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Features
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Criterion Collection
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Field of Streams
Film Festivals
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Criterion Review: FUNNY GIRL
ERNEST COLE: LOST AND FOUND: Portrait of an Artist
GREEN BORDER Is Unforgettable [Blu-Ray Review]
Two Cents Kicks Off a Month of Women in Westerns with CAT BALLOU
NAKED ACTS: A Vital Voice on Black Women in Film
Criterion Box Set Review: Three Revolutionary Films by Ousmane Sembène
Criterion Review: DOGFIGHT (1991)
Criterion Review: ALL THE BEAUTY AND THE BLOODSHED
SXSW 2024: OMNI LOOP
SXSW 2024: MALTA
THE THOMAS CROWN AFFAIR Is a Fun, Stylish Romp
PICCADILLY Puts a Spotlight on Anna May Wong
Sundance 2024: THE BATTLE FOR LAIKIPIA
Sundance 2024: EVERY LITTLE THING
Sundance 2024: THE MOTHER OF ALL LIES
Sundance 2024: IGUALADA
Sundance 2024: BRIEF HISTORY OF A FAMILY
Sundance 2024: SUGARCANE
Sundance 2024: SEEKING MAVIS BEACON
Sundance 2024: BLACK BOX DIARIES
Criterion Review: LONE STAR (1996)
AMERICAN FICTION is a Fresh Take on the Publishing World
FOUR DAUGHTERS Is One of 2023’s Best Documentaries
Criterion Review: THE OTHERS
REVOIR PARIS: What Happens After [DVD Review]
THE ROYAL HOTEL is a Modern Western of Misogynist Menace
Criterion Review: DIM SUM: A LITTLE BIT OF HEART
Virginie Efira and the Soul of OTHER PEOPLE’S CHILDREN
AFIRE: On Climate Change and Self-Absorption
THE MIRACLE CLUB Travels Familiar Territory
CHILE ’76 Is a Masterful Political Thriller
Criterion Review: PETITE MAMAN
ARE YOU THERE GOD? IT’S ME, MARGARET
SHOWING UP and Being Stuck
SXSW 2023: WITH LOVE AND A MAJOR ORGAN
SXSW 2023: SISTER & SISTER
The Tender Story of ONE FINE MORNING
Sundance 2023: VICTIM/SUSPECT
Sundance 2023: GOING VARSITY IN MARIACHI
Sundance 2023: NAM JUNE PAIK: MOON IS THE OLDEST TV
Sundance 2023: JUDY BLUME FOREVER
Sundance 2023: FANCY DANCE
Sundance 2023: THE DISAPPEARANCE OF SHERE HITE
Sundance 2023: IT’S ONLY LIFE AFTER ALL
Sundance 2023: SLOW
THE STRANGE LOVE OF MARTHA IVERS
Criterion Review: HÔTEL DU NORD
Criterion Review: SUMMERTIME
The Archivist #143: Two Musicals for Judy Garland’s Centennial [ZIEGFELD GIRL & FOR ME AND MY GAL]
NEPTUNE FROST: Music as Protest
Carol Kane Shines in HESTER STREET
Criterion Review: love jones (1997)
SXSW 2022: THE UNKNOWN COUNTRY
SXSW 2022: PRETTY PROBLEMS
SXSW 2022: WHAT WE LEAVE BEHIND
TURNING RED Is a Colorful Coming-of-Age Adventure
Criterion Review: LOVE AFFAIR (1939)
Sundance 2022: THE EXILES
Sundance 2022: AM I OK?
Sundance 2022 Interview: The Ebo Twins On HONK FOR JESUS. SAVE YOUR SOUL.
Sundance 2022: THE JANES
Sundance 2022: UTAMA
Sundance 2022: DESCENDANT
Sundance 2022: AFTER YANG
Sundance 2022: FIRE OF LOVE
PARALLEL MOTHERS is Pedro Almodóvar and Penélope Cruz’s Best Collaboration Yet
Criterion Review: THE RED SHOES
THE TRAGEDY OF MACBETH
WIFE OF A SPY: A Matter of Trust
The Dark Comedy of GAZA MON AMOUR
BERGMAN ISLAND’s Intricate Maze
The Grim Beauty of SONGS MY BROTHERS TAUGHT ME
Criterion Review: LOVE & BASKETBALL
Blu-Ray Review: IN THE HEIGHTS
Criterion Review: AFTER LIFE (1998)
AILEY: Portrait of an Artist
JUNGLE CRUISE Is a Fun Ride, But Will You Remember It?
Criterion Review: BRINGING UP BABY
RITA MORENO: JUST A GIRL WHO DECIDED TO GO FOR IT: Spotlight on a Legend
PLAN B Is a Funny, Feminist Trip of a Film
Criterion Review: MERRILY WE GO TO HELL
Criterion Review: HISTORY IS MADE AT NIGHT
SXSW 2021: I’M FINE (THANKS FOR ASKING)
SXSW 2021: WEWORK: OR THE MAKING AND BREAKING OF A $47 BILLION UNICORN
THE DONUT KING Shows One Man’s Delicious Search for “The American Dream”
Criterion Review: CLAUDINE
ALL IN: THE FIGHT FOR DEMOCRACY
LUCKY GRANDMA Is a Big Winner
RADIOACTIVE Remains Stable
Criterion Review: PORTRAIT OF A LADY ON FIRE
Criterion Review: DANCE, GIRL, DANCE
BIRDS OF PREY Is Good, Frantic Fun [Blu Review]
Criterion Review: ME AND YOU AND EVERYONE WE KNOW
Restored: THE LOVE OF JEANNE NEY (1927)
Criterion Review: LEAVE HER TO HEAVEN
The Still Wonder of FIRST COW
EMMA. Is. Fine.
FROZEN 2: Some Things Never Change
THE ASSISTANT: A Chilling Workplace Drama
THE RHYTHM SECTION Can’t Find the Beat
Ida Lupino, Director
Criterion Review: HOLIDAY (1938)
Don’t Let HUSTLERS Get Lost in the Shuffle
Renee Zellweger On JUDY
The Search Is Everything: MILLENNIUM ACTRESS
Criterion Review: MATEWAN
Almodóvar is Back with PAIN AND GLORY
Arrow Heads Vol. 71: THE MAJOR AND THE MINOR
The Naive Optimism of SWEET CHARITY [Blu Review]
HUSTLERS: Sisters Doing It For Themselves
BE NATURAL Rediscovers a Historic Filmmaker [DVD Review]
The Making of WHERE’D YOU GO, BERNADETTE
WORKING WOMAN is Timely for the Me Too Era
THE FAREWELL: All in the Family
Criterion Review: SWING TIME
WOMAN AT WAR Is a Winner
Criterion Review: ONE SINGS, THE OTHER DOESN’T
Criterion Review: A FACE IN THE CROWD
Criterion Review: WANDA
Criterion Review: DEATH IN VENICE (1971)
SXSW 2019: SISTER AIMEE Is a Rollicking Feminist Retelling of History
LIZ AND THE BLUE BIRD: A Quiet Rumination on Friendship
SHOPLIFTERS: Another Stunning Work from Kore-eda
MISS BALA Bursts Onto the Screen
Criterion Review: PANIQUE (1946)
SKATE KITCHEN Rolls On to BluRay
CRAZY RICH ASIANS Is One of the Best Films of 2018 [Blu Review]
Arrow Heads Vol. 53: GAS, FOOD, LODGING
MAMMA MIA: HERE WE GO AGAIN Serves as Both Sequel and Prequel
Dreams Deferred: Criterion Releases A RAISIN IN THE SUN
THE HATE U GIVE Delivers Raw Emotion Despite Missteps
THE FARMER’S DAUGHTER: Politics with a Twist
A SIMPLE FAVOR Is Delightfully Ridiculous
Indigenous Talent Shines Through Clunky Story in WOMAN WALKS AHEAD
Criterion Review: SMITHEREENS
Kelly MacDonald Wins in PUZZLE
CRAZY RICH ASIANS is a Blast
THE DARKEST MINDS Misfires
Blu Review: A BILL OF DIVORCEMENT
Blu Review: PERSONAL PROBLEMS
Criterion Review: The Unfinished Vision of EL SUR
KEEP THE CHANGE Is a Keeper [Blu-ray Review]
DVD Review: MOTHERLAND
THE RIDER: A Cowboy’s Search for Identity
Criterion Review: THE AWFUL TRUTH
Blu Review: THE LION IN WINTER
SXSW 2018: Director Discusses MAKING THE GRADE
SXSW 2018: The Beautiful Creation of FAST COLOR
Daniela Vega Is A FANTASTIC WOMAN
Sally Potter Is Back with THE PARTY
The Quiet Astonishment of ANNIHILATION
DVD Review: Don’t Call Me Son
Criterion Review: Claude Autant-Lara: Four Romantic Escapes from Occupied France
The Delightful Marvel of PADDINGTON 2
Preview: Austin Asian American Film Festival 2017
Two Homefront Holiday Dramas Out from Kino Lorber
DESERT HEARTS Lands on Criterion
LADY BIRD: I Know Things Now
PORTRAIT OF JENNIE: A Sublime Romance
AMERICAN GODS [Blu-Ray Review]
Courage and Determination: WONDER WOMAN Hits Home Video
Criterion Review: CERTAIN WOMEN (2016)
Is it Worth Going HOME AGAIN?
I DO…UNTIL I DON’T: Maybe Don’t
You Are Cordially Invited to THE WEDDING BANQUET
Review: IN THIS CORNER OF THE WORLD
Cinapse Selects: MY NEIGHBOR TOTORO
STEP: A Sisterhood of Dancers
LANDLINE: A Matter of Trust
MAUDIE: An Intimate Look at a Painter’s Life
THE MAN IN THE MOON Hits Twilight Time Blu-Ray
Cinapse Selects: PASSION FISH
Criterion Review: JEANNE DIELMAN
A QUIET PASSION: The Interior Life of a Poet
Criterion Review: THE UMBRELLAS OF CHERBOURG
Cinapse Selects: AUSTENLAND
PERSONAL SHOPPER: Fashion, Grief and Ghosts
SXSW 2017: MAINELAND
MOANA Blu-Ray Review: You’re Welcome
A UNITED KINGDOM: Love Finds a Way
Criterion Review: WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN
Cinapse Selects: UNDER THE TUSCAN SUN
Criterion Review: BLACK GIRL
I WANT TO LIVE! Hits Twilight Time Blu-ray
MISS SLOANE: Chastain Is in Control
DAISY KENYON: Independent Woman
Austin Asian American Film Fest Review: AFTER THE STORM
Austin Film Festival 2016: QUAKER OATHS
Austin Film Festival 2016: THE BIG FLIP
Austin Film Festival Preview: Director Jody Lambert on BRAVE NEW JERSEY
Austin Film Festival Preview: Director Minhal Baig Talks About ONE NIGHT
The Innate Joy of QUEEN OF KATWE
A Farewell to Curtis Hanson with IN HER SHOES
Criterion Review: THE STORY OF THE LAST CHRYSANTHEMUM
THE INTERVENTION: A Weekend with Friends
Criterion Review: A TASTE OF HONEY
OUR LITTLE SISTER: Koreeda’s Celebration of Sisterhood
Kerry Washington Inspires in CONFIRMATION [Blu-Review]
Blu-Ray Giveaway: HBO’s CONFIRMATION
5 Reasons Why GHOSTBUSTERS Could Be Your New Summer Fave
LOVE BETWEEN THE COVERS Delves Into the World of Romantic Fiction
I COULD GO ON SINGING: A Farewell to Garland
The Startling Beauty of THE FITS
Gerwig Shines in MAGGIE’S PLAN
THE PRIVATE AFFAIRS OF BEL AMI Is a Forgotten Gem
Pick of the Week: MONSOON WEDDING
THE MEDDLER: A Director’s Quirky Love Letter to Her Mom
THE BOSS: Time for a Performance Evaluation
THE INVITATION: Come As You Are
SXSW 2016: WE ARE X
SXSW 2016: JEAN OF THE JONESES
ONLY YESTERDAY Turns 25
45 YEARS: Scenes from a Marriage
Pick of the Week: THE LAST FIVE YEARS
Kiarostami’s TEN and the Politics of the Everyday
Elizabeth’s Top 11 Film Scores of 2015
Oh, JOY, What a Mess
Season’s Screenings: A Few of Our Favorite Holiday Movies
SISTERS: Poehler and Fey Revel in this Rambunctious Romp
KING OF THE HILL Season 13: The End of an Era
Austin Film Festival Review: IT HAD TO BE YOU
Austin Film Festival Review: Brooklyn (2015)
Austin Film Festival Review: TWO LUNES
Austin Film Festival Preview: UPSTAIRS INFERNO Makes its Texas Premiere
PRACTICAL MAGIC is Practically the Pick of the Week
KING OF THE HILL’s Penultimate Season Available on DVD
SLEEPING WITH OTHER PEOPLE Is Dirty, Twisted and Sweet
The Delightful Dramedy of JANE THE VIRGIN Season 1 (Now on DVD)
Pick of the Week Invites You to BREAKFAST FOR TWO
You Could Fall for MISTRESS AMERICA
KAHLIL GIBRAN’S THE PROPHET: Animated Splendor
The Flagrantly Feminist YEAR OF THE WOMAN
Get Ready, Aardman Fans, It’s SHAUN THE SHEEP!
TRAINWRECK is an Amy Schumer Film
Shot-On-iPhone TANGERINE Takes to the Streets of L.A.
TESTAMENT OF YOUTH: A Woman’s Life During Wartime
6 Reasons Why SPY Is Not Your Typical Summer Comedy
WHEN MARNIE WAS THERE: Studio Ghibli’s Latest Doesn’t Disappoint
FAR FROM THE MADDING CROWD: Carey Mulligan Deserved A Better Film Surrounding Her
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