Chaos Reigns. Austin, Texas. September 21st — 28th.
13. Unlucky for some, but the attendees of this year’s Fantastic Fest will be hoping to avoid any misfortune as the festival hits Year 13 of bringing the traditional mix of brilliantly bizarre genre cinema and associated events to Austin, Texas. The fest usually embraces a yearly theme for rep cinema, food specials, and party events, and 2017 is no different, with proceedings taking on an Arabic flavor. As ever, Cinapse will have a healthy contingent of critics (a ‘gaggle’? a ‘company’? perhaps even an ‘unkindness’ of critics?) in attendance, bringing you daily coverage and in depth reviews.
We’ll offer up our ‘Most Anticipated’ later this week, but for now, check out the press release and entire lineup list for 2017.
The Press Release
Fantastic Fest, Alamo Drafthouse’s annual descent into chaos and carnage, returns for its thirteenth year, screaming “Yalla!” at full throttle. Loosely translated as “Let’s go,” this year’s rally cry is informed by the Arabic theme that will permeate the festival as it once again delves deep into the corners of the world’s best cinema.
S. Craig Zahler makes his triumphant return with the US premiere of 2018’s most hyper-violent slice of brute force, BRAWL IN CELL BLOCK 99. Not to be outmuscled, Zahler’s bringing backup in the form of the thunderous trifecta of Vince Vaughn, Don Johnson and Udo Kier. And Barry Keoghan marks his first Fantastic Fest, sharing Yorgos Lanthimos’ savage horror epic THE KILLING OF A SACRED DEER for the first time in the US.
Embracing cinema spanning from Egypt to Lebanon to Iraq to Afghanistan, the festival turns an eye to celebrate the best of the region. Highlights include Egypt’s rarely seen Rocky Horror Picture Show adaptation ANYAB and the International Premiere of the box office smash AL ASLEYEEN (aka THE ORIGINALS) directed by Marwan Hamed. “It’s truly a joy to be able to showcase a variety of Arabic genre films never before seen in the US to shatter preconceptions.” said Fantastic Fest Creative Director Evrim Ersoy. “Cinema from this region is as exciting, inventive and as wild as anything we’ve ever seen and we’re here to prove it. It’s going to be a wild ride! Yalla, Habibi!”
Fantastic Fest’s global reach isn’t relegated exclusively to Arabic nations, as it has once again scoured the corners of the globe to bring the best cinema to Austin, TX. Sweden is well represented with Ruben Ostlund’s brilliantly sardonic THE SQUARE; Japan’s master of malevolence, Takashi Miike, hits a bloody century with his 100th feature, BLADE OF THE IMMORTAL; Scotland flies its flesh-eating flag with John McPhail’s zombie musical, ANNA AND THE APOCALYPSE; and Austrian Oscar winner Stefan Ruzowitsky delivers a brutal and relentless ride with COLD HELL.
Maine’s finest son, Stephen King, is gorgeously represented with two standouts from Netflix’s burgeoning genre slate. GERALD’S GAME receives its US premiere along with the welcome return of Fantastic Fest alumni Mike Flanagan, who delivers a chilling adaptation of one of King’s most beloved bedside tales starring Carla Gugino and Bruce Greenwood. And Fantastic Fest first-timer Zak Hilditch will be in attendance to share his perfectly precise vision of King’s uber-creepy novella, 1922, for its world premiere.
Sticking with the theme of world premieres, this year’s program features a selective set of titles from first-time feature filmmakers whose wildly impressive debuts belie the depth of their filmographies. Spanish short master Yayo Herrero excels with his fantasy horror, MAUS; Bradley Buecker explores wasted youth and packs a visceral punch from the wrong side of the tracks with JUVENILE; and Lukas Feigelfeld shocks with his atmospheric exploration of a medieval hell in HAGAZUSSA — A HEATHEN’S CURSE.
Fantastic Fest alumni are well represented this year as DAN DREAM reunites KLOWN’s dynamic duo of Casper Christensen and Frank Hvam for an electric road trip back to the ’80s; GENERATION B sees WASTE LAND director Pieter Van Hees return with a mad comedy; and RON GOOSSENS: LOW-BUDGET STUNTMAN delivers the warm embrace of directors Steffen Haars and Flip van der Kuil, whose previous NEW KIDS features and BROs BEFORE HOs crushed at previous editions of Fantastic Fest.
Alexander Payne’s masterpiece-in-miniature, DOWNSIZING, bestowed the honor of closing night film. Fantastic-Fest first-timers making their way to Austin include Cory Finley and his razor sharp debut THOROUGHBRED, and fan-favorite tough guy extraordinaire Frank Grillo, who will be on hand to flex some muscle for the World Premiere of his nail-biting getaway drama, WHEELMAN.
In keeping with world premieres, Fantastic Fest is proud to announce a fistful of titles that will receive their big screen bows. Screen great Barbara Crampton will be in attendance with director Bradford Baruh for a ride in his chilling APPLECART, featuring over forty minutes of zero gravity footage; Russia’s SALYUT-7 is guaranteed to pop 3D eyes; HAUNTERS: THE ART OF THE SCARE walks us through the world’s most terrifying haunted houses; and TIGERS ARE NOT AFRAID delivers a contemporary fairytale from within the world of the mexican cartels.
Female filmmakers once again deliver powerful voices with three of the most dynamic films of the festival. Angel Robinson will be in attendance to share the controversially kinky true story behind the year’s biggest superhero with PROFESSOR MARSTON & THE WONDER WOMEN; Lisa Bruhlmann makes a stunning entrance with her fantastical coming-of-age debut BLUE MY MIND; and not to be outdone, first time feature-maker Coralie Fargeat turns the revenge genre upside down with her outrageous femme fatale fiesta, REVENGE.
A mainstay of Fantastic Fest has been showcasing world cinema’s finest exports and this year is no exception. Asia basks in the glory of master Kiyoshi Kurosawa’s return to the apocalyptic fold with BEFORE WE VANISH (Japan), while his countryman Sôichi Umezawa delivers the outlandish midnight spectacle of VAMPIRE CLAY (Japan). South Korea represents with the year’s toughest crime caper, THE MERCILESS, and serial killer shocker V.I.P., while NYAFF award-winner BAD GENIUS represents Thailand. And Taiwan shows school students no mercy with the hyper-violent MON MON MON MONSTERS. Not to be outdone, Europe comes out swinging with Hungarian auteur Kornél Mundruczó’s follow up to WHITE GOD, the stunning JUPITER’S MOON, French filmmakers Hélène Cattet & Bruno Forzani splash their hyper-stylized western LET THE CORPSES TAN across the screen and Norway’s Joachim Trier delivers one of the most quietly impressive films of the year, the assured THELMA.
The world premiere of Don Hertzfeldt’s WORLD OF TOMORROW EPISODE 2: THE BURDEN OF OTHER PEOPLE’S THOUGHTS highlights an animated sidebar that pushes the medium into brave new spaces. Rounding out the fantastical trio is the debut feature from Studio Ponoc, MARY AND THE WITCHES FLOWER, from ex Studio Ghibli key animator Hiromasa Yonebayashi, and JUNK HEAD, Takahide Hori’s claymation feature that took him over seven years to complete, entirely by himself.
American Genre Film Archive makes its triumphant return to Fantastic Fest with two movies that will rot your libido in the best way. BAT PUSSY, the world’s first X-rated parody, shares the spotlight the world premiere of a brand new 2K transfer of one of the most sought-after lost films in the history of exploitation cinema in a very special secret screening. Additional rep titles include the world premiere of the Takashi Miike-approved 4K restoration of ICHI THE KILLER, the digital remaster of the seminal Indian cult movie BAASHA, and Jean Rollin’s THE NUDE VAMPIRE, presented by Kier-la Janisse in celebration of her new book Lost Girls: The Phantasmagorical Cinema of Jean Rollin.
True to form, Fantastic Fest will be re-writing reality once more with a crowded cornucopia of events that invade all corners of the fest. Gross-out grub-gorging spectacle Puke and Explode rumbles once more, notorious VHS archival warriors Everything is Terrible return with an all-new show to both delight and horrify. Rotten Tomatoes joins the fray with Your Opinion Sucks, the ultimate live discussion about the best and worst in movies and TV shows. Comedy legend Gilbert Gottfried will be performing and screening the incredible biographical doc GILBERT, and the seminal Fantastic Debates marks its 10-year anniversary of polemic pugilism in spectacular fashion.
The Lineup
1%
Australia, 2017. US Premiere, 92 min. Director — Stephen McCallum
When Knuck gets out of prison and returns to his motorcycle club on the fringes of Australian society, he finds himself in deadly conflict with his surrogate son Paddo. Only one of them can survive the coming battle.
1922
USA, 2017. World Premiere, 101 mins. Director — Zak Hilditch
1922 is based on Stephen King’s 131-page story telling of a man’s confession of his wife’s murder. The tale is told from from the perspective of Wilfred James, the story’s unreliable narrator who admits to killing his wife, Arlette, in Nebraska. But after he buries her body, he finds himself terrorized by rats and, as his life begins to unravel, he becomes convinced his wife is haunting him.
3FT BALL & SOULS
Japan, 2017. International Premiere, 93 min. Director — Yoshio Kato
Four strangers come together to commit suicide using explosives. But they discover that every time they blow up, they’re sent back to just before they killed themselves.
78/52
USA, 2017. Regional Premiere, 91 min. Director — Alexandre O. Philippe
This masterful documentary focuses on a single aspect of Hitchcock’s PSYCHO to demonstrate the master’s technical ability in storytelling. With expert interviews and rollicking analysis, 78/52 sets a new bar in how to examine film overall.
AGFA + SOMETHING WEIRD PRESENT: BAT PUSSY and SECRET SCREENING
American Genre Film Archive makes its triumphant return to Fantastic Fest with two movies that will rot your libido in the best way. BAT PUSSY, the world’s first X-rated parody, is what happens when an anonymous smut producer gets inspired by the 1960s BATMAN TV show but only has $5. It’s also what happens when your wildest dreams and most horrifying nightmares collide in an explosion of flaccid stupefaction. Next up, after years of detective work, AGFA presents the world premiere of a brand new 2K transfer of one of the most sought-after lost films in the history of exploitation cinema.
ALL YOU CAN EAT BUDDHA
Canada, 2017. World Premiere, 84 min. Director — Ian Lagarde
In this hypnotic tale, the arrival of a large, enigmatic guest at a picturesque all-inclusive resort signals a series of events that indicate he is able to perform miracles.
ANNA AND THE APOCALYPSE
Scotland, 2017. World Premiere, 107 min. Director — John McPhail
Anna’s life is dominated by the typical concerns of her youthful peers until the Christmas season in her small town brings not Santa, but an outbreak of the undead in this genre-mashing holiday horror musical. Yep. Musical.
ANYAB
Egypt, 1981. Repertory, 100 min. Director — Mohammed Shebl
ANYAB (FANGS) is an oddity worth rediscovering! An Egyptian take on THE ROCKY HORROR PICTURE SHOW, this eye-popping musical of madness manages to cram horror, science fiction and even social commentary together while charming with its outrageous costumes and action.
APPLECART
USA, 2017. World Premiere, 86 min. Director — Bradford Baruh
An idyllic weekend vacation to a secluded cabin turns deadly when the Pollack family discovers an unconscious woman whose sinister plans will pit the family members against each other.
BAASHA
India, 1995. Repertory/International Premiere, 165 min. Director — Suresh Krissna
Superstar Rajinikanth plays a rickshaw driver with a history of violence in this genre-defining musical gangster romance epic from the director of AALAVANDHAN.
BAD GENIUS
Thailand, 2017. Texas Premiere, 130 min. Director — Nattawut Poonpiriya
A quartet of high school students are better at cheating than anything you’ve ever done in your life in this epic nail-biter about the standardized tests that level the playing field for all kids, smart and dumb, rich and poor.
BEFORE WE VANISH
Japan, 2017. North American Premiere, 129 min. Director — Kiyoshi Kurosawa
Kurosawa’s latest film is a sci-fi thriller about an invasion in which aliens must come to understand humanity through understanding human emotion — most importantly, our collective capacity for love.
BLACK SPOT (ZONE BLANCHE)
France, 2017. US Premiere, 156 min. Directors — Thierry Poiraud & Julien Despaux. Creator — Mathieu Missoffe
An ambitious prosecutor arrives in a secluded town to address a number of violent crimes, only to find himself caught in the town’s dark web of mysteries.
BLADE OF THE IMMORTAL
Japan, 2017. US Premiere, 141 min. Director — Takashi Miike
Takashi Miike’s 100th journey is an adaptation of the BLADE OF THE IMMORTAL manga. Manji, a samurai who cannot die, crosses paths with Rin Asano, a young girl whose parents were killed. Manji swears to help Rin Asano avenge her parents’ deaths.
BLUE MY MIND
Switzerland, 2017. North American Premiere, 97 min. Director — Lisa Brühlmann
BLUE MY MIND follows 15-year-old Mia (Luna Wedler) as she undergoes a life-changing transformation, one that leaves her examining her body and her very existence in a new light.
BODIED
USA, 2017. US Premiere, 121 min. Director — Joseph Kahn
Adam is a grad student with an obsessive but academic interest in the world of battle rap. When a chance encounter brings him into that world he discovers a savage side to himself he never knew existed.
BRAWL IN CELL BLOCK 99
USA, 2017. US Premiere, 132 min.\Director — S. Craig Zahler
S. Craig Zahler (BONE TOMAHAWK) returns with his sophomore feature, BRAWL IN CELL BLOCK 99. An exhilarating exercise in analog violence, CELL BLOCK follows the brutal exploits of a former boxer who finds himself incarcerated after a drug deal goes wrong. Trapped in a maximum security facility, he must fight to stay alive and to protect those he loves.
BRIMSTONE & GLORY
Mexico, USA, 2017. Regional Premiere, 67 min. Director — Viktor Jakovleski
Tultepec is a small Mexican town that celebrates its love of fireworks with a yearly week-long festival. This festival is captured in a glorious documentary that is pure cinema.
COLD HELL
Germany, 2017. US Premiere, 91 min. Director — Stefan Ruzowitzsky
A young Turkish woman living in Vienna feels increasingly lonely after she witnesses a murder and finds herself next on the killer’s agenda in this smart and gritty thriller from the director of ANATOMY and the Oscar-winning THE COUNTERFEITERS.
THE CURED
Ireland, UK, France, 2017. US Premiere, 95 min. Director — David Freyne
A zombie virus has hit the world… but it has been cured. What’s next for the ex-zombies who have returned to normal? David Freyne’s debut feature throws lots of food for thought into the mouth of your mind.
DAN DREAM
Denmark, 2017. US Premiere, 97 min. Director — Jesper Rofelt
KLOWN duo Casper Christensen and Frank Hvam reunite for a true-life tale of epic failure. Witness the non-arrival of the Danish electric car!
DARKLAND
Denmark, 2017. US Premiere, 113 min. Director — Fenar Ahmad
An Iraqi doctor in Denmark seeks vigilante justice for his brother’s murder when the police come up short, biting off more than he can chew in a world of gangs, drugs and underground fight rings.
THE ENDLESS
USA, 2017. Texas Premiere, 111 min. Directors — Justin Benson & Aaron Moorhead
When brothers Justin and Aaron return to the cult that they escaped from ten years ago, they encounter a web of secrets and mysteries that threatens to tear them apart.
FIRSTBORN
Latvia, 2017. North American Premiere, 90 min. Director — Aik Karapetian
Provocative Latvian director Aik Karapetian returns to Fantastic Fest with a new thriller that explores how far a meek architect will go to protect his dignity in the eyes of his wife in the aftermath of an attack.
FIVE FINGERS FOR MARSEILLES
South Africa, 2017. US Premiere, 120 min. Director — Michael Matthews
A troubled young man returns to the town he fled as a youth and is forced to confront his past (and the town’s difficult future) in this gorgeous Sesotho language western.
GEMINI
USA, 2017. Special Screening, 93 min. Director — Aaron Katz
Our understandings of friendship, truth and celebrity are challenged when a heinous crime tests the complex relationship between a tenacious personal assistant (Lola Kirke) and her Hollywood starlet boss (Zoe Kravitz) in Aaron Katz’s latest.
GENERATION B (GENERATIE B)
Belgium, 2017. ep. 1–4 = North American Premiere; ep. 5–6 = World Premiere, 210 min. Director — Pieter Van Hees
The generation gap has never been wider than it is in Pieter Van Hees’ deliriously absurd satire, pitting old generation money against Millennial apathy — and the occasional naked anarchist — following Belgium’s economic collapse.
GERALD’S GAME
USA, 2017. US Premiere, 103 mins. Director — Mike Flanagan
Flanagan unites with master of the macabre Stephen King for his cinematic interpretation of King’s beloved GERALD’S GAME. Starring Carla Gugino and Bruce Greenwood, GERALD’S GAME delivers pitch-perfect performances in a faithful adaptation where the horrors of the mind are much worse than what’s in front of you.
GILBERT
USA, 2017. Regional Premiere, 99 min. Director — Neil Berkeley
GILBERT is the story of Gilbert Gottfried as never seen before, both a behind-the-scenes documentary and a poignant look at the life of a comedian who has more layers than most people can imagine.
GOOD MANNERS
Brazil, France, 2017. North American Premiere, 135 min. Directors — Juliana Rojas & Marco Dutra
When lonely nurse Clara is hired as a nanny by wealthy Ana, she hardly expects anything like the friendship she finds with the lonely, pregnant woman. However, both women have dark secrets which will engulf all that they hold dear.
HAGAZUSSA — A HEATHEN’S CURSE
Germany, 2017. World Premiere, 102 min. Director — Lukas Feigelfeld
Set in the 15th Century in the Austrian Alps, Lukas Feigelfeld’s HAGAZUSSA takes us back to a dark period in which even the remotest parts of Europe suffered from the paranoia and superstition of the time.
HAUNTERS: THE ART OF THE SCARE
USA, 2017. World Premiere, 88 min. Director — Jon Schnitzer
Delving behind the scenes of one of America’s most beloved seasonal pastimes, HAUNTERS shows the world of the people who make the scariest houses, mazes and experiences that range from the traditional to the controversial.
ICHI THE KILLER — 4K RESTORATION
Japan, 2001. Repertory/World Premiere of Restoration, 129 min. Director — Takashi Miike
The yakuza occupy a murky universe with more twists and turns than the Shinjuku alleys they call home. The mysterious disappearance of a Tokyo mob boss triggers a hunt to find him, dead or alive. The search leads to the city’s most depraved clubs and sex dens and eventually to Ichi, the schizophrenic hitman behind the crime. Even more shocking is the discovery that the mastermind who hired Ichi is a fellow gangster out for revenge.
JAILBREAK
Cambodia, 2017. US Premiere, 92 min. Director — Jimmy Henderson
Cambodia’s traditional martial art of bokator is unleashed in all its bone crunching fury in this action-packed tale of police trapped in the midst of a raging prison riot.
JUNK HEAD
Japan, 2017. US Premiere, 114 min. Director — Takahide Hori
Humanity is dying. It’s been 1200 years since our rebellious clone workforce moved underground, and the only way we can survive is by plunging into the depths to learn more about our terrifying creations.
JUPITER’S MOON
Hungary, Germany, 2017. North American Premiere, 123 min. Director — Kornél Mundruczó
The most ambitious science fiction film of the year is also perhaps the most visually stunning. Aryan is a refugee who finds himself with the power to levitate after being shot. Stern is a disgraced, corrupt doctor. The two will meet and alter the entire world.
JUVENILE
USA, 2017. World Premiere, 87 min. Director — Bradley Buecker
The emotionally powerful story of Billy, an angry youth who spends his evenings stealing cars with best friend Mikey while attempting to cultivate a stable relationship with his girlfriend Jules.
THE KILLING OF A SACRED DEER
Ireland / United Kingdom, 2017. US Premiere, 120 min. Director — Yorgos Lanthimos
The life of a brilliant surgeon is thrown into disarray when his friendship with a bizarre teenager threatens the lives of his entire family. Faced with a frightening choice, the man will be forced to assess all that he’s ever done.
KING COHEN
USA, 2017. US Premiere, 104 min. Director — Steve Mitchell
Featuring interviews from some of the biggest names in genre cinema including Joe Dante, Robert Forster and Fred Williamson, this documentary tells the story of one of the best and hardest working exploitation filmmakers.
LES AFFAMES
Canada, 2017. US Premiere, 100 min. Director — Robin Aubert
In the remote Quebec countryside, things are not well. A plague has infected the land, affecting almost all the residents of a small village. The survivors have to navigate their new existence as well as deal with the infected with an appetite for flesh.
LET THE CORPSES TAN
Belgium, France, 2017. US Premiere, 92 min. Directors — Hélène Cattet & Bruno Forzani
On a beautiful corner of the Mediterranean, Rhino and his men take refuge after the robbery of 250 kilograms of gold. The plan is simple: Wait and split. But some unwanted visitors are about to turn this idyllic corner into a bloodbath.
LETTERKENNY
Canada, 2016. US Premiere, 151 min. Director — Jacob Tierney
The spiritual successors to STRANGE BREW’s Bob and Doug MacKenzie, the rural residents of the fictitious town of LETTERKENNY deliver a hysterical slice of Canadiana in the comedy phenomenon chronicling the daily problems of hicks, skids, hockey players and Christians.
THE LINE
Slovakia, Ukraine, 2017. North American Premiere, 112 min. Director — Peter Bebjak
One line is literal, the border between Slovakia and Ukraine. Criminal Adam Krajnak (Tomas Mastalir) crosses it often, smuggling product and people. The other line is metaphorical, and crossing it leads to a death spiral of violence and vengeance.
LOVE AND SAUCERS
USA/Canada, 2017. Texas Premiere, 67 min. Director — Brad Abrahams
David Huggins, a 72-year-old man who claims to have lost his virginity as a young man to an extraterrestrial being, turned to art to express his interspecies romance and lifelong relationship with the otherworldly.
MARY AND THE WITCH’S FLOWER
Japan, 2017. North American Premiere, 102 min. Director — Hiromasa Yonebayashi
Directing the first film out of Studio Ponoc, Hiromasa Yonebayashi (WHEN MARNIE WAS THERE) creates the dazzling and heartwarming story of an ordinary girl who becomes an extraordinary witch.
MAUS
Spain, 2017. World Premiere, 90 min. Director — Yayo Herrero
Yayo Herrero’s directorial debut is a couple’s nightmare journey into the heart of darkness. A superlative horror parable, this shocking film is an indictment of modern history, war and the difficulties of reconciliation. It is a story for our times.
THE MERCILESS
South Korea, 2017. North American Premiere, 117 min. Director — Byun Sung-hyun
Cribbing liberally from the history of gangster films, Byun Sung-hyun’s hard-boiled Korean crime saga is filled with all manner of murder, deceit, double and triple crosses… and, oh yeah, slap-fighting.
MOM AND DAD
USA, 2017. US Premiere, 83 min. Director — Brian Taylor
Selma Blair and Nicolas Cage are seemingly ideal parents until an unknown force causes their town’s adults to murder their offspring.
MON MON MON MONSTERS
Taiwan, 2017. Regional Premiere, 112 min. Director — Giddens Ko
A bullied schoolboy is teamed up with his tormentors to do community social work. While on duty, they encounter a strange creature which they kidnap, and take bullying to a whole new level.
MY FRIEND DAHMER
USA, 2017. Texas Premiere, 107 min. Director — Marc Meyers
This is the story of Jeffrey Dahmer, a high school loner whose life would shape up to be something far more frightening than anyone could have imagined.
THE NUDE VAMPIRE
France, 1970. Repertory, 88 min. Director — Jean Rollin
Jean Rollin’s THE NUDE VAMPIRE (1970) follows a sinister businessman who’s keeping a young vampire girl captive and experimenting on her in the hope that he finds the key to eternal life. The film will be screened in celebration of the launch of the new book from publisher Spectacular Optical, LOST GIRLS: THE PHANTASMAGORICAL CINEMA OF JEAN ROLLIN, the first examination of Rollin’s work to be written by all women critics, scholars and film historians, and will be introduced by the book’s publisher Kier-La Janisse.
THE ORIGINALS
Egypt, 2017. International Premiere, 125 mins. Director — Marwan Hamed
Samir works for a bank, provides for his ever-demanding family and dreams of being in an Egyptian talent show. When he’s unexpectedly fired, Samir finds himself recruited to be part of a secret society and finds a darker side to life in Egypt.
PIN CUSHION
United Kingdom, 2017. North American Premiere, 85 min. Director — Deborah Haywood
In this wholly unique blend of gothic fairytale and heart-wrenchingly real emotion from first-time feature director Deborah Haywood, Iona and her mother arrive in a new town hoping for a better life, but find themselves targeted by bullies.
THE PRINCE OF NOTHINGWOOD
France, Germany, 2017. US Premiere, 85 min. Director — Sonia Kronlund
Meet Salim Shaheen: Afghani auteur, prolific actor and one-man moviemaking industry. Along with his trusted troupe of actors, he defies all the odds in the Middle East to fulfill his dreams of making movies.
PROFESSOR MARSTON & THE WONDER WOMEN
USA, 2017. US Premiere, 108 min. Director — Angela Robinson
In a superhero origin tale unlike any other, this film is the incredible true story of what inspired Harvard psychologist Dr. William Moulton Marston to create the iconic Wonder Woman character in the 1940s.
RABBIT
Australia, 2017. International Premiere, 99 min. Director — Luke Shanahan
After a full year, Maude is still stricken by visions of her sister Cleo’s kidnapping. Believing that Cleo is still alive, Maude undergoes a suspenseful journey to find her in this stunning, atmospheric feature debut from Luke Shanahan.
RADIUS
Canada, 2017. US Premiere, 91 min. Directors — Caroline Labrèche & Steeve Léonard
When a man wakes up from a car crash with no memory of what happened, his first instinct is to find help. However, as he gets closer to civilization and other people, an ugly truth will rear its head and affect all those who surround him.
REVENGE
France, 2017. US Premiere, 108 min. Director — Coralie Fargeat
Three rich male thrill-seekers discover that Jennifer isn’t the human sex doll that they assumed she was when they invited her on their isolated hunting getaway. Jennifer teaches them fundamental lessons about consent in a manner that they — and we — won’t soon forget.
RIFT
Iceland, 2017. Texas Premiere, 111 min. Director — Erlingur Thoroddsen
After a phone call from his ex wakes him late one night, Gunnar drives out to a secluded vacation cottage to save Einar from himself, but what awaits him there is mystery and confusion.
RON GOOSSENS: LOW-BUDGET STUNTMAN
The Netherlands, 2017. North American Premiere, 78 min. Directors — Steffen Haars & Flip van der Kuil
The latest from the comedic team behind the NEW KIDS films and BROs BEFORE HOs. Ron Goossens is totally shitfaced. Only by working as a movie stuntman and bedding the hottest actress in the Netherlands can Ron save his marriage.
SALYUT-7
Russia, 2017. World Premiere, 119 min. Director — Klim Shipenko
Based on a true story, SALYUT-7 is the little-known mission to dock with an unmanned space station in order to stop it from crashing into Earth, a feat never before attempted in space history.
SEE YOU UP THERE
France, 2017. North American Premiere, 114 min. Director — Albert Dupontel
A man sits in a Moroccan police station, accused of multiple crimes. He tells the story of a journey that starts in 1918, in the trenches days before Armistice, and takes two fascinating characters all the way through the war to Paris and beyond.
THE SQUARE
Sweden, 2017. US Premiere, 150 min. Director — Ruben Östlund
An art museum director’s life becomes a comedy of errors when trying to put together his latest exhibit in FORCE MAJEURE director Ruben Ostlund’s latest, which won the Palme D’Or at this year’s Cannes.
SUPER DARK TIMES
USA, 2017. Regional Premiere, 102 min. Director — Kevin Phillips
A split-second act of violence forever changes the lives of two ’90s kids. Now they must cope with both the fallout of that moment and the pressures of high school in this clever and bloody coming-of-age thriller.
TABULA RASA
Belgium, 2017. US Premiere of Episodes. 1 and 2; World Premiere of Episode 3; 150 min. Directors — Jonas Govaerts & Kaat Beels. Series created by Malin-Sarah Gozin
The first three episodes of a gripping Belgian psychological TV thriller about a young female amnesiac who’s the key subject in a man’s disappearance.
THELMA
Norway, 2017. Texas Premiere, 116 min. Director — Joachim Trier
A conservative young woman attending college in Oslo begins to fall in love while discovering her burgeoning supernatural powers in a stunning new film from Norway.
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI ** PULLED**
USA, 2017. US PREMIERE, 110 min. Director — Martin McDonagh
A grieving mother takes drastic measures in an attempt to catch her daughter’s killer. Challenging the police to solve the case, she posts a series of billboards that threaten the fabric of rural, Missouri.** PULLED**
THOROUGHBRED
USA, 2017. Austin Premiere, 92 min. Director — Cory Finley
Two teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. In the process, they learn that neither is what she seems to be, and that a murder might solve both of their problems.
TIGER GIRL
Germany, 2017. US Premiere, 90 min. Director — Jakob Lass
Failing to crack the ranks as a would-be cop, Maggie begrudgingly settles for a security guard job until she encounters Tiger, a fierce young woman whose rebellious antics leave Maggie questioning which side of the law she truly belongs on.
TIGERS ARE NOT AFRAID
Mexico, 2017. World Premiere, 83 min. Director — Issa López
When her mother suddenly disappears with no one to care for her, young Estrella ends up on the street and joins a gang of children, triggering a dangerous and tragic chain of events in the third feature from Mexican filmmaker Lopez.
TOP KNOT DETECTIVE
Australia, 2016. North American Premiere, 87 min. Directors — Aaron McCann & Dominic Pearce
Aliens! Ninjas! Robots! Enormous egos! Get ready to enter the world of TOP KNOT DETECTIVE! Possibly the greatest cult TV series you’ve never heard of, TOP KNOT DETECTIVE and its creator Takashi Tawagoto come to life in this gonzo documentary.
UNDER THE TREE
Iceland, Denmark, Poland, Germany, 2017. US Premiere, 89 min. Director — Hafsteinn Gunnar Sigurðsson
On the outskirts of Reykjavik, the shadow cast by a tree triggers a feud between two neighboring families, with tragic and darkly comic consequences.
V.I.P.
South Korea, 2017. International Premiere, 128 min. Director — Hoon-jung Park
A notorious serial killer who happens to be the son of a defecting DPRK official sends South Korea’s National Intelligence, police from both states and even international brass into a mad political scramble in this thrilling neo-noir.
VAMPIRE CLAY
Japan, 2017. US Premiere, 80 min. Director — Soichi Umezawa
A class of art school hopefuls is stalked by blood-thirsty, flesh-hungry clay in this bizarre practical effects-heavy horror assault from THE ABCs OF DEATH 2 segment director and longtime special makeup effects artist Umezawa.
VIDAR THE VAMPIRE
Norway, 2017. Texas Premiere, 82 min. Directors — Thomas Aske Berg & Fredrik Waldeland
Christian farmer Vidar has a boring life, living with his mom and tending sheep. When he wishes for more excitement he wakes up undead, hangs out with vampire Jesus and discovers that sometimes the party can go on too long.
WHEELMAN
USA, 2017. World Premiere, 82 min. Director — Jeremy Rush
Frank Grillo (KINGDOM; CAPTAIN AMERICA: CIVIL WAR) stars as the wheelman, a getaway driver thrust into a high stakes race to survive after a bank robbery goes terribly wrong. With a car full of money and his family on the line, the clock is ticking to figure out who double-crossed him and the only person he can trust… his 14-year-old daughter. All reasons to think fast and drive faster.
WIZARD
South Africa, 2017. World Premiere, 79 min. Director — Kagiso Lediga
Young Lefa proves not to be such a terribly convincing criminal as he, and his best friend Papi, attempt to fund his university tuition by peddling weed in the South African townships
WORLD OF TOMORROW EPISODE TWO: THE BURDEN OF OTHER PEOPLE’S THOUGHTS
USA, 2017. World Premiere, 22 min. Director — Don Hertzfeld
Further Information:
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About Fantastic Fest
Fantastic Fest is the largest genre film festival in the U.S., specializing in horror, fantasy, sci-fi, action and just plain fantastic movies from all around the world. In years past the festival has been home to world premieres of JOHN WICK, FRANKENWEENIE, MACHETE KILLS, RED DAWN, THERE WILL BE BLOOD, APOCALYPTO, ZOMBIELAND and RED while the guest roster has included such talent as Tim Burton, Lilly and Lana Wachowski, Robert Rodriguez, Rian Johnson, Mel Gibson, Bill Murray, Keanu Reeves, Martin Landau, Winona Ryder, Edward Norton, Ryan Reynolds, Karl Urban, Josh Hartnett, The RZA, Dolph Lundgren, Paul Rudd, Bill Pullman, Paul Thomas Anderson, Kevin Smith, Jon Favreau, George Romero, Darren Aronofsky and Mike Judge. Fantastic Fest also features world, national and regional premieres of new, up-and-coming genre films. Fantastic Fest has seen the acquisition of many titles, including BULLHEAD, KILL LIST, MONSTERS, KLOWN, THE FP, PENUMBRA, HERE COMES THE DEVIL, NO REST FOR THE WICKED, VANISHING WAVES, COMBAT GIRLS and I DECLARE WAR. Fantastic Fest is held each year at the Alamo Drafthouse Cinema in Austin, Texas. Alamo Drafthouse has been named the best theater in the country by Entertainment Weekly, Wired and TIME. Variety included Fantastic Fest in a list of “10 Film Festivals We Love,” and was also named one of the “25 coolest film festivals” by Moviemaker Magazine.
About Alamo Drafthouse
Tim and Karrie League founded Alamo Drafthouse Cinema in 1997 as a single-screen mom and pop repertory theater in Austin. Twenty years later, the now 29-location chain has been named “the best theater in America” by Entertainment Weekly and “the best theater in the world” by Wired. The Alamo Drafthouse Cinema has built a reputation as a movie lover’s oasis not only by combining food and drink service with the movie-going experience, but also introducing unique programming and high-profile, star studded special events. Alamo Drafthouse created Fantastic Fest, a world renowned film festival dubbed “The Geek Telluride” by Variety. Fantastic Fest showcases eight days of genre cinema from independents, international filmmakers and major Hollywood studios. The Alamo Drafthouse’s collectible art gallery, Mondo, offers breathtaking, original products featuring designs from world-famous artists based on licenses for popular TV and Movie properties including Star Wars, Star Trek & Universal Monsters. The Alamo Drafthouse Cinema is expanding its brand in new and exciting ways, including partnering with the film distribution company NEON, Birth.Movies.Death., an entertainment content platform for movie lovers and the American Genre Film Archive, a non-profit film archive dedicated to preserving, restoring and sharing exploitation-era film.
