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THE TWILIGHT SAGA Reviewed By Someone Who Knows Nothing About THE TWILIGHT SAGA
Criterion Review: NANNY (2022)
TWILIGHT Reviewed By Someone Who Knows Nothing About TWILIGHT
ENTER THE NINJA (1981): White Guy Karate: Origins
Looking Back at DON’T LOOK NOW
Audiences Prefer Blondes? Hayley, Jean Enchant in THE TRUTH ABOUT SPRING & MOMENT TO MOMENT
MEG 2: THE TRENCH 4K/Blu-Ray Review: Giant Shark Enthusiasts Will Be Disappointed
THE CHALLENGE (1982): One Of My New Favorite Movies
Criterion Review: MOONAGE DAYDREAM [4K-UHD]
MARTIAL ARTS OF SHAOLIN: Shawscope Vol. 2 – Roundtable Reviews
REVOIR PARIS: What Happens After [DVD Review]
Criterion Review: THE TRIAL
Screen Comparisons: THE EXORCIST 4K UHD vs 2010 Blu-ray
THE BOXER’S OMEN: Shawscope Vol. 2 – Roundtable Reviews
MERCENARIES FROM HONG KONG: Shawscope Volume 2 – Roundtable Reviews
Cauldron Films Unleashes Lucio Fulci’s CITY OF THE LIVING DEAD on 4K UHD!
Criterion Looks at How the 60s Told the Future with TARGETS and THE SERVANT
TWO FILMS BY PETER GREENAWAY Crave Your Curiosity and Attention
Criterion Review: AFTER HOURS (1985) [4K-UHD]
CHILE ’76 Is a Masterful Political Thriller
McBAIN: Regime Change As Action Film [Blu Review]
THE DRAUGHTSMAN’S CONTRACT is a Lush and Lurid Debut from Peter Greenaway
THEY CAME TO CORDURA Spotlights Tab Hunter’s Finest Moment
Yuen Woo Ping’s TIGER CAGE Trilogy on Blu-ray from Shout! Factory
Happy Mother’s Day, MILDRED PIERCE
The JLA Goes Anime in Crossover Event JUSTICE LEAGUE X RWBY
Criterion Review: TRIANGLE OF SADNESS (2023) 4K UHD
Eurocrime Actioner THE NEW GODFATHERS (1979) Arrives on Blu-ray from Raro
THE MALTESE FALCON [4K UHD Review]
ALL QUIET ON THE WESTERN FRONT [4K UHD Review]
The Texas Chain Saw Massacre is a Horrific Visual Feast on 4K UHD
Criterion Review: LARS VON TRIER’S EUROPE TRILOGY (1984/1987/1991)
CRITERION REVIEW: Michael Haneke — Trilogy (1989/1992/1994)
GHOSTWATCH: The British Godfather of Found Footage Horror Finally Comes to America
ELVIS: Baz Luhrmann’s Rhinestone-Studded Remix of Americana on Show-Stopping 4K UHD
POLTERGEIST Packs a Paranormal Punch on 4K UHD
Criterion Review: THE POWER OF THE DOG (2021) 4K UHD
Criterion Review: CURE (1997)
Criterion Review: LE CORBEAU (1943)
BELLE Gets a Beast of a 4K Collector’s Edition
Criterion Review: Double Indemnity (1944)
Criterion Review: OKJA 4K (2017)
THE NORTHMAN is a Valhöll-Worthy 4K UHD
Criterion Review: THE TALES OF HOFFMAN (1951)
THE MAN WHO SHOT LIBERTY VALANCE Blasts its Way onto 4K UHD
Criterion Review: FOR ALL MANKIND (1989)
Down the Rabbit Hole with THE MATRIX RESURRECTIONS 4K
Criterion Review: THE CELEBRATION (1996)
Criterion Review: THE PIANO (1994)
DUNE 4K UHD is Worth its Weight in Spice
Criterion Review: ONE NIGHT IN MIAMI and the Powerful Weight of Legacy
WIFE OF A SPY: All’s Fair in Love and War
Arrow Heads #91: Argento’s DEEP RED 4K (Limited Edition)
Criterion Review: ONIBABA (1964)
Arrow Heads #90: CHILDREN OF THE CORN 4K
THE AWAKENING is a Suspenseful, Somber Supernatural Mystery
Criterion Review: BEASTS OF NO NATION (2015)
Arrow Heads #87: THE CAT O’ NINE TAILS 4K
MY HEART CAN’T BEAT UNLESS YOU TELL IT TO is an Understated Exploration of Modern-Day Vampirism
Criterion Review: MIRROR (1975)
ALMOST FAMOUS Turns 21 On 4K
Arrow Heads #84: DJANGO & TEXAS ADIOS (1966)
Criterion Review: THE HUMAN CONDITION
EXPLORERS Soars on Blu-ray
Criterion Review: FAST TIMES AT RIDGEMONT HIGH (1982)
BIG FISH Beautifully Blends Fact and Fiction on 4K
Criterion Review: Assayas’ Kaleidoscope of Cinematic History IRMA VEP Astounds on Blu
LUST, CAUTION: A Complex, Passionate Romance Finally Arrives on US Blu
Criterion Review: SECRETS & LIES (1996)
FILMWORKER is a Testament to the Unsung Heroes of Classic Cinema
BRING ME THE HEAD OF ALFREDO GARCIA: Kino Lorber Bags A Peckinpah Crime Classic
Criterion Review: SYMBIOPSYCHOTAXIPLASM–TWO TAKES
Criterion Review: THE IRISHMAN is Martin Scorsese’s Melancholy Mob Masterwork
THE BEGUILED: Kino Lorber Revives a Slice of 70’s Southern Gothic on Blu-ray
Criterion Review: THE GUNFIGHTER
Criterion’s PARASITE Blu-ray is the Definitive Edition of the South Korean Stunner
The FOCUS FEATURES SPOTLIGHT COLLECTION Showcases 16 Years of Prestige Drama
Criterion Review: THE ELEPHANT MAN
TENDER MERCIES: A Quiet Country Classic Returns on Blu-ray
Criterion Review: COME AND SEE (1985)
Criterion Review: THE LADY EVE (1941)
YOUNG AHMED: A Lackluster Exploration of Homegrown Extremism [Blu Review]
BEANPOLE: A Striking Saga of Post-War Sacrifices [Blu Review]
Criterion Review: WILDLIFE (2018)
GRETEL & HANSEL: A Gripping Grimm Adaptation Hits Home Video
Criterion Review: THE CREMATOR
THE GOLEM: Kino Restores a Silent Horror Classic
A HIDDEN LIFE: A Tribute to the Courage of Conscientious Objection
KINETTA: Yorgos’ Lanthimos Debut is Both Frustrating and Fascinating
KNIVES OUT: You Can’t Resist Rian Johnson’s Delightfully Deadly Murder-Mystery on Blu-ray
LITTLE JOE: An Unsettling if Uneven Modern Body-Snatchers Tale
ROMA: Criterion and Netflix Bring About an Exciting Turning Point for Home Video
QUAI DES ORFÈVRES: A Clouzot Caper With a New 4K Restoration
Arrow Heads Vol. 77: THE ONE MISSED CALL TRILOGY
WAVES: Trey Edward Shults’ Sprawling Family Saga Comes to Blu-ray
With New Director’s Cut, DOCTOR SLEEP Proves a Mike Flanagan Masterwork
Criterion Review: ALL ABOUT MY MOTHER (1999)
BRICK’s Finally on Blu-ray and Better than Ever
There’s Still Enchantment in THE LIGHTHOUSE on Blu-ray
Arrow Heads Vol. 75 — SLAUGHTERHOUSE-FIVE: Once Unfilmable, Now Newly Restored
Criterion Review: OLD JOY (2006)
HITCHCOCK: THE BRITISH INTERNATIONAL PICTURES COLLECTION [Blu Review]
STORM OF THE CENTURY: Kino Brings King’s First Original Series in From the Cold
KUNDUN: Scorsese’s Dalai Lama Biopic Finds New Life on Blu-ray
Arrow Heads Vol. 70: THE DEAD CENTER (2019)
KIND HEARTS AND CORONETS: A Comedy Classic about Chopping Down the Family Tree [Blu Review]
DOGTOOTH and ALPS: A Yorgos Lanthimos Double Feature
Arrow Heads Vol. 67: WHO SAW HER DIE? (1972)
PORT OF SHADOWS: A French Classic With a Stunning Restoration [Blu Review]
SILENT HILL: Shout Factory Resurrects the Best Video Game Adaptation [Blu Review]
AFTERMATH: For When You Like Your Arnold Schwarzenegger Dour
JCVD’s KILL ’EM ALL is DOA
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