Christopher Lee and Oliver Reed stand out in this buccaneering tale
For most cinephiles, Hammer is synonymous with horror. But their productions often left the realm of genre fare, resulting in some interesting mainstream productions, from comedies and thrillers to family orientated TV and radio shows. One such venture saw them take to the high seas (not really, it’s set on land) for a pirate adventure that weaves in mutiny and religious conflict, makes use of a fantastic cast (including hammer stalwart Christopher Lee), and showcases production values that belie its budget. It’s the latest from Twilight Time, The Pirates of Blood River.
Synopsis
Hammer Studios goes quasi-historical with The Pirates of Blood River (1962), with Kerwin Mathews starring as a Huguenot outcast taken up by a bloody band of pirates led by the elegant Frenchman, Captain LaRoche, incarnated by the great Christopher Lee. Oliver Reed, Glenn Corbett, Michael Ripper, and Peter Arne co-star; other Hammer regulars include director John Gilling and cinematographer Arthur Grant.
The tale is one of a clash between two forces on an island. The first is a devout group of locals, one being challenged by a youth amongst their number; the second is a band of pirates who land seeking a lost treasure, hidden away by the settlement’s founder. In one way, it’s the pirate film you’ve come to expect; in another, it’s a interesting look at the pervasion and perversion of religion. Puritanical strife is well depicted, as is the conflict raised by challenging blind acceptance of faith. The film sets up some interesting ideas, questions, and conflicts; however, it doesn’t really deliver, an issue hampered by a second half that meanders too frequently. While execution is flawed, the approach differentiates it from other entries to the genre and holds enough surprise and intrigue to hold your attention, primarily aided by an able cast.
Hammer regulars such as Andrew Keir and Michael Ripper add much character to the film, as do other British notables such as Dennis Waterman, Peter Arne (likely familiar from Straw Dogs), and Desmond Llewelyn (Q!). It’s an era and production company that knew how to draw from reliable British talent to add depth. Oliver Reed shows the early talents that will one day make him a legend, throwing himself into the role (and a lake) with gritty gusto. Of course it’s Christopher Lee who draws your eye…no pun intended. Affecting a curious accent, and a henchman named Hench, it’s a suave and chilling scoundrel he crafts. Another highlight is the work of director John Gilling and production designer Bernard Robinson. They give The Pirates of Blood River a true sense of scale, adding finery to a production that was not made in an exotic locale, but some back-lot in the South of England.
The Package
Twilight Time’s release showcases a decent image transfer. Colors are vibrant, blacks are solid; however, detail is lacking, and a smoothness in images is very much evident. Special features include:
- Isolated Music & Effects Track: The film features a great score from Gary Hughes, so this is sure to please many.
- Audio Commentary with Writer Jimmy Sangster, Art Director Don Mingaye, and Film Historian Marcus Hearn: Those assembled reflect largely on their careers and involvement with Hammer studios in general more than the specific movie at hand. It’s actually rather interesting.
- Original Theatrical Trailer
- Twilight Time Liner Booklet: Showcasing an essay by film historian Julie Kirgo as well as stills from the film.
The Bottom Line
While the plot and pacing of The Pirates of Blood River hamper its success, there is plenty to appreciate in terms of production and performances. Christopher Lee is obviously a standout, while the rough charms of a young Oliver Reed captivate. A flawed, but undoubtedly engaging film from Hammer, applaudably pushing themselves with such a venture.
The Pirates of Blood River is available via Twilight Time now in a Limited Edition release of 3,000 units.
