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HELL HOLE is a Clever, Carnage-Filled Creature Feature

Julian Singleton

August 19, 2024August 8, 2024

Fantasia 2024: STEPPENWOLF is an Earth-Shaking Apocalyptic Quest for Empathy

Julian Singleton

August 16, 2024August 16, 2024

Fantasia 2024: SHELBY OAKS is a Flawed Yet Fascinating Horror Debut

Julian Singleton

August 11, 2024August 11, 2024

FANTASIA 2024: BOOKWORM is Pure Cinematic Dopamine

August 8, 2024August 8, 2024

FANTASIA 2024: An Interview with the Director of BLACK EYED SUSAN Scooter McCrae and Stars Yvonne Emilie Thälker and Damian Maffei

August 8, 2024August 8, 2024

Fantasia 2024: You Can’t Get Off the PENALTY LOOP

August 4, 2024August 8, 2024

FANTASIA 2024: BLACK EYED SUSAN is a Dense Transgressive Masterwork

August 3, 2024August 3, 2024

FANTASIA 2024: HOUSE OF SAYURI is a Frightfully Fun Evolution of Japanese Horror

Julian Singleton

August 2, 2024August 2, 2024

Fantasia 2024: A Pair of Female Filmmakers Explore Haunting Poignancy with DARKEST MIRIAM and HOLLYWOOD 90028

August 1, 2024November 23, 2024

FANTASIA 2024: CUCKOO is a Queer Sci-fi/Horror Coming of Age Banger

July 31, 2024July 31, 2024

FANTASIA 2024: CUCKOO is an Unpredictable Nest of Horror Possibility

Julian Singleton

July 30, 2024July 30, 2024

FANTASIA 2024: STEPPENWOLF is a Bleak and Visceral Vision

July 29, 2024July 29, 2024

FANTASIA 2024: A SAMURAI IN TIME is a Lengthy Love Letter to Samurai Filmmaking

Julian Singleton

July 28, 2024July 21, 2024

FANTASIA 2024: THIS MAN – THE ROOM meets THE RING

July 26, 2024July 29, 2024

FANTASIA 2024: THE SOUL EATER – Disappointing and Derivative

July 25, 2024July 31, 2024

Fantasia 2024: The Cinapse Crew’s Most Anticipated

July 10, 2024August 8, 2024

FANTASIA 2023: NEW LIFE is a Intimate and Thought Provoking Genre Mashup

August 16, 2023October 6, 2023

FANTASIA 2023: THE FIRST SLAM DUNK is a Shōnen Masterwork

July 31, 2023October 6, 2023

FANTASIA 2023: Junta Yamaguchi’s RIVER is a Dreamy Whimsical Delight!

July 28, 2023October 6, 2023

FANTASIA 2023: A DISTURBANCE IN THE FORCE Bestows Context and Clarity onto the STAR WARS HOLIDAY SPECIAL

July 27, 2023October 6, 2023

FANTASIA 2023: A Chat with Renaissance Woman and Director of PRUNING Lola Blanc

July 27, 2023October 6, 2023

FANTASIA 2023: RESTORE POINT is a Rousing Dose of High Concept Czech Sci-Fi

July 25, 2023October 6, 2023

FANTASIA 2023: VINCENT MUST DIE is a Captivating Genre Bending Debut

July 23, 2023October 6, 2023

FANTASIA 2023: Frank & Dan’s Most Anticipated for this Year’s Fest!

July 7, 2023July 16, 2023

Fantasia 2022: POPRAN is a Heartfelt, Bizarrely Satirical Look at Toxic Masculinity

July 31, 2022January 3, 2023

Fantasia 2022: LEGIONS is Bloody Wholesome Folk Horror

July 31, 2022January 3, 2023

Fantasia 2022: Chatting with Writer/Director Carter Smith about SWALLOWED

July 31, 2022January 3, 2023

Fantasia 2022: MEGALOMANIAC Making a Monster

July 29, 2022January 3, 2023

Fantasia 2022: THE ARTIFICE GIRL — a Very Human Story of Artificial Intelligence

July 29, 2022January 3, 2023

Fantasia 2022: DEADSTREAM — the EVIL DEAD 2 of Found Footage Movies

July 24, 2022January 3, 2023

Fantasia 2022: SHIN ULTRAMAN’s Director Shinji Higuchi talks Kaiju, Bureaucracy and Updating an…

July 22, 2022January 3, 2023

Fantasia 2022: SWALLOWED – EASY RIDER through a Cronenbergian Lens

July 16, 2022January 3, 2023

Fantasia 2022 Hits Next Week and Here’s Our Most Anticipated!

July 7, 2022January 3, 2023

Fantasia Fest 2021: YAKUZA PRINCESS Builds To War

August 18, 2021August 4, 2023

Fantasia 2020: CRAZY SAMURAI MUSASHI is More Technical Exercise Than Movie

August 20, 2020September 16, 2023

Fantasia 2018: LOI BAO is Not The Vietnamese FACE/OFF I Wanted

July 22, 2018October 14, 2023

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