Kino Lorber Brings a Pair of Dan Curtis Classics to Blu-Ray with DEAD OF NIGHT & DAN CURTIS’ MONSTERS
PFF 2025: THE TESTAMENT OF ANN LEE – Presents a Daring and Empathetic History of the Shaker Faith
CHAINSAW MAN – THE MOVIE: REZE ARC – Chainsaw Man Returns Bigger and Badder than Ever! (Movie + 3D/4DX Review)
Fantastic Fest 2025: V/H/S/HALLOWEEN Not Only Keeps The Annual Tradition Alive, But Might Be The Best Entry Yet
Digging into V-CINEMA ESSENTIALS Part 4: THE HITMAN: BLOOD SMELLS LIKE ROSES & DANGER POINT: THE ROAD TO HELL
[Spoiler Free] WEAPONS Tackles School Violence though the Guise of One of the Best Horror Films of the Year
Fantasia 2025: DÉSOLÉ, PARDON, JE M’EXCUSE OR EXCUSE ME, SORRY, PLEASE FORGIVE offers up a Charming Dark Comedy about Dark Web Torture Videos
CFF 2025: EXORCISMO: THE TRANSGRESSIVE LEGACY OF CLASIFICADA ‘S’ offers up a Dense Deep Dive into Spanish Cinema
MISHIMA: A LIFE IN FOUR CHAPTERS: Paul Schrader’s Mid-Century Red Pill Masterwork makes its way to 4K UHD Thanks to Criterion
Tribeca 2025: THE DEGENERATE: THE LIFE & FILMS OF ANDY MILLIGAN Finally Gives one of the most Underrated Genre Directors his Flowers
The Archivist: Warner Archive Deals out a Blaxploitation double dose of HIT MAN and THREE THE HARD WAY
Review: All The Haunts Be Ours: A Compendium Of Folk Horror Vol. 2 – An Academic Exploration of the Subgenre
Celluloid Dreams’ Unearth a Lost Feminist Giallo with Their 4K UHD Release of THE CASE OF THE BLOODY IRIS
EVANGELION:3.0+1.11 THRICE UPON A TIME Delivers a Satisfying Conclusion Gorgeously Rendered in 4K Thanks to GKIDS
88 Films: In The Line of Duty I-IV is a Fully Loaded Girls and Guns Extravaganza! [Unboxing Video + Review]
