cinematic History IRMA VEP Astounds on Blu

Julian Singleton

May 4, 2021September 4, 2023

LUST, CAUTION: A Complex, Passionate Romance Finally Arrives on US Blu

Julian Singleton

April 15, 2021September 4, 2023

Criterion Review: SECRETS & LIES (1996)

Julian Singleton

March 31, 2021September 4, 2023

FILMWORKER is a Testament to the Unsung Heroes of Classic Cinema

Julian Singleton

March 15, 2021September 4, 2023

THE FATHER is a Disorienting and Visceral Depiction of Dementia

Julian Singleton

March 12, 2021September 4, 2023

BRING ME THE HEAD OF ALFREDO GARCIA: Kino Lorber Bags A Peckinpah Crime Classic

Julian Singleton

March 11, 2021September 4, 2023

IDENTIFYING FEATURES is a Bracing Border Journey

Julian Singleton

February 19, 2021September 4, 2023

THE WANTING MARE: A Sci-Fi Spectacle Brimming with Rough Beauty

Julian Singleton

February 6, 2021September 4, 2023

SAINT MAUD is an Incendiary Awakening of a Would-Be Savior

Julian Singleton

February 1, 2021September 4, 2023

TO THE ENDS OF THE EARTH is a Beautiful Psychological Travelogue

Julian Singleton

December 24, 2020September 4, 2023

Criterion Review: SYMBIOPSYCHOTAXIPLASM–TWO TAKES

Julian Singleton

December 17, 2020September 4, 2023

MANK Rejects Nostalgia for True-To-Life Idealism

Julian Singleton

December 8, 2020September 4, 2023

SOUND OF METAL Rings Hollow

Julian Singleton

November 28, 2020September 4, 2023

Criterion Review: THE IRISHMAN is Martin Scorsese’s Melancholy Mob Masterwork

Julian Singleton

November 26, 2020September 4, 2023

THE BEGUILED: Kino Lorber Revives a Slice of 70’s Southern Gothic on Blu-ray

Julian Singleton

November 10, 2020September 4, 2023

Criterion Review: THE GUNFIGHTER

Julian Singleton

October 29, 2020September 4, 2023

Criterion’s PARASITE Blu-ray is the Definitive Edition of the South Korean Stunner

Julian Singleton

October 26, 2020September 4, 2023

The FOCUS FEATURES SPOTLIGHT COLLECTION Showcases 16 Years of Prestige Drama

Julian Singleton

October 21, 2020September 4, 2023

REBECCA: A Visually Striking Adaptation Does its Damnedest to Escape the Shadow of its Predecessors

Julian Singleton

October 14, 2020September 4, 2023

Criterion Review: THE ELEPHANT MAN

Julian Singleton

September 24, 2020September 4, 2023

THE DEVIL ALL THE TIME: An Epic of Midwestern Misery That Comes Full Circle

Julian Singleton

September 21, 2020September 4, 2023

Catching Up with the Classics: NAPOLEON (1927)

Julian Singleton

August 21, 2020September 4, 2023

TENDER MERCIES: A Quiet Country Classic Returns on Blu-ray

Julian Singleton

August 14, 2020September 4, 2023

SPUTNIK: A Striking Morality Play Lurks Within This Fun Soviet Creature Feature

Julian Singleton

August 14, 2020September 4, 2023

THE RENTAL: Fun Summer Suspense that Never Outstays its Welcome

Julian Singleton

July 21, 2020September 4, 2023

Criterion Review: COME AND SEE (1985)

Julian Singleton

July 15, 2020September 4, 2023

Criterion Review: THE LADY EVE (1941)

Julian Singleton

July 15, 2020September 4, 2023

THE TRUTH: A Quietly Compelling Portrait of Family and Fame

Julian Singleton

July 10, 2020September 4, 2023

YOUNG AHMED: A Lackluster Exploration of Homegrown Extremism [Blu Review]

Julian Singleton

June 26, 2020September 4, 2023

BEANPOLE: A Striking Saga of Post-War Sacrifices [Blu Review]

Julian Singleton

June 25, 2020September 4, 2023

DA 5 BLOODS: Spike Lee’s Sprawling Vietnam Epic is One of Raging Truths and Bloody Reconciliations

Julian Singleton

June 12, 2020September 4, 2023

Criterion Review: WILDLIFE (2018)

Julian Singleton

May 30, 2020September 4, 2023

Catching Up with the Classics: THE COOK, THE THIEF, HIS WIFE, & HER LOVER (1989)

Julian Singleton

May 28, 2020September 4, 2023

Catching Up with the Classics: MILDRED PIERCE (1945)

Julian Singleton

May 22, 2020September 4, 2023

GRETEL & HANSEL: A Gripping Grimm Adaptation Hits Home Video

Julian Singleton

May 13, 2020July 8, 2024

Criterion Review: THE CREMATOR

Julian Singleton

April 24, 2020September 4, 2023

10 Streaming Epics To Get You Through Quarantine

Julian Singleton

April 16, 2020September 4, 2023

THE GOLEM: Kino Restores a Silent Horror Classic

Julian Singleton

April 15, 2020September 4, 2023

Catching Up with the Classics — THE GODFATHER: PART III (1990)

Julian Singleton

April 13, 2020August 28, 2023

Catching Up with the Classics: GANGS OF NEW YORK (2002)

Julian Singleton

April 3, 2020August 28, 2023

A HIDDEN LIFE: A Tribute to the Courage of Conscientious Objection

Julian Singleton

April 2, 2020August 28, 2023

KINETTA: Yorgos’ Lanthimos Debut is Both Frustrating and Fascinating

Julian Singleton

April 1, 2020August 28, 2023

KNIVES OUT: You Can’t Resist Rian Johnson’s Delightfully Deadly Murder-Mystery on Blu-ray

Julian Singleton

March 27, 2020August 28, 2023

ESCAPE FROM PRETORIA: A Prison Break Film Isolated From a Deeper Context

Julian Singleton

March 19, 2020August 28, 2023

LITTLE JOE: An Unsettling if Uneven Modern Body-Snatchers Tale

Julian Singleton

March 13, 2020August 28, 2023

ROMA: Criterion and Netflix Bring About an Exciting Turning Point for Home Video

Julian Singleton

March 6, 2020August 28, 2023

QUAI DES ORFÈVRES: A Clouzot Caper With a New 4K Restoration

Julian Singleton

February 26, 2020August 28, 2023

Arrow Heads Vol. 77: THE ONE MISSED CALL TRILOGY

Julian Singleton

February 24, 2020August 27, 2023

WAVES: Trey Edward Shults’ Sprawling Family Saga Comes to Blu-ray

Julian Singleton

February 18, 2020August 27, 2023

With New Director’s Cut, DOCTOR SLEEP Proves a Mike Flanagan Masterwork

Julian Singleton

February 11, 2020August 27, 2023

Criterion Review: ALL ABOUT MY MOTHER (1999)

Julian Singleton

January 31, 2020August 27, 2023

BRICK’s Finally on Blu-ray and Better than Ever

Julian Singleton

January 24, 2020August 27, 2023

WEATHERING WITH YOU: A Sunny Romance with a Cloudy Moral Center

Julian Singleton

January 16, 2020August 27, 2023

2019: 25 Films

Julian Singleton

January 13, 2020August 27, 2023

LES MISÉRABLES is a Cynical Yet Compelling Call to Action

Julian Singleton

January 13, 2020August 27, 2023

There’s Still Enchantment in THE LIGHTHOUSE on Blu-ray

Julian Singleton

January 9, 2020August 27, 2023

BOMBSHELL’s Impact Barely Breaks the Surface

Julian Singleton

December 19, 2019August 27, 2023

LITTLE WOMEN Brims With Joy and Vulnerability

Julian Singleton

December 19, 2019August 27, 2023

Arrow Heads Vol. 75 — SLAUGHTERHOUSE-FIVE: Once Unfilmable, Now Newly Restored

Julian Singleton

December 18, 2019August 27, 2023

Criterion Review: OLD JOY (2006)

Julian Singleton

December 12, 2019August 27, 2023

HITCHCOCK: THE BRITISH INTERNATIONAL PICTURES COLLECTION [Blu Review]

Julian Singleton

December 11, 2019August 27, 2023

KNIVES AND SKIN: A Surreal Mystery That’s More Missed Opportunity

Julian Singleton

December 11, 2019August 27, 2023

Catching Up with the Classics: SÁTÁNTANGÓ (1994)

Julian Singleton

December 3, 2019August 27, 2023

THE REPORT is a Sobering Indictment of Sanctioned Cruelty

Julian Singleton

November 15, 2019August 27, 2023

DOCTOR SLEEP Isn’t Quite Kubrick or King, But Still Shines On Its Own

Julian Singleton

November 7, 2019August 27, 2023

STORM OF THE CENTURY: Kino Brings King’s First Original Series in From the Cold

Julian Singleton

October 29, 2019August 27, 2023

KUNDUN: Scorsese’s Dalai Lama Biopic Finds New Life on Blu-ray

Julian Singleton

October 29, 2019August 27, 2023

Arrow Heads Vol. 70: THE DEAD CENTER (2019)

Julian Singleton

October 18, 2019August 27, 2023

KIND HEARTS AND CORONETS: A Comedy Classic about Chopping Down the Family Tree [Blu Review]

Julian Singleton

October 7, 2019August 27, 2023

Fantastic Fest: THE VAST OF NIGHT is Spellbinding Sound-Driven Sci-Fi

Julian Singleton

September 30, 2019August 27, 2023

Fantastic Fest: THE LODGE is a Beautifully Bleak Horror Film

Julian Singleton

September 25, 2019August 27, 2023

Fantastic Fest: SYNCHRONIC is a Trip Worth Taking

Julian Singleton

September 24, 2019August 27, 2023

DOGTOOTH and ALPS: A Yorgos Lanthimos Double Feature

Julian Singleton

September 23, 2019August 27, 2023

Fantastic Fest 2019: RIDE YOUR WAVE is a Soaringly Sentimental and Spiritual Romance

Julian Singleton

September 22, 2019August 27, 2023

Fantastic Fest 2019: Claustrophobic Creepiness Abounds IN THE TALL GRASS

Julian Singleton

September 21, 2019August 27, 2023

Fantastic Fest 2019: THE LONG WALK is a Time-Travel Film that Reaps Rewards for a Patient Audience

Julian Singleton

September 21, 2019August 27, 2023

Fantastic Fest 2019: SON OF THE WHITE MARE is a Wondrous, Hallucinatory Epic

Julian Singleton

September 20, 2019August 27, 2023

AD ASTRA: An Uncompromising Space Epic that Finds Solace in Solitude

Julian Singleton

September 20, 2019August 27, 2023

Arrow Heads Vol. 67: WHO SAW HER DIE? (1972)

Julian Singleton

September 17, 2019August 26, 2023

TIGERS ARE NOT AFRAID is a Ferociously Fearless Fairy Tale

Julian Singleton

September 4, 2019August 26, 2023

DEPRAVED is an Ambitious and Entertaining Spin on Frankenstein Lore

Julian Singleton

September 3, 2019August 26, 2023

READY OR NOT is a Blood-Soaked Blast

Julian Singleton

August 20, 2019August 26, 2023

Catching Up with the Classics: CRIES AND WHISPERS (1972)

Julian Singleton

August 20, 2019August 26, 2023

Catching Up with the Classics: MODERN TIMES (1936)

Julian Singleton

August 12, 2019August 26, 2023

THE NIGHTINGALE Sings a Brutal Song

Julian Singleton

August 9, 2019August 26, 2023

SCARY STORIES TO TELL IN THE DARK is Full of Fun if Predictable Late-Summer Frights

Julian Singleton

August 8, 2019August 26, 2023

Catching Up with the Classics: MALCOLM X (1992)

Julian Singleton

August 2, 2019August 26, 2023

THE FAREWELL: Awkwafina Shines in Lulu Wang’s Sundance Hit

Julian Singleton

July 12, 2019August 26, 2023

Catching Up with the Classics: BEYOND THE HILLS (2012)

Julian Singleton

July 12, 2019August 26, 2023

THE LION KING Triumphantly Roars Over Other Disney Re-Dos

Julian Singleton

July 11, 2019August 26, 2023

MIDSOMMAR is a Terrifying Dose of Sun-Dappled Dread

Julian Singleton

June 21, 2019August 26, 2023

Catching Up with the Classics: CLOSE-UP (1990)

Julian Singleton

June 18, 2019August 26, 2023

Catching Up with the Classics: MAD MAX (1979)

Julian Singleton

June 5, 2019August 26, 2023

Catching Up with the Classics: COME AND SEE (1985)

Julian Singleton

May 27, 2019August 26, 2023

Julian Singleton’s Top 25 Films Of 2016 Countdown Video

Julian Singleton

February 21, 2017August 26, 2023

IN THE FRENCH STYLE : No Substance, Or Style

Ryan Lewellen

June 8, 2016May 6, 2024

The Archivist XLII: THE STRANGER Isn’t Completely Welcome

Ryan Lewellen

April 25, 2016May 6, 2024

VINCENT PRICE COLLECTION III: Taking Home A Legend

Ryan Lewellen

April 20, 2016May 6, 2024

Pick Of The Week: THE CONVERSATION Is Coppola At His Most Cinematic

Ryan Lewellen

March 4, 2016May 6, 2024

The Archivist XXXVIII: Cheese-Filled Space Operas, Including ICE PIRATES

Ryan Lewellen

February 16, 2016May 6, 2024

Dr. Terror’s House Of Horrors: Whatever Of Doom!

Ryan Lewellen

February 13, 2016May 6, 2024

The Man From U.N.C.L.E.: One Of Last Year’s Better Spy Movies

Ryan Lewellen

February 4, 2016May 6, 2024

BOLERO and GHOSTS CAN’T DO IT: WTF, Dereks?

Ryan Lewellen

January 27, 2016May 6, 2024

MYSTERIOUS ISLAND: Classic Effects In A Classic Adventure

Ryan Lewellen

January 27, 2016May 6, 2024

Ryan’s Top Five Boutique Blu-rays Of 2015

Ryan Lewellen

January 12, 2016May 6, 2024

The Archivist XXXV: Zen Anarchist, John Milius

Ryan Lewellen

December 23, 2015May 6, 2024

The Archivist XXXIV: We WILLIAMS You A Merry Christmas

Ryan Lewellen

December 10, 2015May 6, 2024

CREED Goes The Distance

Ryan Lewellen

December 1, 2015May 6, 2024

CHRISTINE: Dumb Idea, Great Movie

Ryan Lewellen

November 25, 2015May 6, 2024

SECRET IN THEIR EYES: Secret’s Out — This Movie Is Lost

Ryan Lewellen

November 24, 2015May 6, 2024

FAUST: F.W. Murnau’s Classic Has Been Beautifully Restored

Ryan Lewellen

November 19, 2015May 6, 2024

SPOTLIGHT: The Enormous Power Of Small Fimmaking

Ryan Lewellen

November 13, 2015

POTW: IN THE HEAT OF THE NIGHT — Investigating The Racist South

Ryan Lewellen

November 12, 2015May 6, 2024

SPECTRE: Just Here To Remind You 007 Is Marvel’s Prototypical Franchise

Ryan Lewellen

November 9, 2015May 6, 2024

THE PEANUTS MOVIE: Good, Good, Charlie Brown

Ryan Lewellen

November 6, 2015May 6, 2024

DARK BLUE: The Revolution Starts With You

Ryan Lewellen

November 3, 2015May 6, 2024

THE ARCHIVIST XXXI: Halloween Round 5 — Slasher VS. Slasher

Ryan Lewellen

November 3, 2015May 6, 2024

BRIDGE OF SPIES: The Cold War’s White Knight

Ryan Lewellen

October 24, 2015May 6, 2024

THE ARCHIVIST XXX: Halloween Round 4: Castle VS. Hammer

Ryan Lewellen

October 24, 2015May 6, 2024

THE ARCHIVIST XXIX: Halloween Round 3 — Frankenstein VS. Frankenstein

Ryan Lewellen

October 17, 2015May 6, 2024

THE ARCHIVIST XXVIII: Halloween Round 2 — Horny Robots Vs. Killer Antiques

Ryan Lewellen

September 25, 2015May 6, 2024

BLACK MASS: Crime Drama Fails To Bring The HEAT

Ryan Lewellen

September 18, 2015May 6, 2024

The Archivist XXVII: Halloween Round 1 — Charlton Heston Vs. David Bowie

Ryan Lewellen

September 13, 2015May 6, 2024

Foresight 20/20: Nicktoons’ Return Is A Bit Too Much Of History Repeating

Ryan Lewellen

September 9, 2015May 6, 2024

THE ARCHIVIST VOLUME XXVI: B-movie Underbellies With Vincent Price and Fred Williamson

Ryan Lewellen

August 29, 2015May 6, 2024

A Conversation With Alex Winter On His Career In Filmmaking [AUDIO!]

Ryan Lewellen

August 26, 2015May 6, 2024

VENDETTA: Oh It’s The Big, [Mostly] Bad Show Tonight

Ryan Lewellen

August 24, 2015May 6, 2024

THE ARCHIVIST XXV: THE MAN FROM U.N.C.L.E. Part 2!

Ryan Lewellen

August 22, 2015May 6, 2024

THE ARCHIVIST VOLUME XXIV: The Man From U.N.C.L.E. Part 1!

Ryan Lewellen

August 10, 2015May 6, 2024

NED KELLY: A Grand Failure

Ryan Lewellen

August 10, 2015May 6, 2024

GHOST TOWN: This Lost Charles Band Production Is D.O.A.

Ryan Lewellen

July 30, 2015

THE ARCHIVIST VOLUME XXIII: Christopher Lee — A Late Tribute To A Late Legend

Ryan Lewellen

July 23, 2015May 6, 2024

LAST KNIGHTS: Syntax Blues

Ryan Lewellen

July 17, 2015

APRIL LOVE: Shirley Jones Is A Boon(e) To Pat

Ryan Lewellen

July 8, 2015

The Archivist Volume XXII: Cursed Lovers!

Ryan Lewellen

July 6, 2015May 6, 2024

Chatting Up THE STRONGEST MAN Director Kenny Riches

Ryan Lewellen

July 1, 2015

The Archivist Volume XXI: Therrrre Wolf, Therrre Albert Finney

Ryan Lewellen

June 22, 2015May 6, 2024

The Archivist Volume XX: Giant Monsters Eatin’ People! — With Ray Harryhausen

Ryan Lewellen

June 5, 2015May 6, 2024

EXTRATERRESTRIAL Doesn’t Shoot For The Stars

Ryan Lewellen

May 22, 2015

FLAWLESS — Philip Seymour Hoffman And Robert De Niro In A Thoughtful Schumacher Film

Ryan Lewellen

May 22, 2015

THE PYRAMID Should Be Entombed

Ryan Lewellen

May 21, 2015May 6, 2024

The Archivist Volume XVIII — Spectacular Animation From Ralph Bakshi And Chuck Jones

Ryan Lewellen

May 8, 2015May 6, 2024

The Archivist Volume XVII — Adam West and Cathy Lee Crosby Star In Goofy DC Television

Ryan Lewellen

May 1, 2015May 6, 2024

Vincent Price In His Fantastic Final Horror Film — FROM A WHISPER TO A SCREAM

Ryan Lewellen

April 30, 2015

LUE SKY Turns Grey, Despite Jessica Lange’s Brilliance

Ryan Lewellen

April 29, 2015

The Archivist Volume XVI: Sort of John Turturro — BEING HUMAN [1994] and BRAIN DONORS [1992]

Ryan Lewellen

April 15, 2015May 6, 2024

MACGYVER is Back on DVD and We Didn’t Know How Much We Missed Him

Ryan Lewellen

April 13, 2015

THE ARCHIVIST Volume XV: Insane Italian Sci-Fi Adventures With WILD, WILD PLANET and WAR OF THE…

Ryan Lewellen

March 30, 2015May 6, 2024

MAN FROM RENO: Light And Moody Mystery Fun

Ryan Lewellen

March 27, 2015

New On Blu: THE END OF VIOLENCE — Wim Wenders’ Intriguing Misstep

Ryan Lewellen

March 25, 2015

New On Blu: CONVICTS — Life And Loss In 1902

Ryan Lewellen

March 25, 2015

New On Blu: Dustin Hoffman Is Brilliant in LENNY

Ryan Lewellen

March 18, 2015

THE ARCHIVIST Volume XIV: Jagger Struts In FREEJACK [1992] and PERFORMANCE [1970]

Ryan Lewellen

March 16, 2015May 6, 2024

New On Blu: BANDIT QUEEN Is Necessarily Heinous

Ryan Lewellen

March 11, 2015

THE ARCHIVIST VOLUME XIII — Failed Comic Book Adaptations: THE SPIRIT [1986] and STEEL [1997]

Ryan Lewellen

February 27, 2015May 6, 2024

NEW YEAR’S EVIL: Unjustified Cult Status

Ryan Lewellen

February 26, 2015

BLOOD RED Is Flawed But Gorgeous In HD

Ryan Lewellen

February 25, 2015

Pick Of The Week: FREAKED — Back In My Day, They Used To Make ’em Weird

Ryan Lewellen

February 19, 2015

LIFE ITSELF: A Fine Documentary About Movies, Life, And The Love Of Both

Ryan Lewellen

February 18, 2015

LE PONT DU NORD: Searching For Meaning In Everything

Ryan Lewellen

February 17, 2015

THE ARCHIVIST VOLUME XII: Where My Tribe At? THE CLAN OF THE CAVE BEAR [1985] and GREYSTOKE [1983]

Ryan Lewellen

February 16, 2015May 6, 2024

WHIPLASH: What Does it Take to Achieve Greatness? (More than PS4 Greatness)

Ryan Lewellen

February 12, 2015

JOHN CARPENTER’S LOST THEMES — So Happy He Found Them

Ryan Lewellen

February 11, 2015

WINTER IN THE BLOOD And The Powerful, Underheard Native Voice in Cinema

Ryan Lewellen

February 9, 2015

EXISTS: Bigfoot, Small Movie

Ryan Lewellen

February 3, 2015

Endangered Species: THE CROODS Foretells the End of the Male Social Conservative

Ryan Lewellen

January 22, 2015

The Archivist Volume X: Steve Martin in Forgotten Funnies With THE MAN WITH TWO BRAINS [1983] and…

Ryan Lewellen

January 19, 2015May 6, 2024

New On Blu: Olivia Wilde & Jason Bateman Charm in THE LONGEST WEEK

Ryan Lewellen

January 14, 2015

New on Blu: FUNNY LADY Grows A Little Old (But Just a Little)

Ryan Lewellen

January 9, 2015

New On Blu: YENTL Deserves Your Attention

Ryan Lewellen

January 5, 2015

THE ARCHIVIST — Volume VIII — Missions In The East And West With THE DEFECTOR (1966) and WICHITA…

Ryan Lewellen

December 19, 2014May 6, 2024

New on Blu: AUDREY ROSE Finds New Life In HD

Ryan Lewellen

November 28, 2014

New On Blu: THE CONFORMIST And The Tyranny Of A Lousy Restoration

Ryan Lewellen

November 26, 2014

New On Blu: BRAZILIAN WESTERN Almost Shoots Its Way To Greatness

Ryan Lewellen

November 25, 2014

THE ARCHIVIST — Volume VII — Old West Orbison

Ryan Lewellen

November 21, 2014May 6, 2024

New On Blu: THE CABINET OF DR. CALIGARI Awakens in HD

Ryan Lewellen

November 18, 2014

WOLVES: Not Much for Bark or Bite

Ryan Lewellen

November 14, 2014

DUMB AND DUMBER TO: Across Two Decades in the Wrong Direction

Ryan Lewellen

November 14, 2014

New On Blu: FREE FALL-en Far From the Tree

Ryan Lewellen

November 10, 2014

NEW ON BLU: CHE! (1969) is a Fascinating Failure

Ryan Lewellen

October 31, 2014

New on Blu: VINCENT PRICE COLLECTION II — Just in Time for Halloween

Ryan Lewellen

October 27, 2014

JOHN WICK: No Need To Reinvent The Wheel

Ryan Lewellen

October 24, 2014

New On Blu: WHITEY — The Documentary That Would Be Shocking

Ryan Lewellen

October 22, 2014May 6, 2024

Why Christopher Nolan Wants You To See INTERSTELLAR On Celluloid, And Why You Should Listen To Him

Ryan Lewellen

October 17, 2014May 6, 2024

Pick Of The Week: IN THE MOUTH OF MADNESS: Carpenter’s Whacko Ode to H.P. Lovecraft

Ryan Lewellen

October 15, 2014May 6, 2024

HECTOR AND THE SEARCH FOR HAPPINESS: A Sad Discovery

Ryan Lewellen

October 3, 2014May 6, 2024

THIS IS WHERE I LEAVE YOU: Mostly Dysfunctional

Ryan Lewellen

September 19, 2014May 6, 2024

THE DISAPPEARANCE OF ELEANOR RIGBY: Effective But Forgettable

Ryan Lewellen

September 18, 2014May 6, 2024

New On Blu: FAUST is Hypnotic in HD

Ryan Lewellen

September 17, 2014May 6, 2024

New on Blu: THE BUDDY HOLLY STORY Raves On

Ryan Lewellen

September 17, 2014May 6, 2024

AS ABOVE/SO BELOW: SO BELOW ITS POTENTIAL

Ryan Lewellen

August 29, 2014May 6, 2024

HERCULES: The Man, The Myth, The Sort of Good Movie

Ryan Lewellen

July 25, 2014May 6, 2024

The Champion of Men: Hercules the Hollow Humanitarian

Ryan Lewellen

July 21, 2014May 6, 2024

Quantity Over Quality: Hercules Gets Pumped Up

Ryan Lewellen

July 15, 2014May 6, 2024

This is a Man’s World: Hercules in the Italian “Sword and Sandal” Era

Ryan Lewellen

July 6, 2014May 6, 2024

The Asia Beat: NOROI: THE CURSE (2005) May Be The Greatest Found Footage Horror Film Ever Made

Julian Singleton

June 9, 2014August 26, 2023

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