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HAVOC is Visceral Powder Keg
An Appreciation of Aaron Pierre and REBEL RIDGE, Two Standouts of 2024
Pablo Larrain’s Trilogy is Complete with the Mesmerizing MARIA
Movie Review: THE PIANO LESSON
Movie Review: THE SHADOW STRAYS
Two Cents Continues Its Celebration of Found Footage Horror with INCANTATION
Fantastic Fest 2024: THE REMARKABLE LIFE OF IBELIN: A Powerful Doc Reveals a Meaningful Life
The Most Heroic Moment in GODZILLA MINUS ONE Doesn’t Involve Godzilla
Review: DAMSEL Blazes Onto Netflix
Criterion Review: PINOCCHIO [4K-UHD]
BLUE EYE SAMURAI Is A Blood-Soaked Blast
MAY DECEMBER Blurs Lines of Cruelty and Complicity to Disturbingly Effective Ends
FANTASTIC FEST 2023: THE FALL OF THE HOUSE OF USHER is Flanagan’s Fiendish Farewell to Netflix
ONE PIECE Reviewed By Someone Who Knows Nothing About ONE PIECE
EXTRACTION 2: Bigger! Bolder! Better…?
Idris Elba Takes a Bite Out of Crime in LUTHER: THE FALLEN SUN
The Legend of Benoit Blanc Grows in GLASS ONION: A KNIVES OUT MYSTERY
BLONDE tears Marilyn Monroe Apart
Criterion Review: OKJA 4K (2017)
THE POWER OF THE DOG is a Commanding Deconstruction of Cruelty and Compassion
Criterion Review: BEASTS OF NO NATION (2015)
MANK Rejects Nostalgia for True-To-Life Idealism
Criterion Review: THE IRISHMAN is Martin Scorsese’s Melancholy Mob Masterwork
REBECCA: A Visually Striking Adaptation Does its Damnedest to Escape the Shadow of its Predecessors
THE DEVIL ALL THE TIME: An Epic of Midwestern Misery That Comes Full Circle
DA 5 BLOODS: Spike Lee’s Sprawling Vietnam Epic is One of Raging Truths and Bloody Reconciliations
6 UNDERGROUND: Michael Bay’s Kid Gloves Are Off, But He’s No Less Juvenile
Fantastic Fest 2019: Claustrophobic Creepiness Abounds IN THE TALL GRASS
VENDETTA: Oh It’s The Big, [Mostly] Bad Show Tonight
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