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Two Cents Gets Pazzo-Apocalyptic with THE NEW BARBARIANS
Criterion Review: THE SHAPE OF WATER [4K UHD]
GLADIATOR II: Strength and Honor…and Not Much Else
Criterion Review: DEMON POND [4K UHD]
October’s Two Cents Found Footage Month Reaches a Fiery Finish with NOROI: THE CURSE
Two Cents Dives into Found Footage Horror Month with LAKE MUNGO
Fantastic Fest 2024: SISTER MIDNIGHT is a Blood-Draining and Delightful New Take on Vampire Lore
Fantastic Fest 2024: DEAD TALENTS SOCIETY is Spooky, Silly, and So Damn Fun
Fantastic Fest 2024: CLOUD Exposes the Artifice of Ambition
Fantastic Fest 2024: WHAT HAPPENED TO DOROTHY BELL Finds Rich Potential in Found-Footage Horror
Fantastic Fest 2024: MADS is a One-Take Roller-Coaster Ride into Hell
THE BOY AND THE HERON: Miyazaki’s Final Dreamscape Stuns on 4K UHD
ONCE UPON A TIME IN AMERICA: Sergio Leone’s Final Film Restored and Reappraised [Two Cents]
FURIOSA 4K Brings the Best of Mad Max to Home Video
Two Cents Heads into the Unknown with MEEK’S CUTOFF
HELL HOLE is a Clever, Carnage-Filled Creature Feature
Fantasia 2024: STEPPENWOLF is an Earth-Shaking Apocalyptic Quest for Empathy
Fantasia 2024: SHELBY OAKS is a Flawed Yet Fascinating Horror Debut
FANTASIA 2024: HOUSE OF SAYURI is a Frightfully Fun Evolution of Japanese Horror
Criterion Review: PAT GARRETT AND BILLY THE KID (1973/2024)
FANTASIA 2024: CUCKOO is an Unpredictable Nest of Horror Possibility
FANTASIA 2024: A SAMURAI IN TIME is a Lengthy Love Letter to Samurai Filmmaking
ODDITY is a Creepy, Claustrophobic Chamber Play
LONGLEGS is a Diabolical Detective Story
Two Cents Crashes Tom Hanks’ Island Paradise in CAST AWAY
Criterion Review: THE UNDERGROUND RAILROAD (2021)
A QUIET PLACE: DAY ONE is a Sincere Near-Silent Stunner
INSIDE OUT 2 is Pixar’s Rewarding Return to Form
HANDLING THE UNDEAD is a Messy and Mesmerizing Portrait of Grief
Criterion Review: ANATOMY OF A FALL (2024)
IN A VIOLENT NATURE Brutally Upends Slasher Expectations
Two Cents Film Club Hails Caesar in DAWN OF THE PLANET OF THE APES
EVIL DOES NOT EXIST: Silence Speaks Volumes in a Chilling Reflection on Human Nature
THE FALL GUY Takes Its Punches and Earns Its Laughs
Criterion Review: WERCKMEISTER HARMONIES (2000) [4K UHD]
APE-RIL Hails the Eighth Wonder of the World as Two Cents Revisits KING KONG (2005)
ABIGAIL Delivers the Blood, But Needs More Guts
LATE NIGHT WITH THE DEVIL: Real-Time, Really Funny, and Truly Terrifying
THE RING COLLECTION is Well Worth the Wait [4K REVIEW]
LISA FRANKENSTEIN: A Sweetly Sinister Romance from Beyond the Grave
JFK: A Masterpiece of American Myth-Making Hits 4K
BENEDETTA: Paul Verhoeven Retrospective [Two Cents]
Criterion Review: DAYS OF HEAVEN [4K-UHD]
NIGHT SWIM Aims Deep, Hits Shallow
It’s Time to Bury the Ending of ALL OF US STRANGERS
Criterion Review: PINOCCHIO [4K-UHD]
The Zone of Interest and the Comfortability of Evil
POOR THINGS is an Indulgent and Beautiful Odyssey
Ridley Scott’s NAPOLEON Prints the Legend
MAY DECEMBER Blurs Lines of Cruelty and Complicity to Disturbingly Effective Ends
Criterion Review: NANNY (2022)
THE MARVELS Refreshingly Brings Marvel Back to Basics
Criterion Review: MOONAGE DAYDREAM [4K-UHD]
THE EXORCIST: BELIEVER Needs to Believe In Itself
Fantastic Fest 2023: YOUR LUCKY DAY Places Us in the Thick of a Harrowing Crime Thriller
Fantastic Fest 2023: RAGE Evolves our Expectations of Werewolf Films
FANTASTIC FEST 2023: THE DEEP DARK is Claustrophobic Cosmic Horror
FANTASTIC FEST 2023: UFO SWEDEN is a Soaring Scandinavian Sci-Fi Wonder
FANTASTIC FEST 2023: WHEN EVIL LURKS is a Gleefully Grotesque Possession Flick
FANTASTIC FEST 2023: THE FALL OF THE HOUSE OF USHER is Flanagan’s Fiendish Farewell to Netflix
Screen Comparisons: THE EXORCIST 4K UHD vs 2010 Blu-ray
TWO FILMS BY PETER GREENAWAY Crave Your Curiosity and Attention
PASSAGES and the Irresistible Chaos of Connection
Criterion Review: AFTER HOURS (1985) [4K-UHD]
TALK TO ME is Full of Nerve-Shredding Terror
OPPENHEIMER is a Stunning Dissection of Apocalyptic Guilt and Glory
THE DRAUGHTSMAN’S CONTRACT is a Lush and Lurid Debut from Peter Greenaway
SPIDER-MAN: ACROSS THE SPIDER-VERSE is Ambitious Animation that Stuns and Soars in Equal Measure
CHEVALIER is an Exquisite Reclamation of a Revolutionary Artist
Criterion Review: TRIANGLE OF SADNESS (2023) 4K UHD
RENFIELD is a Vampire Comedy Sucked Dry of Effective Humor
THE MALTESE FALCON [4K UHD Review]
ALL QUIET ON THE WESTERN FRONT [4K UHD Review]
A Farewell to SERVANT, A Titan of Tension and Terror
The Texas Chain Saw Massacre is a Horrific Visual Feast on 4K UHD
Criterion Review: LARS VON TRIER’S EUROPE TRILOGY (1984/1987/1991)
CRITERION REVIEW: Michael Haneke — Trilogy (1989/1992/1994)
2022: 25 Films
GHOSTWATCH: The British Godfather of Found Footage Horror Finally Comes to America
ELVIS: Baz Luhrmann’s Rhinestone-Studded Remix of Americana on Show-Stopping 4K UHD
POLTERGEIST Packs a Paranormal Punch on 4K UHD
Criterion Review: THE POWER OF THE DOG (2021) 4K UHD
Austin Film Festival 2022: THE WHALE Marks the Revelatory Return of Brendan Fraser
CAUSEWAY Examines the Raw Wounds of Recovery
Criterion Review: CURE (1997)
Fantastic Fest 2022: ATTACHMENT is an Insightful Blend of Queer and Religious Horror
Fantastic Fest 2022: BONES AND ALL is a Lush Romantic Epic About the Hunger to Belong
Fantastic Fest 2022: THE FIVE DEVILS is a Sensuous Time-Travel Fable
Fantastic Fest 2022: PROJECT WOLF HUNTING is a Disturbingly Fun Genre Supernova
Fantastic Fest 2022: UNICORN WARS Embraces Cuddly Carnage
Fantastic Fest 2022: HUNT is an Explosive Korean Action Thriller
Believe the Kids: This GOODNIGHT MOMMY is an Imposter
BLONDE tears Marilyn Monroe Apart
Criterion Review: LE CORBEAU (1943)
BELLE Gets a Beast of a 4K Collector’s Edition
Criterion Review: Double Indemnity (1944)
Criterion Review: OKJA 4K (2017)
THE NORTHMAN is a Valhöll-Worthy 4K UHD
Criterion Review: THE TALES OF HOFFMAN (1951)
THE MAN WHO SHOT LIBERTY VALANCE Blasts its Way onto 4K UHD
DASHCAM is a Divisive Endurance Test Like Nothing You’ve Ever Seen
Criterion Review: FOR ALL MANKIND (1989)
MIDNIGHT is a Subversive Sensory Thriller
Top 9 99-Minute Films
Down the Rabbit Hole with THE MATRIX RESURRECTIONS 4K
Embrace the Dark Sincerity of THE BATMAN
Criterion Review: THE CELEBRATION (1996)
Criterion Review: THE PIANO (1994)
RESURRECTION is Sundance 2022’s Biggest Jaw-Dropper
Sundance 2022: WATCHER
DUNE 4K UHD is Worth its Weight in Spice
2021: 25 Films
Criterion Review: ONE NIGHT IN MIAMI and the Powerful Weight of Legacy
WIFE OF A SPY: All’s Fair in Love and War
THE POWER OF THE DOG is a Commanding Deconstruction of Cruelty and Compassion
Arrow Heads #91: Argento’s DEEP RED 4K (Limited Edition)
ANTLERS is a Faltering, Frustrating Folk Horror Tale
Criterion Review: ONIBABA (1964)
Arrow Heads #90: CHILDREN OF THE CORN 4K
THE AWAKENING is a Suspenseful, Somber Supernatural Mystery
MASS Channels Unspeakable Tragedy into Cathartic Confrontations
Fantastic Fest 2021: The Passion Play of BENEDETTA
Fantastic Fest 2021: SALOUM is a Slice of Genre-Bending Senegalese Mayhem
Fantastic Fest 2021: BELLE is an Ambitious Social Media Spectacle
Fantastic Fest 2021: THE BLACK PHONE is Creepy, Claustrophobic, and Wickedly Cool
Fantastic Fest 2021: LAMB is a Patient and Primal Exploration of Parenthood
Fantastic Fest 2021: THE FOUND FOOTAGE PHENOMENON is a Love Letter to Decades of Creepy Cinema
Fantastic Fest 2021: An Interview with THE FOUND FOOTAGE PHENOMENON Co-Director Sarah Appleton
Criterion Review: BEASTS OF NO NATION (2015)
Arrow Heads #87: THE CAT O’ NINE TAILS 4K
MY HEART CAN’T BEAT UNLESS YOU TELL IT TO is an Understated Exploration of Modern-Day Vampirism
A CODA’s Take on CODA
Criterion Review: MIRROR (1975)
HOWLING VILLAGE is a Satisfying Slice of Japanese Horror
Interview: Takashi Shimizu Tackles Tales, Time, and Terror in HOWLING VILLAGE
ANNETTE is a Dazzling and Disorienting Musical Experience
ALMOST FAMOUS Turns 21 On 4K
Arrow Heads #84: DJANGO & TEXAS ADIOS (1966)
Criterion Review: THE HUMAN CONDITION
UNDINE Explores the Depths of Love and Longing
EXPLORERS Soars on Blu-ray
Criterion Review: FAST TIMES AT RIDGEMONT HIGH (1982)
BIG FISH Beautifully Blends Fact and Fiction on 4K
Criterion Review: Assayas’ Kaleidoscope of Cinematic History IRMA VEP Astounds on Blu
LUST, CAUTION: A Complex, Passionate Romance Finally Arrives on US Blu
Criterion Review: SECRETS & LIES (1996)
FILMWORKER is a Testament to the Unsung Heroes of Classic Cinema
THE FATHER is a Disorienting and Visceral Depiction of Dementia
BRING ME THE HEAD OF ALFREDO GARCIA: Kino Lorber Bags A Peckinpah Crime Classic
IDENTIFYING FEATURES is a Bracing Border Journey
THE WANTING MARE: A Sci-Fi Spectacle Brimming with Rough Beauty
SAINT MAUD is an Incendiary Awakening of a Would-Be Savior
TO THE ENDS OF THE EARTH is a Beautiful Psychological Travelogue
Criterion Review: SYMBIOPSYCHOTAXIPLASM–TWO TAKES
MANK Rejects Nostalgia for True-To-Life Idealism
SOUND OF METAL Rings Hollow
Criterion Review: THE IRISHMAN is Martin Scorsese’s Melancholy Mob Masterwork
THE BEGUILED: Kino Lorber Revives a Slice of 70’s Southern Gothic on Blu-ray
Criterion Review: THE GUNFIGHTER
Criterion’s PARASITE Blu-ray is the Definitive Edition of the South Korean Stunner
The FOCUS FEATURES SPOTLIGHT COLLECTION Showcases 16 Years of Prestige Drama
REBECCA: A Visually Striking Adaptation Does its Damnedest to Escape the Shadow of its Predecessors
Criterion Review: THE ELEPHANT MAN
THE DEVIL ALL THE TIME: An Epic of Midwestern Misery That Comes Full Circle
Catching Up with the Classics: NAPOLEON (1927)
TENDER MERCIES: A Quiet Country Classic Returns on Blu-ray
SPUTNIK: A Striking Morality Play Lurks Within This Fun Soviet Creature Feature
THE RENTAL: Fun Summer Suspense that Never Outstays its Welcome
Criterion Review: COME AND SEE (1985)
Criterion Review: THE LADY EVE (1941)
THE TRUTH: A Quietly Compelling Portrait of Family and Fame
YOUNG AHMED: A Lackluster Exploration of Homegrown Extremism [Blu Review]
BEANPOLE: A Striking Saga of Post-War Sacrifices [Blu Review]
DA 5 BLOODS: Spike Lee’s Sprawling Vietnam Epic is One of Raging Truths and Bloody Reconciliations
Criterion Review: WILDLIFE (2018)
Catching Up with the Classics: THE COOK, THE THIEF, HIS WIFE, & HER LOVER (1989)
Catching Up with the Classics: MILDRED PIERCE (1945)
GRETEL & HANSEL: A Gripping Grimm Adaptation Hits Home Video
Criterion Review: THE CREMATOR
10 Streaming Epics To Get You Through Quarantine
THE GOLEM: Kino Restores a Silent Horror Classic
Catching Up with the Classics — THE GODFATHER: PART III (1990)
Catching Up with the Classics: GANGS OF NEW YORK (2002)
A HIDDEN LIFE: A Tribute to the Courage of Conscientious Objection
KINETTA: Yorgos’ Lanthimos Debut is Both Frustrating and Fascinating
KNIVES OUT: You Can’t Resist Rian Johnson’s Delightfully Deadly Murder-Mystery on Blu-ray
ESCAPE FROM PRETORIA: A Prison Break Film Isolated From a Deeper Context
LITTLE JOE: An Unsettling if Uneven Modern Body-Snatchers Tale
ROMA: Criterion and Netflix Bring About an Exciting Turning Point for Home Video
QUAI DES ORFÈVRES: A Clouzot Caper With a New 4K Restoration
Arrow Heads Vol. 77: THE ONE MISSED CALL TRILOGY
WAVES: Trey Edward Shults’ Sprawling Family Saga Comes to Blu-ray
With New Director’s Cut, DOCTOR SLEEP Proves a Mike Flanagan Masterwork
Criterion Review: ALL ABOUT MY MOTHER (1999)
BRICK’s Finally on Blu-ray and Better than Ever
WEATHERING WITH YOU: A Sunny Romance with a Cloudy Moral Center
2019: 25 Films
LES MISÉRABLES is a Cynical Yet Compelling Call to Action
There’s Still Enchantment in THE LIGHTHOUSE on Blu-ray
BOMBSHELL’s Impact Barely Breaks the Surface
LITTLE WOMEN Brims With Joy and Vulnerability
Arrow Heads Vol. 75 — SLAUGHTERHOUSE-FIVE: Once Unfilmable, Now Newly Restored
Criterion Review: OLD JOY (2006)
HITCHCOCK: THE BRITISH INTERNATIONAL PICTURES COLLECTION [Blu Review]
KNIVES AND SKIN: A Surreal Mystery That’s More Missed Opportunity
Catching Up with the Classics: SÁTÁNTANGÓ (1994)
THE REPORT is a Sobering Indictment of Sanctioned Cruelty
DOCTOR SLEEP Isn’t Quite Kubrick or King, But Still Shines On Its Own
STORM OF THE CENTURY: Kino Brings King’s First Original Series in From the Cold
KUNDUN: Scorsese’s Dalai Lama Biopic Finds New Life on Blu-ray
Arrow Heads Vol. 70: THE DEAD CENTER (2019)
KIND HEARTS AND CORONETS: A Comedy Classic about Chopping Down the Family Tree [Blu Review]
Fantastic Fest: THE VAST OF NIGHT is Spellbinding Sound-Driven Sci-Fi
Fantastic Fest: THE LODGE is a Beautifully Bleak Horror Film
Fantastic Fest: SYNCHRONIC is a Trip Worth Taking
DOGTOOTH and ALPS: A Yorgos Lanthimos Double Feature
Fantastic Fest 2019: RIDE YOUR WAVE is a Soaringly Sentimental and Spiritual Romance
Fantastic Fest 2019: Claustrophobic Creepiness Abounds IN THE TALL GRASS
Fantastic Fest 2019: THE LONG WALK is a Time-Travel Film that Reaps Rewards for a Patient Audience
Fantastic Fest 2019: SON OF THE WHITE MARE is a Wondrous, Hallucinatory Epic
AD ASTRA: An Uncompromising Space Epic that Finds Solace in Solitude
Arrow Heads Vol. 67: WHO SAW HER DIE? (1972)
TIGERS ARE NOT AFRAID is a Ferociously Fearless Fairy Tale
DEPRAVED is an Ambitious and Entertaining Spin on Frankenstein Lore
READY OR NOT is a Blood-Soaked Blast
Catching Up with the Classics: CRIES AND WHISPERS (1972)
Catching Up with the Classics: MODERN TIMES (1936)
PORT OF SHADOWS: A French Classic With a Stunning Restoration [Blu Review]
THE NIGHTINGALE Sings a Brutal Song
Interview: Baykali Ganambarr on THE NIGHTINGALE
SCARY STORIES TO TELL IN THE DARK is Full of Fun if Predictable Late-Summer Frights
Catching Up with the Classics: MALCOLM X (1992)
THE FAREWELL: Awkwafina Shines in Lulu Wang’s Sundance Hit
Catching Up with the Classics: BEYOND THE HILLS (2012)
THE LION KING Triumphantly Roars Over Other Disney Re-Dos
SILENT HILL: Shout Factory Resurrects the Best Video Game Adaptation [Blu Review]
MIDSOMMAR is a Terrifying Dose of Sun-Dappled Dread
Catching Up with the Classics: CLOSE-UP (1990)
Catching Up with the Classics: MAD MAX (1979)
Catching Up with the Classics: COME AND SEE (1985)
Julian Singleton’s Top 25 Films Of 2016 Countdown Video
THE DISAPPEARANCE OF ELEANOR RIGBY: All You Need is Love (And Patience)
BULLHEAD and the Futility of Raging Against Our Fates
The Asia Beat: NOROI: THE CURSE (2005) May Be The Greatest Found Footage Horror Film Ever Made
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