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THE WITCH: SUBVERSION: A Solid South Korean Action Mystery
THE HEAD HUNTER: Micro Budget Meets Medieval Horror Fantasy
AQUAMAN: The Ultimate Superhero Swashbuckler [4K Blu Review]
NIGHTSHOOTERS: Don’t Miss One of 2019’s Great Action Films
The Top 15 Action Films Of 2018
DEATH KISS is Unwatchable But MAN, That Guy Does Look Like Charles Bronson
PEPPERMINT Lets Down Its Lead [Blu Review]
ALL THE DEVIL’S MEN: An Action Star Vehicle For Mel Gibson’s Son Milo
FINAL SCORE: The DIE HARD Formula is Alive and Well [Blu Review]
BELIEVER: South Korea’s Slick Remake of Johnnie To’s DRUG WAR [Blu Review]
I AM VENGEANCE: WWE Breakout Stu Bennett Has Chops
BUYBUST: The Philippines’ Answer To THE RAID
Fantastic Fest 2018: LUKAS (aka THE BOUNCER): A Top Tier Late JCVD Eurocrime Thriller
Fantastic Fest 2018: THE NIGHT COMES FOR US is the Gnarliest Action Film in the History of the…
Shane Black’s THE PREDATOR: Irreverent, Problematic, Refreshing
BLACK WATER: Jean-Claude Van Damme & Dolph Lundgren Are Buds On A Sub
The Archivist #89: Sparring With SUPER FLY (1972) vs SUPERFLY (2018)
THE EQUALIZER 2: Gleefully Irresponsible Escapism
SKYSCRAPER: A Preposterously Fun Action Throwback
FUTURE WORLD: This Post Apocalypse Is Out Of Gas
ESCAPE PLAN 2: HADES: Chinese Investment Algorithm Leads To Action Movie
The Elevated Horror of SICARIO: DAY OF THE SOLDADO
THE DEBT COLLECTOR: Two Bit Hoods, Top Notch Crime Film
INCOMING Isn’t DIE HARD In Space, Sadly
ACCIDENT MAN: Scott Adkins’ Most Well Rounded Project To Date
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